still ACTING after all these years » New Mexico Film Production

Free Seminar: Texas Incentives – How To Get A Piece Of The Pie

txactor — Tue, 30 Jun 2009 16:54:37 +0000

AUSTIN CONSERVATORY PRESENTS a free seminar featuring Texas Film Commission head, Bob Hudgins and friends. Don’t miss out on this opportunity to hear first hand what Hudgins has to say about the new law, about the positive impact on Texas film production and maybe even yet another explanation of the ‘Waco’ brouhaha.

TEXAS INCENTIVES—HOW TO GET A PIECE OF THE PIE!

Discover the ins & outs of the TX Moving Image Industry Incentive Program & building the biz in Texas.

Join this open forum for producers, directors, actors and crew. Learn about the new incentives for growing work in Film, Commercial Advertising, Corporate Film, Video Gaming, & New Media. Find out how the new incentives have impacted Texas production, who’s using the incentives, and how home grown creativity can benefit from the new program.

When: Sunday, July 12, 2009

4 p.m. – 6 p.m.

Where: Congregation Beth Israel

3901 Shoal Creek Blvd.

Austin, TX 78756

(512) 454-6806

Panel includes:

· Bob Hudgins—Director, Texas Film Commission

· Linda Dowell—Regional Branch Division Exec Director, SAG

· TJ Jones— Texas Regional Director, AFTRA

· Craig Berlin—Business Manager, Pro-Tape Systems

· Ken Rector—Business Manager, IATSE Local 484

· Tom Booker—Moderator, Austin Conservatory

Cost: FREE

Please RSVP to Sheila Cooper at: (972)361-8185 OR (800) 724-0767, option 7 or sheila.cooper at sag.org

Tax Incentives Pass, A New SAG Contract is Ratified – Time To Get Busy

txactor — Wed, 10 Jun 2009 03:45:13 +0000

After months of acrimonious negotiations between SAG and the AMPTP and cross guild combat between SAG and AFTRA, a new contract has been ratified. For better or worse, and I personally hope we don’t look back on passage of this contract as the beginning of the end for both SAG and AFTRA, the SAG membership has spoken and we have a ‘deal’. The fact that this deal has the potential to eviscerate actors’ residual income was not enough to keep the membership from giving the agreement its overwhelming approval by a vote of 78% to 22%.

Here is a press release sent to the membership tonight ( 6/9/09):

FOR IMMEDIATE RELEASE

Screen Actors Guild Members Overwhelmingly Ratify TV/Theatrical Agreements

Los Angeles, (June 9, 2009) – Screen Actors Guild announced today that members have voted overwhelmingly to approve its TV/Theatrical contracts by a vote of 78 percent to 22 percent.

The two-year successor agreement covers film and digital television programs, motion pictures and new media productions. The pact becomes effective at 12:01 a.m. June 10, 2009 and expires June 30, 2011.

The contracts provide more than $105 million in wages, increased pension contributions, and other gains and establishes a template for SAG coverage of new media formats.

Approximately 110,000 SAG members received ballots of which 35.26 percent returned them – a return that is above average compared with typical referenda on Screen Actors Guild contracts. Integrity Voting Systems of Everett, WA, provided election services and tonight certified the final vote tally upon completion of the tabulation.

The vote count in the Hollywood Division was 70.70 percent to 29.30 percent in favor. In the New York Division, the vote count was 85.74 percent to 14.26 percent in favor. And in the Regional Branch Division, the vote count was 89.06 percent to 10.94 percent in favor.

Screen Actors Guild President Alan Rosenberg said, “The membership has spoken and has decided to work under the terms of this contract that many of us, who have been involved in these negotiations from the beginning, believe to be devastatingly unsatisfactory. Tomorrow morning I will be contacting the elected leadership of the other talent unions with the hope of beginning a series of pre-negotiation summit meetings in preparation for 2011. I call upon all SAG members to begin to ready themselves for the battle ahead,” Rosenberg added.

