SAG Armadillo Day Poster

@ THE CROSSROADS OF NEW MEDIA

Saturday: March 13, 2010
Time: 11:00 AM – 1:00 PM
Venue: 219 West
219 West 4th Street
Austin, Texas

Join new media gurus Mike Prasad, Co-Founder and CEO of GirlGamer.com; Mark Friedlander, SAG National Director of New Media; and Will Marshall, SAG iActor online casting coordinator for a compelling look at the phenomenal growth in new media production and distribution.

FREE and open to the public.

Seating is limited: RSVP to Sheila Cooper at  sheila.cooper at sag.org or (800) 724-0767, option 7 or (972) 361-8185 by March 10.

Once again the list of POSSIBLE SAG signatory productions for Louisiana and Texas show that Texas is playing in the rough, with one arm tied behind our back without a competitive film incentive program.

Happily HB 873 passed this week by a vote of 139-6. Now we await the vote on the Senate version of the bill, SB 605.

Passage of these bills is critical, of course, but there is still the matter of funding. Keep an eye out for directives from the AMPTP on when it’s time to contact your representatives about funding for the enhanced film incentive program.

In the meantime, look at how many Theatrical contract productions are slated for Louisiana. The Theatrical SAG agreement is for the larger budgeted films. Bigger budgets mean more local jobs for actors and crew. More jobs that extend for longer periods of time. More money into the local and state economies.

We are glad to have so many low budget and ultra low budget films shooting in Texas. We want those projects. But to survive as an industry, and surely to actually make a living in the film industry, we MUST have larger budgeted productions shooting on a regular basis in Texas.

Louisiana

Caged Innocence #00226166

United Spirits LLC – Theatrical

Location: Shreveport, LA

Start Date: April 30, 2009

Champagne Society #00239437

Champagne Society, LLC – Theatrical

Location: New Orleans, Baton Rouge, LA

Start Date: May 1, 2009

Dead of Night #00234500

Long Distance Films, Inc – Theatrical

Location: New Orleans, LA

Start Date: To be determined

Dead Whisper #00231285

Dead Whisper Pictures, LLC – Theatrical

Location: New Orleans, LA; Big Bear, CA

Start Date: To be determined

Disconnect #00235354

Triumphant Pictures – Theatrical

Location: New Orleans, LA

Start Date: March 10, 2009

Expendables, The (aka Barrow) #00233317

Alta Vista Productions, LLC – Theatrical

Location: Shreveport, LA

Start Date: March 28, 2009

Jonah Hex #00240540

Warner Bros. Pictures, Inc

Location: Louisiana (non-specific location)

Start Date: April 13, 2009

Casting: Tiffany Little Canfield, CSA – (212)868-1260 x29

Leonie #00238888

Leonie Productions, LLC – Theatrical

Location: New Orleans, LA

Start Date: April 12, 2009

Little Murder #00239911

Little Murder, LLC – Theatrical

Location: Detroit, MI; New Orleans, LA

Start Date: April 20, 2009

Wrong Side of Town #00237651

WSOT Productions 1, LLC – Low Budget

Location: Baton Rouge, LA

Start Date: February 3, 2009

Texas

Apparition #00233593

Firestorm Pictures – Ultra Low Budget

Location: Houston, TX

Start Date: To be determined

Basement, The #00237744

T.L.P., LLC – Ultra Low Budget

Location: Dallas, TX

Start Date: To be determined

Casting: Shawn Griffith  shgriffith at earthlink.net

Beyond The Farthest Star #00233502

Pathlight Entertainment, LLC – Modified Low Budget
Location: Dallas/Ft. Worth, TX

