Archive for April, 2009

New Law Can Put Texas Back in the Film Business

April 24th, 2009

Texas Film IncentivesOn Thursday at Troublemaker Studios in Austin, Gov. Rick Perry signed HB873 into law. This law, a dramatic improvement on the existing film incentive package passed in the previous legislative session, is designed to put Texas back into play as a first tier location filming destination. The package also boosts incentives for commercial production and for Texas’ video game producers. According to press reports, because the legislation passed overwhelmingly in both houses, it becomes law upon Perry’s signing. Congratulations go out to the TXMPA and lobbying firm HillCo Partners for their leadership in guiding this effort to bring film industry jobs back to Texas. Let the funding begin.

UPDATE: The House has approved the requested $60 million funding for two years while the Senate passed the bill with ony $20 million in funding, the same figure that was in the previous law. The two sides will have to come together on a funding amount and here’s hoping and praying that it will be closer to $60million than $20million.

The legislators surely understand that to pay out $60 million, there will have been SEVERAL HUNDRED MILLION in production spending before any of that money is rebated. Based on a 15% rebate, the $20 million rebated would be based on +/- $133 million in spent production dollars. Hummm… $300-$400 million in production spending vs $130 million in spending in the state…which is better for Texas?

SAG and AMPTP Settle – Texas Film Incentive Law Passes

April 20th, 2009

SAG and AMPTP settle…bad contract but at least we get to vote on it now…it will pass…

Is this the contract we want and need? No. However, after a year of on and off negotiations, this is the contract we’re stuck with and, given the overall economic climate, this contract will pass. At least we got two year expiration that will give the various guilds the opportunity to work together next time and hopefully improve the pitiful compensation package that this agreement establishes for new media. Time will tell, of course, but those of us who’ve been around the block a few times have little reason for optimism that the AMPTP will give significant improvements going forward. Our best hope there is if SAG, AFTRA and WGA can work together in two years. Each day seems to bring a new announcement concerning new media company alliances that will continue to alter the current product distribution landscape. Right now, actors are set to get the short end of the stick. In two years we should have ample documentation to make a strong case for significant improvements to this just approved agreement.

And now some really good news…

TXMPA effort pays off with improved film incentive package… gov will sign into law and now it HAS TO BE FUNDED…

And more good news…

SAG and AFTRA successfully negotiated a new commercials contract so no negative excitement on that front…things are looking very positive for resurgence of Texas film business…Great way to start a new week!

Here’s the email SAG members got concerning the new theatrical contract:

Dear Screen Actors Guild member:

We are pleased to inform you that the National Board of Directors today voted to approve the tentative TV/Theatrical deal and recommend it to the members.

Please see the following announcement.

SCREEN ACTORS GUILD NATIONAL BOARD OF DIRECTORS APPROVES TENTATIVE TELEVISION AND MOTION PICTURE CONTRACTS AND RECOMMENDS RATIFICATION

Los Angeles (April 19, 2009) – The Screen Actors Guild National Board of Directors today voted 53.38 percent to 46.62 percent to approve and recommend to members, new, two-year successor agreements to the 2005 Producer-Screen Actors Guild Codified Basic Agreement and 2005 Screen Actors Guild Television Agreement.

The proposed agreement, covering actors in motion pictures and television delivers 3.5% effective annual increases comprised of a 3% wage increase and a .5% pension and health contribution increase upon ratification, and a 3.5% wage increase in year two.

The board passed the below motion shortly after 4:00 p.m. today:

It was moved and seconded that the National Board directs the Interim National Executive Director to send the tentative agreement between the Producers represented by the AMPTP and the Screen Actors Guild for successor agreements to the 2005 Producer–Screen Actors Guild Codified Basic Agreement and the 2005 Screen Actors Guild Television Agreement to the membership for ratification, with a recommendation from the Board to vote ‘Yes.’
Approved: 53.38% –46.62%

“I urge members to carefully review both the pros and cons in the referendum materials, and exercise their right to vote,” said Screen Actors Guild National President Alan Rosenberg.

Interim National Executive Director David White said: “We are pleased that Screen Actors Guild members will soon be voting on a deal for television and motion pictures. We’re eager to get our members back to work and to focus now on the challenges ahead, particularly on initiating a comprehensive effort to thoughtfully plan for the future.

Our negotiating committee, task force and professional staff have worked countless hours on this agreement over the last year. On behalf of the National Board, I thank them for their time, commitment and expertise.”

Chief Negotiator John McGuire stated: “This tentative agreement delivers increased contributions to the SAG pension plan, increased minimums, a significant gain in background actor numbers from 50 to 55 over the term of the contract, and it tracks the new media provisions achieved by other entertainment industry unions. The term of the agreement puts SAG in sync with the other unions, and does not include the extended term recently proposed by the AMPTP.”

