still ACTING after all these years » Louisiana Film Production

Free Seminar: Texas Incentives – How To Get A Piece Of The Pie

txactor — Tue, 30 Jun 2009 16:54:37 +0000

AUSTIN CONSERVATORY PRESENTS a free seminar featuring Texas Film Commission head, Bob Hudgins and friends. Don’t miss out on this opportunity to hear first hand what Hudgins has to say about the new law, about the positive impact on Texas film production and maybe even yet another explanation of the ‘Waco’ brouhaha.

TEXAS INCENTIVES—HOW TO GET A PIECE OF THE PIE!

Discover the ins & outs of the TX Moving Image Industry Incentive Program & building the biz in Texas.

Join this open forum for producers, directors, actors and crew. Learn about the new incentives for growing work in Film, Commercial Advertising, Corporate Film, Video Gaming, & New Media. Find out how the new incentives have impacted Texas production, who’s using the incentives, and how home grown creativity can benefit from the new program.

When: Sunday, July 12, 2009

4 p.m. – 6 p.m.

Where: Congregation Beth Israel

3901 Shoal Creek Blvd.

Austin, TX 78756

(512) 454-6806

Panel includes:

· Bob Hudgins—Director, Texas Film Commission

· Linda Dowell—Regional Branch Division Exec Director, SAG

· TJ Jones— Texas Regional Director, AFTRA

· Craig Berlin—Business Manager, Pro-Tape Systems

· Ken Rector—Business Manager, IATSE Local 484

· Tom Booker—Moderator, Austin Conservatory

Cost: FREE

Please RSVP to Sheila Cooper at: (972)361-8185 OR (800) 724-0767, option 7 or sheila.cooper at sag.org

Tax Incentives Pass, A New SAG Contract is Ratified – Time To Get Busy

txactor — Wed, 10 Jun 2009 03:45:13 +0000

After months of acrimonious negotiations between SAG and the AMPTP and cross guild combat between SAG and AFTRA, a new contract has been ratified. For better or worse, and I personally hope we don’t look back on passage of this contract as the beginning of the end for both SAG and AFTRA, the SAG membership has spoken and we have a ‘deal’. The fact that this deal has the potential to eviscerate actors’ residual income was not enough to keep the membership from giving the agreement its overwhelming approval by a vote of 78% to 22%.

Here is a press release sent to the membership tonight ( 6/9/09):

FOR IMMEDIATE RELEASE

Screen Actors Guild Members Overwhelmingly Ratify TV/Theatrical Agreements

Los Angeles, (June 9, 2009) – Screen Actors Guild announced today that members have voted overwhelmingly to approve its TV/Theatrical contracts by a vote of 78 percent to 22 percent.

The two-year successor agreement covers film and digital television programs, motion pictures and new media productions. The pact becomes effective at 12:01 a.m. June 10, 2009 and expires June 30, 2011.

The contracts provide more than $105 million in wages, increased pension contributions, and other gains and establishes a template for SAG coverage of new media formats.

Approximately 110,000 SAG members received ballots of which 35.26 percent returned them – a return that is above average compared with typical referenda on Screen Actors Guild contracts. Integrity Voting Systems of Everett, WA, provided election services and tonight certified the final vote tally upon completion of the tabulation.

The vote count in the Hollywood Division was 70.70 percent to 29.30 percent in favor. In the New York Division, the vote count was 85.74 percent to 14.26 percent in favor. And in the Regional Branch Division, the vote count was 89.06 percent to 10.94 percent in favor.

Screen Actors Guild President Alan Rosenberg said, “The membership has spoken and has decided to work under the terms of this contract that many of us, who have been involved in these negotiations from the beginning, believe to be devastatingly unsatisfactory. Tomorrow morning I will be contacting the elected leadership of the other talent unions with the hope of beginning a series of pre-negotiation summit meetings in preparation for 2011. I call upon all SAG members to begin to ready themselves for the battle ahead,” Rosenberg added.