Start Date: October 1, 2009

Casting: Benjamin Dane

Broken Promise, A South Texas Story #00210652

Que Tal Productions, LLC – Ultra Low Budget

Location: Brownsville, Mercedes, TX

Start Date: February 15, 2009

Mario Torres – (956) 227-1933

C.A.B. #00239396

Tom Proctor – Low Budget Modified

Location: TX, AZ and Los Angeles, CA

Start Date: May 16, 2009

Carried Away #00238361

Carried Away, LLC – Ultra Low Budget

Start Date: TBD

Location: Fort Worth

Casting: James Johnston

Earthling #00239014

The Abductors, LLC – Ultra Low Budget

Start Date: April 1, 2009

Location: Dallas

Casting: Josh Ridgeway  earthlingprods at yahoo.com

Iron Horses #00237421

Curveball Films, LLC – Low Budget

Location: Austin, TX

Start Date: August 1, 2009

Letter H, The #00233247

GCP Film, LLC – Theatrical

Location: Houston, El Paso, TX

Start Date: June 1, 2009

Casting: Rodney Acevedo

Love and the Texas Sky #00238741

Dust Bowl Pictures – Low Budget Modified

Location: Austin, TX

Start Date: April 1, 2009

Love Thy Neighbor #00238949

Nail Scarred Films, LLC – Ultra Low Budget

Location: Keller, TX

Start Date: April 25, 2009

Casting: Zach Smith (817) 938-9971 or  zachsmithkeller at yahoo.com

Maybe, Maybe No #00239585

Red Rider Films, LLC – Ultra Low Budget

Location: Wylie, TX

Start Date: June 12, 2009

Casting: Ryan Paige

Minority Western #00220674

FAD Productions – Ultra Low Budget

Locations: AZ & Dallas, TX

Start Date: December 30, 2009

Nerveracker

Troublemaker Studios

Location: Austin, TX

Start Date: June 2009

Casting: Beth Sepko

Player’s School #00238898

Nexus Entertainment and Greg Carter

Location: Houston, TX

Start Date: To be determined

Shadow Play #00236154

Silvatar Media, LLC – Low Budget Modified

Location: Waco, TX

Start Date: April 11, 2009

SPEAKERS: A Panel of Speakers from THE ALLIANCE
* Donise Hardy, President, Talent Works-USA
* Veronica Kelly-Albiez, Vice President, DVA Talent
* Liz Atherton, TAG Talent
* Heather Collier, Collier Talent
* Gabe Folse, State Theater

Our September 24 Mixer will feature the panel of Speakers listed above from
THE ALLIANCE, a cooperative of Casting Directors, Talent Agents and Acting
Coaches that provides insights into the needs and concerns of the acting
community. SEE: http://www.theallianceaustin.com/index.h….

This is a very important Mixer and all actors, and those in the film community in general,
are encouraged to attend.

Please pass on information about our Mixers to your friends and associates
in the film/media industries, and if you have a website associated with
those fields, please post our website - www.networkaustinmixer.com

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To: My fellow TEXAS film workers, from the Red River to the Rio Grande, from the piney woods in the east to the dusty rolling hills in the west.

On many of my countless trips between Austin and Shreveport, I often think about what Texas film workers are doing with their lives. I wonder how they are supporting their families, how the strain of working out of town is affecting them and whether or not we will see Texas rise up to be the industry destination it once was and we know it can be.

A few weeks ago Jeanette Scott, local Set Decorator and Austin Film Society board member, visited my office to discuss ways to raise funds for The Texas Motion Picture Alliance , a nonprofit organization founded to become the legislative advocate for the film, video, interactive, and digital media production industries in the Lone Star State. Many people have worked tireless hours without compensation to raise funds and support this movement. Tom Copeland and numerous others have also donated many hours to the same cause. Elected officials are consumed by the thousands of bills that are proposed each legislative session. Getting our bill passed requires the hard work of an experienced lobbyist. The main goal of TXMPA is to raise funds to pay for a lobbyist so the Texas State Legislature can hear our demands to increase the film incentives.

Those of us familiar with the movement to raise the incentive package to bring films home to TEXAS (not just Austin but all of TEXAS!) know that in the last Legislative session Film Fleet and its sister companies donated thousands of dollars to this cause. Jeanette assured me that the money was well spent, but now they need more!

This led us to the brainstorming of additional groups to talk to. My question for Jeanette was this: Aren’t the TEXAS crew members behind this? Let’s get their support!