Screen Actors Guild Interim National Executive Director David White said, “This decisive vote gets our members back to work with immediate pay raises and puts SAG in a strong position for the future. Preparation for the next round of negotiations begins now. Our members can expect more positive changes in the coming months as we organize new work opportunities, repair and reinvigorate our relationships with our sister unions and industry partners, and continue to improve the Guild’s operations.”

Screen Actors Guild Chief Negotiator John McGuire said, “I want to thank the SAG members and staff who dedicated their time to the negotiations process. We emerged with a solid deal that the members have now voted up. The negotiating team worked tirelessly, building on the work of the first negotiating committee, to deliver these improvements to members.”

Screen Actors Guild began talks with the Alliance of Motion Picture and Television Producers on April 15, 2008. Guild Chief Negotiator John McGuire, Interim National Executive Director David White, and Deputy National Executive Director for Contracts Ray Rodriguez, working with a 10-person negotiating task force comprised of Screen Actors Guild board members and officers representing the three divisions, reached the tentative agreement on April 16, 2009 after 12 months of periodic negotiations with the motion picture studios and television networks.

In what should be a ‘perfect storm’ of events that could, and MUST help stimulate a substantial increase in SAG theatrical contract film production in Texas, ratification of the new SAG / AMPTP agreement was preceded by passage and more importantly, full funding of the requested $62 Million Texas film incentive legislation.

From TXMPA President, Don Stokes:

It is my extreme pleasure to report a very successful legislative session for the moving image industry. TXMPA has played an integral roll in the passage of HB 873 which created our enhanced and flexible incentive program as well as HB 2521 which creates guidelines for preferred vendor status for Texas based companies in producing media-related services for the State and SB 1929 which creates media production development zones which encourages the creation and development of production infrastructure like sound stages.

Of equal importance, our full funding request of $62 million dollars for HB 873 was passed by both the House and Senate. Congratulations to all of you who assisted in these achievements. None of this would have been possible without our industry coming together and speaking with a singular voice. Thanks again to all of you who participated in Lobby Day and spoke as witnesses in the various committee hearings. We also owe thanks to our friends at HillCo Partners who lobbied tirelessly to make sure our message was heard and that legislators understood that we only wanted what benefited both our industry and the State. And finally I want to express our gratitude to the Texas Film Commission for all of work and efforts they put forth on our behalf. Our success was truly a team effort. Take a moment to bask in our successes, but only a moment…

FILM & TELEVISION PROJECTS

* Feature Films
* Documentaries
* Episodic Television Series
* Television Episodes
* Television Movies
* Miniseries
* Reality Television
* Interstitial Television Programming
* Nationally Syndicated Talk Show

Program Overview

* Tiered incentive payments of 5-15% based on level of Texas spending.*
* Option to choose incentive calculation based on total in-state spending or wages paid to Texas residents.*
* Possible bonus of 2.5% if 25% of production completed in underutilized area.
* Texas spending can include eligible pre-production, production and post-production expenditures.
* No cap on incentive amount.

Minimum Qualifications

* $250,000 in Texas spending.
* 60% of shooting days completed in Texas.
* 70% of paid crew must be Texas residents.
* 70% of paid cast (including extras) must be Texas residents.*

* except reality television and talk shows.

Below is the latest list of possible SAG signatory productions for south region states, Louisiana and Texas. This list is assumed to be the last such list to be published before the new Texas film tax incentive program has a chance to impact production in Texas and possibly in states such as Louisiana and New Mexico.

Louisiana

“Dead Whisper” - #00231285
Dead Whisper Productions – Theatrical
Location: New Orleans, LA; Big Bear, CA
Start Date: To be determined

“Hurting Kind, The” - #00244310
TNC Shreveport, LLC – Low Budget Modified
Location: Shreveport, LA
Start Date: July 26, 2009

“Jaws of the Mississippi” - #00225090
Jaws Productions, LLC – Low Budget Modified
Location: Lafayette, LA
Start Date: July 6, 2009

“Untitled Alphi Phi Alpha Doc” - #00241154
Omnipotent One, Inc – Theatrical
Location: New Orleans, LA
Start Date: July 9, 2009