Screen Actors Guild Interim National Executive Director David White said, “This decisive vote gets our members back to work with immediate pay raises and puts SAG in a strong position for the future. Preparation for the next round of negotiations begins now. Our members can expect more positive changes in the coming months as we organize new work opportunities, repair and reinvigorate our relationships with our sister unions and industry partners, and continue to improve the Guild’s operations.”

Screen Actors Guild Chief Negotiator John McGuire said, “I want to thank the SAG members and staff who dedicated their time to the negotiations process. We emerged with a solid deal that the members have now voted up. The negotiating team worked tirelessly, building on the work of the first negotiating committee, to deliver these improvements to members.”

Screen Actors Guild began talks with the Alliance of Motion Picture and Television Producers on April 15, 2008. Guild Chief Negotiator John McGuire, Interim National Executive Director David White, and Deputy National Executive Director for Contracts Ray Rodriguez, working with a 10-person negotiating task force comprised of Screen Actors Guild board members and officers representing the three divisions, reached the tentative agreement on April 16, 2009 after 12 months of periodic negotiations with the motion picture studios and television networks.

In what should be a ‘perfect storm’ of events that could, and MUST help stimulate a substantial increase in SAG theatrical contract film production in Texas, ratification of the new SAG / AMPTP agreement was preceded by passage and more importantly, full funding of the requested $62 Million Texas film incentive legislation.

From TXMPA President, Don Stokes:

It is my extreme pleasure to report a very successful legislative session for the moving image industry. TXMPA has played an integral roll in the passage of HB 873 which created our enhanced and flexible incentive program as well as HB 2521 which creates guidelines for preferred vendor status for Texas based companies in producing media-related services for the State and SB 1929 which creates media production development zones which encourages the creation and development of production infrastructure like sound stages.

Of equal importance, our full funding request of $62 million dollars for HB 873 was passed by both the House and Senate. Congratulations to all of you who assisted in these achievements. None of this would have been possible without our industry coming together and speaking with a singular voice. Thanks again to all of you who participated in Lobby Day and spoke as witnesses in the various committee hearings. We also owe thanks to our friends at HillCo Partners who lobbied tirelessly to make sure our message was heard and that legislators understood that we only wanted what benefited both our industry and the State. And finally I want to express our gratitude to the Texas Film Commission for all of work and efforts they put forth on our behalf. Our success was truly a team effort. Take a moment to bask in our successes, but only a moment…

FILM & TELEVISION PROJECTS

* Feature Films
* Documentaries
* Episodic Television Series
* Television Episodes
* Television Movies
* Miniseries
* Reality Television
* Interstitial Television Programming
* Nationally Syndicated Talk Show

Program Overview

* Tiered incentive payments of 5-15% based on level of Texas spending.*
* Option to choose incentive calculation based on total in-state spending or wages paid to Texas residents.*
* Possible bonus of 2.5% if 25% of production completed in underutilized area.
* Texas spending can include eligible pre-production, production and post-production expenditures.
* No cap on incentive amount.

Minimum Qualifications

* $250,000 in Texas spending.
* 60% of shooting days completed in Texas.
* 70% of paid crew must be Texas residents.
* 70% of paid cast (including extras) must be Texas residents.*

* except reality television and talk shows.

Below is the latest list of possible SAG signatory productions for south region states, Louisiana and Texas. This list is assumed to be the last such list to be published before the new Texas film tax incentive program has a chance to impact production in Texas and possibly in states such as Louisiana and New Mexico.

Louisiana

“Dead Whisper” - #00231285
Dead Whisper Productions – Theatrical
Location: New Orleans, LA; Big Bear, CA
Start Date: To be determined

“Hurting Kind, The” - #00244310
TNC Shreveport, LLC – Low Budget Modified
Location: Shreveport, LA
Start Date: July 26, 2009

“Jaws of the Mississippi” - #00225090
Jaws Productions, LLC – Low Budget Modified
Location: Lafayette, LA
Start Date: July 6, 2009

“Untitled Alphi Phi Alpha Doc” - #00241154
Omnipotent One, Inc – Theatrical
Location: New Orleans, LA
Start Date: July 9, 2009

Texas

“Beyond the Whispers” – #00244882
Broken Camera Productions – Ultra Low Budget
Location: Boerne, TX
Start Date: To be determined