When each and every one of us is on the set, if you need sun block – see the medic; if you need a snack – go to Craft Service; if your car had a flat that morning – see Transpo; need some tape – go to Camera. We all know the drill. Now there is another department “on set” to take care of us. It is none other than the Texas Motion Picture Alliance. The TXMPA will secure the right people to help raise the incentive package, but they need YOU behind them so that we all can bring films home to TEXAS!

I propose that each and every one of you join this organization. The membership fee is $50.00 per year. Fifty dollars is less than one tank of gas, less than one dinner out and less than my yearly latte budget.

Film Fleet and its sister companies will pledge an additional $10.00 for every new paid TXMPA membership. I will take it one step further. If there any film crew member that cannot afford the membership fee right now, e-mail your story directly to me. The address is  phil at filmfleet.com. Instead of a crew t-shirt on the next project, I will assist you in paying your membership.

Not only am I asking crew members to join, I am soliciting all industry related vendors such as Longhorn Car & Truck Rentals, Enterprise Rent-A-Car, Capps Truck & Van Rental, Crocker Crane Company, Omni Hotels, Rush Truck Centers, Play-Mor Trailers, Southwest Airlines, Raco Leasing, Hope Lumber Company, SWW Production Rentals, Juan In A Million and more! If you think a vendor could benefit from the efforts of TXMPA, forward me their information. I will contact them directly.

Like all of you, I do not want to work out-of-state. I want to work at home, in Texas, with my family and friends by my side.

Do the right thing. Join TXMPA today. You are just a click away… www.txmpa.org!

I, Phil Schriber, wrote and approved this letter.

All my best,

Phil Schriber

The Alliance exists to develop and promote Central Texas area actors, and to ensure continued use of Austin for TV and Film.

Based on comments made during last night’s meeting ofThe Alliance Austin, the SAG casting service, I Actor is not yet in the mix for use by local casting directors.

During the Q&A which followed brief comments by casting directors, Beth Sepko, Rachel Flanagen, Sally Allen, Shelly Reese and Vicky Boone, the CDs were asked if they were using the IActor service.

There was a pregnant pause which seemed to indicate that some of the CDs might not even know what IActor is, followed by Beth Sepko’s comments that it has taken a long time to get the local casting and agent’s community up to speed using Breakdown Services. Sepko went on to say (paraphrasing here:) that IActor may be a factor in the future but as of now, she is using Breakdown Services and won’t be relying on IActor in the near term.

While IActor only officially rolled out in March of 2008, it looks like SAG has some work to do to introduce the service properly to the local casting community. The fact that most of the actors in Texas, a right to work state, currently decline to join SAG, doesn’t bode well for the viability of this service for the SAG actors residing in the Texas market.

Other questions posed to the CDs present regarded marketing, upcoming productions and the necessity or lack thereof of affiliating with SAG. Several hundred local actors attended the event which was held at the Gateway Church of Austin.

And the beat goes on….

The fact is that SAG has had IActor ‘up and running’ for the past year…sort of. I’ve had my resume, headshots and video on IActor for many months. But the real roll out to the casting community only occurred last week. Finally! So, let’s see how it goes. Will it be of any benefit to actors? Hopefully it will. It is certainly another tool that attempts to make it easier for casting people to locate the actors they want to consider for a project.

Unfortunately, the actors can’t see the site from the ‘other’ side…what the casting and production side sees. I’d like to be able to search the site and see what the competition has up on IActor and maybe see how I can improve my materials. But that’s not possible. I’d also like to have the site notify me if a casting person ‘tags’ my resume. I wouldn’t expect IActor to inform me of which CD had tagged my materials but it would be nice to know someone is actually using the site and finding my information. I made that suggestion over the weekend at the SAG get together here in Austin.

So, SAG members, if you haven’t signed up for IActor, get going. If you’re ‘SAG eligible’ or waiting for another reason to finally make the plunge into the SAG waters, maybe IActor will give you another reason to consider doing so. Let me know if you’re using IActor as an Actor or casting person and how your experience is going.