Provisions of the proposed deal include:
• A two-year term of agreement concluding June 30, 2011.
• Effective annual increases comprised of 3.0% in wage increases and .5% in pension contributions upon ratification, and a 3.5% wage increase one year following ratification.
• A new media structure that tracks those achieved by other industry unions, resulting in gains for actors including:
o Jurisdiction on all derivative, made-for new media productions; automatic jurisdiction on all high-budget, original, made-for new media productions; plus jurisdiction on low budget original, new media productions that employee at least 1 covered performer.
o Residuals for exhibition of TV and Theatrical motion pictures on consumer pay platforms (Electronic Sell Through) at a greater percentage than those paid for DVD distribution.
o Residuals for ad-supported streaming of feature films and television programs.
o Residuals for derivative new media programs.
• Additional 5 covered background actors in feature films. From 50 to 53 covered background positions upon ratification of the contract, and from 53 to 55 covered background positions in year 2. Adds 1 covered background position in TV, from 19 to 20, upon ratification.
• Increased compensation for guest star premium from 7.5% to 10%.
• Increased trailer money break from $2,500 to $3,000, or more per week.
• Increased overtime money break for three-day performers from $2,700 to $3,000.
Ratification ballots will be mailed to eligible SAG members in early May, with an expected return date at the end of the month. Tabulation will occur immediately upon the conclusion of balloting.

Bargaining for a successor agreement to the 2005 SAG TV/Theatrical Contract began on April 15, 2008.

Actor Lou Perryman Victim of Homicide in Austin

April 3rd, 2009

Lou PerrymanSometimes you get blindsided by the news. Such was the case when I learned that actor Lou Perryman was the victim of a homicide in Austin on Thursday.

From KeyeTV.com:

Thursday officers found the body of a man in a home on the 1100 block of Darvone Circle. That is south of William Cannon Dr. between Manchaca Rd. and S. Congress Ave.

CBS 42 has learned Seth Christopher Tatum is the man whose information led police to that South Austin neighborhood. He has a violent criminal past – detailed in these court documents – including aggravated robbery with a deadly weapon.

Now he faces a capital murder charge.

Sadly, we now know the victim was Lou Perryman.

I first became aware of Lou upon seeing Eagle Pennell’s THE WHOLE SHOOTIN MATCH and then met him at an audition upon arriving in Austin in 1994. I didn’t know Lou well, but we would have a chat at auditions here and in Dallas where we’d bump into each other coming or going from readings. Lou was blessed with a lot of talent and a great character actor’s face. And, sad to say, he was an underutilized talent in this market.

In my experience, Lou was one of the good guys. Prayers go out to his family at this terrible time.

R.I.P., Lou.

The Austin Conservatory Presents : BUILDING THE BIZ

April 2nd, 2009

Screen Actors Guild LogoAFTRA LOGOThe recently formed AUSTIN CONSERVATORY is picking up steam in its quest to help all actors, particularly SAG and AFTRA actors hone their craft. Following the highly successful Script to Screen event this past Monday, the Conservatory is following up with a forum designed to assist actors and indie filmmakers in moving their careers forward. This event is FREE FOR EVERYONE. Future events will likely have a nominal fee attached for interested parties who are not SAG or AFTRA members, but this event is presented without charge.

Please join us Sunday afternoon for an informative presentation including Q&A from the audience. If you can make it Sunday please introduce yourself and let me know you saw the announcement here.

Here’s the pitch:

Indie people don’t wait for the projects to come to them . . . they create!

Join industry experts for an informative session of supporting your creative vision while using professional talent. From Shorts to Ultra Low, to Full Features, to Webisodes or New Media and Gaming . . . SAG has a contract that can help improve your creation by broadening your talent pool. Bring your ideas and your questions.

Sunday, April 5, 2009

2-4 p.m.

Picture Box Studio

701 Tillery, Suite A-7

Austin, Texas 78702

512-480-9291

Panelists:

Bryan Poyser - Producer, Writer, Director has created award winning indie films of various levels from shorts to full feature productions. Co-Founder of Cinematexas Film Festival, Bryan is recognized as a fixture in the Texas film scene and now serves as the Director of Artist Services for the Austin Film Society.

Linda Dowell - SAG Regional Branch Division Executive Director oversees a Division covering 20 regional branches across the nation (every branch between LA and New York). Linda is well versed in the details of SAG’s film agreements and has assisted hundreds of filmmakers with utilizing professional talent in their low budget projects. She also serves on the Board of TXMPA, is a member of Women in Film in Houston and Dallas, and is a member of the Dallas Producers Association.

Lori Madrid - Line Producer, UPM and now Director of Operations at Spiderwood Studios has worked on numerous features and webisodes including “A Tribute to Big Red”, “Inspector Mom” and “Prison Break”. She knows the different challenges that face features, webisodes and TV production and is dedicated to helping the media community understand the importance of raising the bar and creating more production in Texas.