“Broken Promise, A South Texas Story” – #00210652
Que Tal Productions, LLC – Ultra Low Budget
Location: Brownsville/Mercedes, TX
Start Date: To be determined

“Carried Away” - #00238361
Carried Away, LLC – Ultra Low Budget
Location: Fort Worth, TX
Start Date: To be determined
Casting: James Johnston 817-915-4565

“Imago” - #00244751
Upstart Filmworks, LLC – Ultra Low Budget
Location: Houston, TX
Start Date: August 1, 2009

“Iron Horses” - #00237421
Curveball Films, LLC – Low Budget
Location: Austin, TX
Start Date: August 1, 2009

“Last Thanksgiving, The” – #00243410

TLT Productions – Ultra Low Budget
Location: Donna, TX
Start Date: To be determined
Casting: Pedro Garcia

“Letter H, The” – #00233247
GCP Film, LLC – Theatrical
Location: Houston/El Paso, TX
Start Date: September 3, 2009

“Matter of Honor, A: The Assassination of Sam Giancana”Distraught Sound and
Film Works in Association with Tommy Fadd and Good Boy Films
Location: Austin, TX
Start Date: To be determined

“Maybe, Maybe No” – #00239585
Red Raider Films, LLC – Ultra Low Budget
Start Date: 6/12/09 – Wrap Date: 7/26/09
Location: Wylie, TX
Casting: Ryan Paige 310-424-5256

“Mongolian Death Worm” – #00244759
Sweet Tater, LLC – Low Budget
Location: Dallas, TX
Start Date: June 22, 2009

“Red, White and Blue” - #00244689
RWB Films, LLC – Ultra Low Budget
Location: Austin, TX
Start Date: June 14, 2009
Casting: Karen Halford of Casting Works L.A.

“Secret Dark, A” – 00241474
30 Days, LLC – Low Budget
Location: Houston, TX
Start Date: June 15, 2009

“One Moon in Luck aka Shoot Out of Luck” – #00244805
Liz Destro – Theatrical
Location: Austin, TX
Start Date: October 1, 2009

“Untitled Ana Zims Romantic Comedy” – #00244038
Ana Zims – Ultra Low Budget
Location: Texas (unspecified), CA
Start Date: June 14, 2009

“Walk Away Joe” - #00242161
WAJ Productions, LLC – Theatrical
Location: Dallas, TX; Los Angeles, CA
Start Date: To be determined

“Where’s the Dan? The Search for Dan Schneider” – #00242803
Cosby Siringi – Ultra Low Budget
Location: Huntsville/Conroe, TX
Start Date: To be determined

New Law Can Put Texas Back in the Film Business

txactor — Fri, 24 Apr 2009 12:49:00 +0000

On Thursday at Troublemaker Studios in Austin, Gov. Rick Perry signed HB873 into law. This law, a dramatic improvement on the existing film incentive package passed in the previous legislative session, is designed to put Texas back into play as a first tier location filming destination. The package also boosts incentives for commercial production and for Texas’ video game producers. According to press reports, because the legislation passed overwhelmingly in both houses, it becomes law upon Perry’s signing. Congratulations go out to the TXMPA and lobbying firm HillCo Partners for their leadership in guiding this effort to bring film industry jobs back to Texas. Let the funding begin.

UPDATE: The House has approved the requested $60 million funding for two years while the Senate passed the bill with ony $20 million in funding, the same figure that was in the previous law. The two sides will have to come together on a funding amount and here’s hoping and praying that it will be closer to $60million than $20million.

The legislators surely understand that to pay out $60 million, there will have been SEVERAL HUNDRED MILLION in production spending before any of that money is rebated. Based on a 15% rebate, the $20 million rebated would be based on +/- $133 million in spent production dollars. Hummm… $300-$400 million in production spending vs $130 million in spending in the state…which is better for Texas?

Current SAG Signatory Film Productions for Texas and Louisiana

txactor — Fri, 27 Mar 2009 13:55:16 +0000

The productions on this list have all contacted SAG about the possibility of becoming signatory productions but some may not eventually go SAG. So caveat emptor, SAG members.