Texas

“Beyond the Whispers” – #00244882
Broken Camera Productions – Ultra Low Budget
Location: Boerne, TX
Start Date: To be determined

“Broken Promise, A South Texas Story” – #00210652
Que Tal Productions, LLC – Ultra Low Budget
Location: Brownsville/Mercedes, TX
Start Date: To be determined

“Carried Away” - #00238361
Carried Away, LLC – Ultra Low Budget
Location: Fort Worth, TX
Start Date: To be determined
Casting: James Johnston 817-915-4565

“Imago” - #00244751
Upstart Filmworks, LLC – Ultra Low Budget
Location: Houston, TX
Start Date: August 1, 2009

“Iron Horses” - #00237421
Curveball Films, LLC – Low Budget
Location: Austin, TX
Start Date: August 1, 2009

“Last Thanksgiving, The” – #00243410

TLT Productions – Ultra Low Budget
Location: Donna, TX
Start Date: To be determined
Casting: Pedro Garcia

“Letter H, The” – #00233247
GCP Film, LLC – Theatrical
Location: Houston/El Paso, TX
Start Date: September 3, 2009

“Matter of Honor, A: The Assassination of Sam Giancana”Distraught Sound and
Film Works in Association with Tommy Fadd and Good Boy Films
Location: Austin, TX
Start Date: To be determined

“Maybe, Maybe No” – #00239585
Red Raider Films, LLC – Ultra Low Budget
Start Date: 6/12/09 – Wrap Date: 7/26/09
Location: Wylie, TX
Casting: Ryan Paige 310-424-5256

“Mongolian Death Worm” – #00244759
Sweet Tater, LLC – Low Budget
Location: Dallas, TX
Start Date: June 22, 2009

“Red, White and Blue” - #00244689
RWB Films, LLC – Ultra Low Budget
Location: Austin, TX
Start Date: June 14, 2009
Casting: Karen Halford of Casting Works L.A.

“Secret Dark, A” – 00241474
30 Days, LLC – Low Budget
Location: Houston, TX
Start Date: June 15, 2009

“One Moon in Luck aka Shoot Out of Luck” – #00244805
Liz Destro – Theatrical
Location: Austin, TX
Start Date: October 1, 2009

“Untitled Ana Zims Romantic Comedy” – #00244038
Ana Zims – Ultra Low Budget
Location: Texas (unspecified), CA
Start Date: June 14, 2009

“Walk Away Joe” - #00242161
WAJ Productions, LLC – Theatrical
Location: Dallas, TX; Los Angeles, CA
Start Date: To be determined

“Where’s the Dan? The Search for Dan Schneider” – #00242803
Cosby Siringi – Ultra Low Budget
Location: Huntsville/Conroe, TX
Start Date: To be determined

Will Politics Spoil the Texas Film Incentive Legislation

txactor — Wed, 20 May 2009 14:08:51 +0000

It hasn’t taken long for the poop to hit the fan over the new entertainment tax incentive program recently passed by the Texas legislature. As you may have read or heard, a film production company named Entertainment 7 has been at the Cannes Film Festival touting their upcoming production about the Branch Davidian debacle. That production, WACO was supposedly going to headquarter in Austin and shoot here on a reported $30 million budget. That would have been the biggest film production to darken our doors in several years and would have provided a much needed boost to local film industry professionals and to those businesses who service film productions – hotels, restaurants, caterers, taxi drivers, florists, hardware and lumber businesses, etc. Woulda, coulda shoulda.

The news that the Texas Film Commission has turned down the WACO production for the incentive program has been brewing for several days and has now made its way from the American Statesman’s film blogs to the front page of the paper. The jist of the story is that Bob Hudgins, the director of the Texas Film Commission, and the party charged with the ability to say ‘yes’ or ‘no’ to a production company seeking film incentive participation, has decided that the WACO production does not comply with the ‘content provision’ in the incentive legislation. What? Exactly what is a ‘content provision’ and why is it in this legislation?