Tom Booker – Actor, Producer, Director, Writer knows the art of creating work. As a performer, Tom has appeared in hundreds of commercials and television shows. His live performances include “The Real Live Brady Bunch in LA and New York and his improv skills have led him to direct and teach at The Second City Training Center in LA. Tom co-wrote “Kill The Man” starring Luke Wilson that premiered at Sundance and is the founder of The Institution Theater in Austin.

This event is free. Seating is limited. RSVP to  tavery at sag.org

Space & equipment graciously donated by Reel Women & Exec. Director, Sherry Mills.

SAG and AFTRA Make Commercials Contract Deal with Producers

April 1st, 2009

The following is from an email blast sent to SAG and AFTRA members:

Dear Screen Actors Guild Member,

I am very pleased to inform you that early this morning, the SAG/AFTRA Joint Commercials Negotiating Committee, under the capable leadership of John McGuire, Mathis Dunn and Ray Rodriguez, reached a proposed deal on the commercials contracts. The committee voted unanimously to recommend this agreement to the SAG/AFTRA Joint National Board for approval and membership referendum.

I would like to express my congratulations and sincere appreciation to the members of the negotiating team for their hard work and dedication during this challenging process.

Please take a moment to review the below news release which provides some details about the proposed agreement.

In unity and looking forward.

David White

AFTRA AND SAG REACH TENTATIVE AGREEMENT WITH ADVERTISING INDUSTRY ON NEW COMMERCIALS CONTRACTS

NEW YORK (APRIL 1, 2009)—Screen Actors Guild and the American Federation of Television and Radio Artists announced today that the AFTRA/SAG Joint Negotiating Committee has reached a unanimous tentative agreement with the Joint Policy Committee (JPC) of the American Association of Advertising Agencies (AAAA) and the Association of National Advertisers (ANA) on terms for successor agreements to the AFTRA Television and Radio Commercials Contracts and the SAG Television Commercials Contract, subject to approval by the SAG/AFTRA Joint National Board.

The new three-year agreement contains a more than $36 million increase in wage rates and other payments for all categories of performers in the first year of the contracts, approximately $21 million in increased contributions to the SAG Pension and Health Plan and the AFTRA Health and Retirement Fund, establishment of a payment structure for work made for the Internet and other New Media platforms, important new monitoring provisions, and improvements for choreographers, extras, and Spanish language performers.

The new contracts also contain an agreement in principle outlining terms for a pilot study for the purpose of testing the Gross Rating Points (GRP) model of restructuring compensation to performers as proposed by Booz & Co. The two-year study is scheduled to commence on April 15 and will be conducted by a jointly retained consultant engaged by the Unions and the Industry. The results and possible adoption of the study’s findings will be subject to negotiation by the parties not later than January 3, 2012.

The unions successfully protected the critical “Class A” payment structure and continued unchanged the editing provisions in the existing contract.

Highlights of the new agreement include:

• Three-year agreement, term effective April 1, 2009 to March 31, 2012
• 5.1% overall increase in wages and other compensation over the life of the contracts, including a 4.43% increase, effective April 1, 2009, in Class A, Wild Spot, and basic cable session fees
• For product made for the Internet or in New Media, 1.3 times the minimum session fee for 8 week’s use and 3.5 times the minimum session fee for one year’s use
• 0.5% increase in the employer contribution rate to the AFTRA H&R and SAG P&H plans bringing the total contribution rate to 15.3%. The agreement provides for a cap on P&H and H&W contributions, but the committee successfully negotiated the industry from their initial demand of $250,000 to $1,000,000 per performer, per contract, per year.
• Secured five, new covered jobs for commercial extras, up from 40 to 45
• Established new exclusivity provisions for made-for cable only commercials
• Instituted, for the first time, a contract provision to pay extras a round-trip mileage fee of $8
• Increased foreign use payments under the Spanish Language section of the contract

FRIDAY NIGHT LIGHTS WINS 2 YEAR RENEWAL, STAYS IN AUSTIN

April 1st, 2009

Friday Night LightsHere’s the press release:

The critically acclaimed NBC football-centric drama “Friday Night Lights” has been renewed for two seasons, with NBC and DirecTV partnering to bring the show to its loyal, and vocal audience, according to media reports.

The renewal means the show will continue through 2011. Each of the two seasons will have 13 episodes, according to the reports. The show will continue to be filmed in Austin.

The show, which had struggled with ratings on NBC was saved through the partnership with El Segundo, Calif.-based DirecTV. New episodes will be shown on DirecTV’s channel “The 101″ before being moved to NBC.

The partnership began with the third season of the show, an adaptation of H.G. Bissinger’s book of the same title that looks at the lives of members of a high school football team in Texas.