Once again the list of POSSIBLE SAG signatory productions for Louisiana and Texas show that Texas is playing in the rough, with one arm tied behind our back without a competitive film incentive program.

Happily HB 873 passed this week by a vote of 139-6. Now we await the vote on the Senate version of the bill, SB 605.

Passage of these bills is critical, of course, but there is still the matter of funding. Keep an eye out for directives from the AMPTP on when it’s time to contact your representatives about funding for the enhanced film incentive program.

In the meantime, look at how many Theatrical contract productions are slated for Louisiana. The Theatrical SAG agreement is for the larger budgeted films. Bigger budgets mean more local jobs for actors and crew. More jobs that extend for longer periods of time. More money into the local and state economies.

We are glad to have so many low budget and ultra low budget films shooting in Texas. We want those projects. But to survive as an industry, and surely to actually make a living in the film industry, we MUST have larger budgeted productions shooting on a regular basis in Texas.

Louisiana

Caged Innocence #00226166

United Spirits LLC – Theatrical

Location: Shreveport, LA

Start Date: April 30, 2009

Champagne Society #00239437

Champagne Society, LLC – Theatrical

Location: New Orleans, Baton Rouge, LA

Start Date: May 1, 2009

Dead of Night #00234500

Long Distance Films, Inc – Theatrical

Location: New Orleans, LA

Start Date: To be determined

Dead Whisper #00231285

Dead Whisper Pictures, LLC – Theatrical

Location: New Orleans, LA; Big Bear, CA

Start Date: To be determined

Disconnect #00235354

Triumphant Pictures – Theatrical

Location: New Orleans, LA

Start Date: March 10, 2009

Expendables, The (aka Barrow) #00233317

Alta Vista Productions, LLC – Theatrical

Location: Shreveport, LA

Start Date: March 28, 2009

Jonah Hex #00240540

Warner Bros. Pictures, Inc

Location: Louisiana (non-specific location)

Start Date: April 13, 2009

Casting: Tiffany Little Canfield, CSA – (212)868-1260 x29

Leonie #00238888

Leonie Productions, LLC – Theatrical

Location: New Orleans, LA

Start Date: April 12, 2009

Little Murder #00239911

Little Murder, LLC – Theatrical

Location: Detroit, MI; New Orleans, LA

Start Date: April 20, 2009

Wrong Side of Town #00237651

WSOT Productions 1, LLC – Low Budget

Location: Baton Rouge, LA

Start Date: February 3, 2009

Texas

Apparition #00233593

Firestorm Pictures – Ultra Low Budget

Location: Houston, TX

Start Date: To be determined

Basement, The #00237744

T.L.P., LLC – Ultra Low Budget

Location: Dallas, TX

Start Date: To be determined

Casting: Shawn Griffith shgriffith at earthlink.net

Beyond The Farthest Star #00233502

Pathlight Entertainment, LLC – Modified Low Budget
Location: Dallas/Ft. Worth, TX