The content provision was apparently added to the legislation by Senate Finance Committee Chairman, Steve Ogden and, per the Statesman article states that ‘filmmakers taking incentives cannot show Texas or Texans in a negative fashion.” Well that’s just dandy isn’t it because we all know that everything it perfect in Texas and nothing bad ever happens here. If this sounds like the legislation has set Bob Hudgins up to be a film censor, well, unfortunatley that just may be the unintended (to be generous) consequence.

During the TXMPA legislative action this year I asked a collegue if that provision couldn’t be removed as it smacked of censorship and was sure to keep away many worthy and possibly lucrative productions. I got a quick NO. I was told that this legislation would never pass without the ‘content provision’ because Ogden was too powerful and he insisted that the provision stay in the legislation.

It hasn’t taken long for this thorn in the incentive package to prick Bob Hudgins in the backside. Now instead of doing what he needs to be doing in promiting Texas as a friendly place to come shoot movies and television shows, he’s having to spend time defending his decision not to give incentives to WACO. Hudgins has been quoted as saying this is not censorship….just compliance with the law. Well…yes and no.

Hudgins is a good guy and I’m certain he would rather not be fighting this battle, particularly in the press. He’s stuck by Senator Ogden’s apparent need to protect Texas from being seen as imperfect in some unknown manner. He insists this is not censorship because the company is free to come and shoot in Texas…just not with the incentive package they would otherwise receive. So, technically he is right. But effectively, the result is the same.

This incident sends a message to all filmmakers that they must structure their screenplays, self-censoring if you will, so that the state of Texas will not take offense or they will not be eligible to receive tax incentives…the very incentives that are designed to bring film produciton BACK TO TEXAS.

We just can’t seem to keep from shoot ourselves in the foot can we? Just as soon as we get a program that is very competitive with Louisiana and New Mexico, we find that we have provided them with a big load of ammunition to use against us: “come to Louisiana where we don’t tell filmmakers what they can and cannot say”…

The whole mess has blown up into something of a publicity bonanza for the makers of WACO who, let’s face it, don’t care where they shoot their movie as long as they go where they can get the best deal for their money. Can’t blame them for that.

Maybe this mess will blow over and not be as big a deal as it seems right now. But the question is: What exactly is it that shows Texas or Texans in a bad light? Can we have no crime dramas? Movies with a bad guy who is a Texan? Historical films that one person or another could decide portrays Texas in a ‘bad light’? What exactly are the criteria for those determinations?

Let’s see…FRIDAY NIGHT LIGHTS, shot in Austin and just nenewed for 26 more episodes contains many scenes of teenage drinking, teenage sexual situations and other content that could fall outside the acceptable parameters of this law. Is Hudgins now going to deny FNL incentive money to remain in Austin? Say it ain’t so. If he gives money to FNL will Senator Ogden be calling for his job? Say it ain’t so.

And how many film companies are going to say…”screw it, let’s just shoot in New Mexico” and we won’t have to sweat this stuff in the first place?

Time will tell…In the meantime, give some love to Bob Hudgins. He’s going to need it.

New Law Can Put Texas Back in the Film Business

txactor — Fri, 24 Apr 2009 12:49:00 +0000

On Thursday at Troublemaker Studios in Austin, Gov. Rick Perry signed HB873 into law. This law, a dramatic improvement on the existing film incentive package passed in the previous legislative session, is designed to put Texas back into play as a first tier location filming destination. The package also boosts incentives for commercial production and for Texas’ video game producers. According to press reports, because the legislation passed overwhelmingly in both houses, it becomes law upon Perry’s signing. Congratulations go out to the TXMPA and lobbying firm HillCo Partners for their leadership in guiding this effort to bring film industry jobs back to Texas. Let the funding begin.

UPDATE: The House has approved the requested $60 million funding for two years while the Senate passed the bill with ony $20 million in funding, the same figure that was in the previous law. The two sides will have to come together on a funding amount and here’s hoping and praying that it will be closer to $60million than $20million.

The legislators surely understand that to pay out $60 million, there will have been SEVERAL HUNDRED MILLION in production spending before any of that money is rebated. Based on a 15% rebate, the $20 million rebated would be based on +/- $133 million in spent production dollars. Hummm… $300-$400 million in production spending vs $130 million in spending in the state…which is better for Texas?