Start Date: October 1, 2009

Casting: Benjamin Dane

Broken Promise, A South Texas Story #00210652

Que Tal Productions, LLC – Ultra Low Budget

Location: Brownsville, Mercedes, TX

Start Date: February 15, 2009

Mario Torres – (956) 227-1933

C.A.B. #00239396

Tom Proctor – Low Budget Modified

Location: TX, AZ and Los Angeles, CA

Start Date: May 16, 2009

Carried Away #00238361

Carried Away, LLC – Ultra Low Budget

Start Date: TBD

Location: Fort Worth

Casting: James Johnston

Earthling #00239014

The Abductors, LLC – Ultra Low Budget

Start Date: April 1, 2009

Location: Dallas

Casting: Josh Ridgeway earthlingprods at yahoo.com

Iron Horses #00237421

Curveball Films, LLC – Low Budget

Location: Austin, TX

Start Date: August 1, 2009

Letter H, The #00233247

GCP Film, LLC – Theatrical

Location: Houston, El Paso, TX

Start Date: June 1, 2009

Casting: Rodney Acevedo

Love and the Texas Sky #00238741

Dust Bowl Pictures – Low Budget Modified

Location: Austin, TX

Start Date: April 1, 2009

Love Thy Neighbor #00238949

Nail Scarred Films, LLC – Ultra Low Budget

Location: Keller, TX

Start Date: April 25, 2009

Casting: Zach Smith (817) 938-9971 or zachsmithkeller at yahoo.com

Maybe, Maybe No #00239585

Red Rider Films, LLC – Ultra Low Budget

Location: Wylie, TX

Start Date: June 12, 2009

Casting: Ryan Paige

Minority Western #00220674

FAD Productions – Ultra Low Budget

Locations: AZ & Dallas, TX

Start Date: December 30, 2009

Nerveracker

Troublemaker Studios

Location: Austin, TX

Start Date: June 2009

Casting: Beth Sepko

Player’s School #00238898

Nexus Entertainment and Greg Carter

Location: Houston, TX

Start Date: To be determined

Shadow Play #00236154

Silvatar Media, LLC – Low Budget Modified

Location: Waco, TX

Start Date: April 11, 2009

PUT UP OR SHUT UP TIME FOR TEXAS ACTORS

txactor — Wed, 18 Feb 2009 22:37:21 +0000

In case you don’t think the loss of film work in Texas is at the critical point, read on. If you just haven’t been paying close attention to the situation so far, read on. If you’re trying to figure out what little ‘ol YOU can do to help change the situation, read on.

My agent, Heather Collier sent out the following email to her clients today to urge participation in the upcoming TXMPA legislative days. It’s a little long, but I think you’ll get a sense of the urgency of the situation. The email also contains instructions on how all of us who value Texas film business can get involved.

================

Hello everyone!

So I really need your help. Actually, the Texas Film Industry needs your
help. Here is your call to action!!!!!

I know, you all are tired of the emails. But let me tell you, you may not
have anything to audition for anytime soon if these incentives do not pass
with funding! I’m serious. There are very few projects on the horizon.

You would start to miss my crazy emails…no really, you would!

Please read this entire email. You do not have to email me back.

I need to you to show up at the Capitol for the Alliance Rally on 7:30am
SHARP on the TXMPA Lobby Day on Wednesday, March 4, 2009 and I need you to wear red.

If you can’t show up in the morning before work or school, you can
show up anytime during the course of the day wearing red.

We NEED to show the governor and the legislators how many people in Texas support the film industry. Things are so slow here right now…that should be a HUGE motivating factor.

There will be coming in from all over the state to descend on the Capitol. Most of you live in Austin so you don’t have to
travel far!

The Alliance told TXMPA we would have at least 1000 people at the Rally at
7:30am on the 4th. Please don’t make liars out of us : )

You don’t need to talk to any legislators…you just need to come dressed in
red!!!

So here is what you need to do…

1) Go to this website…
http://www1.mysignup.com/lobbydayrally

2) Show up for the Rally between 7:15am-7:30am. Get there early to find
parking.

3) Bring friends, family, ANYONE that you know who supports the film/media
industry here in TX. Tell them to wear red!

4) If you are not in town, please, please, please contact friends, family to
come in your place.

5) If you can’t come in the morning, come sometime during the day. Lunchtime
would be great. TXMPA is buying lunch for all of the legislators, so it
would be great to have lots of bodies outside the Capitol wearing red
showing support for the industry as the legislators make their way to lunch.

6) Visit http://www.txmpa.org/. If you haven’t joined already, please join.
If you can’t afford to join, sign up for the newsletter so you can receive
updates on what is going on! If you want to participate in Lobby Day on
behalf of TXMPA and go in to the Capitol to talk to legislators YOU MUST
SIGN UP THROUGH THE TXMPA WEBSITE. You will also have to attend a mandatory
training the night of March 3rd before Lobby Day on March 4th.

7) Spread the word to your fellow actors and people in AND outside of the
industry!!!!! Seriously, now is the time to act!!!!

Thanks for taking the time to read this : )

Heather

SAG Signatory Film Productions – Texas and Louisiana – January Update

txactor — Fri, 30 Jan 2009 04:57:55 +0000

The following is a list of POTENTIAL SAG signatory film productions that may shoot in Texas and Louisiana. This list is published in the interest of tracking the level of film production coming to Texas under the current 5% film incentive program.

Note that Texas has 11 potential signatory projects listed and Louisiana has 14. Of the eleven projects slated for shooting in Texas, three projects have budgets that place them in the ‘Theatrical’ category (Total budget over $2,500,000) and the other eight projects are “Low Budget” (Total budget of less than $2,500,000), “Modified Low Budget” (Total budget of less than $625,000) or “Ultra Low Budget” (Total budget of less than $200,000) projects.

Of the fourteen projects slated for Louisiana, nine have budgets at the “Theatrical” level, one is a Television Series, and only three are at the “Low Budget” or “Ultra Low Budget” level.

The TXMPA effort to significantly increase Texas’ current 5% incentive program is well underway. Visit the TXMPA site and see how you can help us bring more Theatrical budget level productions back to Texas.

Texas

Apparition

Firestorm Pictures – Ultra Low Budget

Location: Houston, TX

Start Date: To be determined

Beyond the Farthest Star

Pathlight Entertainment, LLC – Low Budget

Location: Dallas-Fort Worth, TX

Start Date: February 2, 2009

Broken Promise, A South Texas Story

Que Tal Productions, LLC – Ultra Low Budget

Location: Brownsville, Mercedes, TX

Start Date: February 15, 2009

The Chops

Steven Cortinas – Ultra Low Budget

Location: Houston, TX; Los Angeles, CA

Start Date: To be determined

The Final

Final Fate Features, LLC – Low Budget Modified

Location: Dallas, TX

Start Date: March 2, 2009

Kalle King

Susie T. Entertainment – Low Budget

Location: Dallas, TX, New York, NY, Hollywood, CA

Start Date: November 23, 2008

The Killer Inside Me

KIM Productions, LLC – Theatrical

Location: Oklahoma City, OK; Lockhart, TX

Start Date: To Be Determined

The Letter H

GCP Film, LLC – Theatrical

Location: Houston, El Paso, TX

Start Date: March 2, 2009

Minority Western

FAD Productions – Ultra Low Budget

Location: Arizona, Dallas, TX

Start Date: To Be Determined

Restive

Restive, LLC – Theatrical

Location: Waco, TX

Start Date: February 16, 2009

Shadow Play

Silvatar Media, LLC – Low Budget Modified

Location: Waco, TX

Start Date: February 16, 2009

Louisiana

Caged Innocence

United Spirits LLC – Theatrical

Location: Shreveport, LA

Start Date: To be determined

The Chameleon

Chameleon Productions, LLC – Theatrical

Location: Baton Rouge, LA

Start Date: February 2, 2009

Dead Whisper

Dead Whisper Pictures, LLC – Theatrical

Location: New Orleans, LA; Big Bear, CA

Start Date: To be determined

Dead of Night

Long Distance Films, Inc – Theatrical

Location: New Orleans, LA

Start Date: To be determined

Disconnect

Triumphant Pictures – Theatrical

Location: New Orleans, LA

Start Date: March 10, 2009

The Expendables

Alta Vista Productions, LLC – Theatrical

Location: Shreveport, LA

Start Date: To be determined

Eyes of the King

Eyes of the King, LLC – Theatrical

Location: Louisiana (non-specific)

Start Date: To be determined

Happy Holidays Katherine Sloane

Happy Holidays Katherine Sloan, LLC – Theatrical

Location: New York, NY; New Orleans, LA

Start Date: February 1, 2009

Mania

Mania Productions, LLC – Low Budget

Location: New Orleans, LA

Start Date: March 10, 2009

Preaching to the Pastors

Digital Media Production House – Ultra Low Budget

Location: Baton Rouge, LA

Start Date: To be determined

Sons of Thunder

Insight Entertainment, LLC – Theatrical

Location: Montgomery, AL; Atlanta, GA

Start Date: March 1, 2009

Three Stories about Joan

Three Stories Productions, LLC – Theatrical

Location: Shreveport, LA

Start Date: To be determined

True Blood – TV Series

HBO – TV

Location: Baton Rouge, LA

Dates: February, April and June 2009

WSOT Productions 1, LLC – Low Budget

Location: Baton Rouge, LA

Start Date: February 3, 2009

SAG South Region Production Update for Texas And Louisiana

txactor — Thu, 04 Dec 2008 14:45:52 +0000

Here’s the latest SAG production update that members receive via email. I’m just including Texas and Louisiana here. Note the number of “TH”, that is ‘Theatrical’ contracts in Louisiana vs the number of low budget contracted productions in Texas.