Current SAG Signatory Film Productions for Texas and Louisiana

txactor — Fri, 27 Mar 2009 13:55:16 +0000

The productions on this list have all contacted SAG about the possibility of becoming signatory productions but some may not eventually go SAG. So caveat emptor, SAG members.

Once again the list of POSSIBLE SAG signatory productions for Louisiana and Texas show that Texas is playing in the rough, with one arm tied behind our back without a competitive film incentive program.

Happily HB 873 passed this week by a vote of 139-6. Now we await the vote on the Senate version of the bill, SB 605.

Passage of these bills is critical, of course, but there is still the matter of funding. Keep an eye out for directives from the AMPTP on when it’s time to contact your representatives about funding for the enhanced film incentive program.

In the meantime, look at how many Theatrical contract productions are slated for Louisiana. The Theatrical SAG agreement is for the larger budgeted films. Bigger budgets mean more local jobs for actors and crew. More jobs that extend for longer periods of time. More money into the local and state economies.

We are glad to have so many low budget and ultra low budget films shooting in Texas. We want those projects. But to survive as an industry, and surely to actually make a living in the film industry, we MUST have larger budgeted productions shooting on a regular basis in Texas.

Louisiana

Caged Innocence #00226166

United Spirits LLC – Theatrical

Location: Shreveport, LA

Start Date: April 30, 2009

Champagne Society #00239437

Champagne Society, LLC – Theatrical

Location: New Orleans, Baton Rouge, LA

Start Date: May 1, 2009

Dead of Night #00234500

Long Distance Films, Inc – Theatrical

Location: New Orleans, LA

Start Date: To be determined

Dead Whisper #00231285

Dead Whisper Pictures, LLC – Theatrical

Location: New Orleans, LA; Big Bear, CA

Start Date: To be determined

Disconnect #00235354

Triumphant Pictures – Theatrical

Location: New Orleans, LA

Start Date: March 10, 2009

Expendables, The (aka Barrow) #00233317

Alta Vista Productions, LLC – Theatrical

Location: Shreveport, LA

Start Date: March 28, 2009

Jonah Hex #00240540

Warner Bros. Pictures, Inc

Location: Louisiana (non-specific location)

Start Date: April 13, 2009

Casting: Tiffany Little Canfield, CSA – (212)868-1260 x29

Leonie #00238888

Leonie Productions, LLC – Theatrical

Location: New Orleans, LA

Start Date: April 12, 2009

Little Murder #00239911

Little Murder, LLC – Theatrical

Location: Detroit, MI; New Orleans, LA

Start Date: April 20, 2009

Wrong Side of Town #00237651

WSOT Productions 1, LLC – Low Budget

Location: Baton Rouge, LA

Start Date: February 3, 2009

Texas

Apparition #00233593

Firestorm Pictures – Ultra Low Budget

Location: Houston, TX

Start Date: To be determined

Basement, The #00237744

T.L.P., LLC – Ultra Low Budget

Location: Dallas, TX

Start Date: To be determined

Casting: Shawn Griffith shgriffith at earthlink.net

Beyond The Farthest Star #00233502

Pathlight Entertainment, LLC – Modified Low Budget
Location: Dallas/Ft. Worth, TX