This is a reminder of what is at stake unless the Texas legislature improves the tax incentive program in the upcoming session. Actors, crew and businesses that service film productions can’t survive on low and ultra-low budgeted productions. We must have a better incentive program to lure back at least some of the bigger budgeted films that now go to Louisiana, New Mexico and now Michigan.

If you haven’t already done so, please join the TXMPA and help in the effort to rescue the Texas film industry.

Texas

Apparition – Ultra Low Budget

Firestorm Pictures

Location: Houston, TX

Start Date: To be determined

Beyond the Farthest Star – Low Budget

Pathlight Entertainment, LLC

Location: Dallas-Fort Worth, TX

Start Date: February 2, 2009

Chops, The – Ultra Low Budget

Steven Cortinas

Location: Houston, TX; Los Angeles, CA

Start Date: November 15, 2008

Fifth, The – Ultra Low Budget

Black Cloe Productions

Location: Grandbury, TX

Start Date: December 13, 2008

Kalle King – Low Budget

Susie T. Entertainment

Location: Dallas, TX, New York, NY, Hollywood, CA

Start Date: November 23, 2008

Sweet Justice – Ultra Low Budget

American Film Werkz

Location: Dallas, TX

Start Date: December 4, 2008

Louisiana

Caged Innocence – TH

United Spirits LLC

Location: Shreveport, LA

Start Date: January 10, 2009

Dead Whisper – TH

Dead Whisper Pictures, LLC

Location: New Orleans, LA; Big Bear, CA

Start Date: January 12, 2009

Eyes of the King – Theatrical

Eyes of the King, LLC

Location: Louisiana (non-specific)

Start Date: To be determined

House of Bones – Low Budget Affirmative Action

House of Bones, LLC

Location: New Orleans, LA

Start Date: December 1, 2008

Night of the Demons – Theatrical

Prodigy Entertainment

Location: Baton Rouge, LA

Start Date: To be determined

Three Stories about Joan – Theatrical

Three Stories Productions, LLC

Location: Shreveport, LA

Start Date: To be determined

SAG President Alan Rosenberg Discusses Possible Strike

txactor — Tue, 25 Nov 2008 02:23:04 +0000

SAG and AMPTP MEDIATION FAILS – STRIKE VOTE COMING

txactor — Sun, 23 Nov 2008 19:56:40 +0000

For some reason a couple of recent posts have disappeared so I’m republishing the following information. The sessions between SAG, AMPTP and a federal MEDIATOR went nowhere last week and now SAG is saying it will ask the membership for a strike authorization vote. Even though I have no desire to see a strike, I also feel that the current contract offer from the AMPTP is not only inadequate it is designed to undermine the entire residuals system that accounts for much of any film/tv actor’s income.

Add in the fact that the WGA is threatening a suit vs the AMPTP for not paying residuals on so called NEW MEDIA content as required in the contract that AMPTP insists is their ‘last best offer’ to SAG and the situation just gets muddier.

HERE’S THE SAG STATEMENT:

“Our leadership was optimistic that federal mediation would help to move our negotiations forward, but despite the Guild’s extraordinary efforts to reach agreement, the mediation was adjourned shortly before 1:00 AM today.

“Management continues to insist on terms we cannot responsibly accept on behalf of our members. As previously authorized by the National Board of Directors, we will now launch a full-scale education campaign in support of a strike authorization referendum. We will further inform our members about the core, critical issues unique to actors that remain in dispute.

“We have already made difficult decisions and sacrifices in an attempt to reach agreement. Now it’s time for SAG members to stand united and empower the national negotiating committee to bargain with the strength of a possible work stoppage behind them.