Start Date: October 1, 2009

Casting: Benjamin Dane

Broken Promise, A South Texas Story #00210652

Que Tal Productions, LLC – Ultra Low Budget

Location: Brownsville, Mercedes, TX

Start Date: February 15, 2009

Mario Torres – (956) 227-1933

C.A.B. #00239396

Tom Proctor – Low Budget Modified

Location: TX, AZ and Los Angeles, CA

Start Date: May 16, 2009

Carried Away #00238361

Carried Away, LLC – Ultra Low Budget

Start Date: TBD

Location: Fort Worth

Casting: James Johnston

Earthling #00239014

The Abductors, LLC – Ultra Low Budget

Start Date: April 1, 2009

Location: Dallas

Casting: Josh Ridgeway earthlingprods at yahoo.com

Iron Horses #00237421

Curveball Films, LLC – Low Budget

Location: Austin, TX

Start Date: August 1, 2009

Letter H, The #00233247

GCP Film, LLC – Theatrical

Location: Houston, El Paso, TX

Start Date: June 1, 2009

Casting: Rodney Acevedo

Love and the Texas Sky #00238741

Dust Bowl Pictures – Low Budget Modified

Location: Austin, TX

Start Date: April 1, 2009

Love Thy Neighbor #00238949

Nail Scarred Films, LLC – Ultra Low Budget

Location: Keller, TX

Start Date: April 25, 2009

Casting: Zach Smith (817) 938-9971 or zachsmithkeller at yahoo.com

Maybe, Maybe No #00239585

Red Rider Films, LLC – Ultra Low Budget

Location: Wylie, TX

Start Date: June 12, 2009

Casting: Ryan Paige

Minority Western #00220674

FAD Productions – Ultra Low Budget

Locations: AZ & Dallas, TX

Start Date: December 30, 2009

Nerveracker

Troublemaker Studios

Location: Austin, TX

Start Date: June 2009

Casting: Beth Sepko

Player’s School #00238898

Nexus Entertainment and Greg Carter

Location: Houston, TX

Start Date: To be determined

Shadow Play #00236154

Silvatar Media, LLC – Low Budget Modified

Location: Waco, TX

Start Date: April 11, 2009

Texas Legislators See Red at TXMPA Lobby Day 2009

txactor — Thu, 05 Mar 2009 02:23:14 +0000

TXMPA Lobby Day 2009 was a long day that began with a 7:30 AM rally on the steps of the Texas Capitol.

What a sight! Hundreds of film industry professionals and business people who benefit from a thriving film industry, many dressed in red, answered the call of the TXMPA and showed up for lobby day.

According to the Bob Hudgins of the Texas Film Commission,7000 film jobs and $500 million in film industry revenue have been lost in the state since 2003. That’s when states like Louisiana and New Mexico began their programs that aggressively court film producers with tax incentive programs. Louisiana and New Mexico have been offering incentive and/or rebate programs that amount to roughly 25% of a film’s expenditures if shot in their respective states. Michigan is now drawing productions with its 40% incentive.

In 2006 in a ‘better late than never’ reaction to the well documented downturn in Texas location filming, the Texas Motion Picture Alliance (TXMPA) was born. After securing lobby firm Hillco Parters, TXMPA led the way and Texas produced its own film incentive package in 2007.

Unfortunately that legislation, with a 5% incentive and a cap of $20 Million spread over two years, just wasn’t competitive with the other states’ programs. The 2007 bill did produce some dividends in commercial and video game production but the feature film work that was a primary target of the legislation did not materialize.

The classic example of the failure of the 2007 legislation to stem the tide of lost feature film production is Drew Barrymore’s film, WHIP IT!. That film story is set in Austin, Texas and was scheduled to shoot in Austin. But that was before the state of Michigan implemented their whopping 40% film incentive program. Suddenly Ann Arbor, Michigan started looking a lot like an acceptable substitute for Austin, Texas. Goodbye Texas, hello Michigan. Goodbye jobs, etc. etc.

During today’s Lobby Day I was on a team that visited with four different legislators. All were open to the new legislation and passage of the bill looks like a good possibility. However, passage of the bill is only the first step. The program goes through a separate process to receive funding. If the bill passes but is not funded, it would be a completely hollow ‘victory’.

Late in the day I sat in on a committee meeting for House Bill 873 and listened to testimony by people like director/writer Richard Linklater and producer/director Garry Brown (Prison Break).

Linklater told the committee that he has a $17Million film that is set in Texas and is ready to go. He wants to shoot in Texas but he may end up shooting in Shreveport, LA if Texas doesn’t get an improved film incentive package passed this session.

Similarly, Garry Brown, who was responsible for bringing PRISON BREAK to Dallas for its second and third seasons, offered the committee the insight of a producer who has shot many projects in Texas and wants to shoot more. In fact, Brown announced that he has a TV Pilot for Twentieth Century Fox that he wants to shoot in Dallas. Once again, the selection of a shooting location will be heavily influenced by tax incentives.

The new proposed legislation (HP 873 / SB 605) seeks an increase in funding from $20Million to $62Million and gives the Texas Film Commission office much greater flexibility in negotiating the incentive rate on a project by project basis.

The tact that supporters were urged to take with legislators was to underscore that this is not a giveaway bill but a job creation bill and a bill designed to let Texas once again compete with other states on a more level playing field. No rebate money is distributed until after production money has already been spent on in-state moving picture projects.

The progress of these bills (HB 873 / SB 605 ) through the legislative process over the next couple of months will tell the story of the future of the Texas film industry.

PUT UP OR SHUT UP TIME FOR TEXAS ACTORS

txactor — Wed, 18 Feb 2009 22:37:21 +0000

In case you don’t think the loss of film work in Texas is at the critical point, read on. If you just haven’t been paying close attention to the situation so far, read on. If you’re trying to figure out what little ‘ol YOU can do to help change the situation, read on.

My agent, Heather Collier sent out the following email to her clients today to urge participation in the upcoming TXMPA legislative days. It’s a little long, but I think you’ll get a sense of the urgency of the situation. The email also contains instructions on how all of us who value Texas film business can get involved.

================

Hello everyone!

So I really need your help. Actually, the Texas Film Industry needs your
help. Here is your call to action!!!!!

I know, you all are tired of the emails. But let me tell you, you may not
have anything to audition for anytime soon if these incentives do not pass
with funding! I’m serious. There are very few projects on the horizon.

You would start to miss my crazy emails…no really, you would!

Please read this entire email. You do not have to email me back.

I need to you to show up at the Capitol for the Alliance Rally on 7:30am
SHARP on the TXMPA Lobby Day on Wednesday, March 4, 2009 and I need you to wear red.

If you can’t show up in the morning before work or school, you can
show up anytime during the course of the day wearing red.

We NEED to show the governor and the legislators how many people in Texas support the film industry. Things are so slow here right now…that should be a HUGE motivating factor.

There will be coming in from all over the state to descend on the Capitol. Most of you live in Austin so you don’t have to
travel far!

The Alliance told TXMPA we would have at least 1000 people at the Rally at
7:30am on the 4th. Please don’t make liars out of us : )

You don’t need to talk to any legislators…you just need to come dressed in
red!!!

So here is what you need to do…

1) Go to this website…
http://www1.mysignup.com/lobbydayrally

2) Show up for the Rally between 7:15am-7:30am. Get there early to find
parking.

3) Bring friends, family, ANYONE that you know who supports the film/media
industry here in TX. Tell them to wear red!

4) If you are not in town, please, please, please contact friends, family to
come in your place.

5) If you can’t come in the morning, come sometime during the day. Lunchtime
would be great. TXMPA is buying lunch for all of the legislators, so it
would be great to have lots of bodies outside the Capitol wearing red
showing support for the industry as the legislators make their way to lunch.

6) Visit http://www.txmpa.org/. If you haven’t joined already, please join.
If you can’t afford to join, sign up for the newsletter so you can receive
updates on what is going on! If you want to participate in Lobby Day on
behalf of TXMPA and go in to the Capitol to talk to legislators YOU MUST
SIGN UP THROUGH THE TXMPA WEBSITE. You will also have to attend a mandatory
training the night of March 3rd before Lobby Day on March 4th.

7) Spread the word to your fellow actors and people in AND outside of the
industry!!!!! Seriously, now is the time to act!!!!

Thanks for taking the time to read this : )

Heather

SAG South Region Production Update for Texas And Louisiana

txactor — Thu, 04 Dec 2008 14:45:52 +0000

Here’s the latest SAG production update that members receive via email. I’m just including Texas and Louisiana here. Note the number of “TH”, that is ‘Theatrical’ contracts in Louisiana vs the number of low budget contracted productions in Texas.

This is a reminder of what is at stake unless the Texas legislature improves the tax incentive program in the upcoming session. Actors, crew and businesses that service film productions can’t survive on low and ultra-low budgeted productions. We must have a better incentive program to lure back at least some of the bigger budgeted films that now go to Louisiana, New Mexico and now Michigan.