“We remain committed to avoiding a strike but now more than ever we cannot allow our employers to experiment with our careers. The WGA has already learned that the new media terms they agreed to with the AMPTP are not being honored. We cannot allow our employers to undermine the futures of our members and their families.

“No timeline has been set for the mailing or return of the strike authorization ballots.”

And the AMPTP RESPONSE:

“The AMPTP accepted the federal mediator’s invitation to meet with SAG in hopes of concluding our seventh major agreement of 2008. The Producers met for two days with SAG at the request of federal mediator Juan Carlos Gonzalez. The parties were unable to reach an agreement and the mediator has adjourned the mediation process.”

How Texas Can Save Its Film Industry

txactor — Fri, 31 Oct 2008 16:01:32 +0000

Chris Garcia’s article in today’s AAS, comes across as a pretty negative assessment of the current state of affairs for Texas film production. All is not lost, but we’re at a critical juncture where we must have more help from the legislature.

Click Here for Garcia’s Full Article in the American Statesman

As movie production scrambles to New Mexico, Louisiana, Michigan and New York, where filmmakers enjoy generous tax incentives ranging from 20 percent to 40 percent, Texas’ once-robust movie and television industry is hemorrhaging. Insiders are hearing a chilling “sucking sound,” as Austin filmmaker Robert Rodriguez puts it, and are taking up political arms to stanch the bleeding.

The Texas Motion Picture Alliance was formed in late 2006 to lobby the state Legislature for tax incentives on behalf of the film, video, television and gaming industries. The group won a 5 percent incentive, but it’s not enough — “just a foot in the door,” Rodriguez says…

…We recently conducted a casual round-table discussion at the Austin Film Society with Jeannette Scott, an Austin-based set decorator and the Central Texas representative of the alliance, and honorary alliance chairs Rodriguez, Avellan and Rebecca Campbell, director of the Austin Film Society. The conversation veered from hard numbers to focus on anecdotal evidence of what has become a dire talent-drain from Texas to other states.

…Considering that the state Legislature convenes only every two years, “This is a critical time,” Rodriguez says.

Chris Garcia: Is the state of Texas filmmaking worse than ever? Ten years ago, it seemed so flush.

Jeanette Scott: It’s absolutely grim. Local animal wrangler Bobbi Colorado tells me that they’ve had their best year ever, and it’s all been in Shreveport, La. She just finished two movies there and she’s going back. I’ve been working in Texas film for almost 25 years, and I used to turn down jobs. I watched the industry in Austin grow with this wonderful excitement and energy. Now it’s just gone. It’s so alarming. Lots of my friends in the business have sold their homes and moved to Santa Fe, N.M.

Robert Rodriguez: I go to Los Angeles a lot and studios and producers don’t even look at the details of your movie anymore. They hear that Michigan is giving 40 percent incentives, so everybody flocks to Michigan. And Michigan doesn’t even have crews. People run out there like lemmings because it’s more savings.

Rebecca Campbell: They won’t even look here. Like Drew Barrymore’s “Whip It!,” which is about Texas roller girls in Austin. She didn’t even scout Austin. People didn’t want her to see (Austin), because they knew they weren’t going to be able to say yes to it. They went straight to Michigan and only came to Austin to shoot exteriors for about five days. It’s heartbreaking.

…..

Avellan: Robert and I have spent years training people to become great crew, but now there’s a huge brain drain. It is so sad to see our guys leave….

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Campbell: Austin proper is doing its part by upgrading Austin Studios , but without the state doing its part in matching the incentives, one city can’t stand up to Michigan, New Mexico and Louisiana.

Avellan: If they would pass something that can compete, all of Texas would be working, because films that were supposed to be in X, Y or Z would arrive all over Texas. People would rather come here. I just know that. There are too many producers who have shot here and want to come back. Our rates for equipment rental are much lower than other areas.

Scott: What’s outrageous is that we’ve spent 25 years building up this industry and good will and getting our name out there. And now we’re just letting it dissolve. It’s a viable industry; it’s not a fluff industry. People come from somewhere else with tens of millions of dollars and they put it into your economy, and then they go away, all in a very short time. It’s a great business. It’s great for Texas.