If you haven’t already done so, please join the TXMPA and help in the effort to rescue the Texas film industry.

Texas

Apparition – Ultra Low Budget

Firestorm Pictures

Location: Houston, TX

Start Date: To be determined

Beyond the Farthest Star – Low Budget

Pathlight Entertainment, LLC

Location: Dallas-Fort Worth, TX

Start Date: February 2, 2009

Chops, The – Ultra Low Budget

Steven Cortinas

Location: Houston, TX; Los Angeles, CA

Start Date: November 15, 2008

Fifth, The – Ultra Low Budget

Black Cloe Productions

Location: Grandbury, TX

Start Date: December 13, 2008

Kalle King – Low Budget

Susie T. Entertainment

Location: Dallas, TX, New York, NY, Hollywood, CA

Start Date: November 23, 2008

Sweet Justice – Ultra Low Budget

American Film Werkz

Location: Dallas, TX

Start Date: December 4, 2008

Louisiana

Caged Innocence – TH

United Spirits LLC

Location: Shreveport, LA

Start Date: January 10, 2009

Dead Whisper – TH

Dead Whisper Pictures, LLC

Location: New Orleans, LA; Big Bear, CA

Start Date: January 12, 2009

Eyes of the King – Theatrical

Eyes of the King, LLC

Location: Louisiana (non-specific)

Start Date: To be determined

House of Bones – Low Budget Affirmative Action

House of Bones, LLC

Location: New Orleans, LA

Start Date: December 1, 2008

Night of the Demons – Theatrical

Prodigy Entertainment

Location: Baton Rouge, LA

Start Date: To be determined

Three Stories about Joan – Theatrical

Three Stories Productions, LLC

Location: Shreveport, LA

Start Date: To be determined

SAG President Alan Rosenberg Discusses Possible Strike

txactor — Tue, 25 Nov 2008 02:23:04 +0000

SAG and AMPTP MEDIATION FAILS – STRIKE VOTE COMING

txactor — Sun, 23 Nov 2008 19:56:40 +0000

For some reason a couple of recent posts have disappeared so I’m republishing the following information. The sessions between SAG, AMPTP and a federal MEDIATOR went nowhere last week and now SAG is saying it will ask the membership for a strike authorization vote. Even though I have no desire to see a strike, I also feel that the current contract offer from the AMPTP is not only inadequate it is designed to undermine the entire residuals system that accounts for much of any film/tv actor’s income.

Add in the fact that the WGA is threatening a suit vs the AMPTP for not paying residuals on so called NEW MEDIA content as required in the contract that AMPTP insists is their ‘last best offer’ to SAG and the situation just gets muddier.

HERE’S THE SAG STATEMENT:

“Our leadership was optimistic that federal mediation would help to move our negotiations forward, but despite the Guild’s extraordinary efforts to reach agreement, the mediation was adjourned shortly before 1:00 AM today.

“Management continues to insist on terms we cannot responsibly accept on behalf of our members. As previously authorized by the National Board of Directors, we will now launch a full-scale education campaign in support of a strike authorization referendum. We will further inform our members about the core, critical issues unique to actors that remain in dispute.

“We have already made difficult decisions and sacrifices in an attempt to reach agreement. Now it’s time for SAG members to stand united and empower the national negotiating committee to bargain with the strength of a possible work stoppage behind them.

“We remain committed to avoiding a strike but now more than ever we cannot allow our employers to experiment with our careers. The WGA has already learned that the new media terms they agreed to with the AMPTP are not being honored. We cannot allow our employers to undermine the futures of our members and their families.

“No timeline has been set for the mailing or return of the strike authorization ballots.”

And the AMPTP RESPONSE:

“The AMPTP accepted the federal mediator’s invitation to meet with SAG in hopes of concluding our seventh major agreement of 2008. The Producers met for two days with SAG at the request of federal mediator Juan Carlos Gonzalez. The parties were unable to reach an agreement and the mediator has adjourned the mediation process.”