still ACTING after all these years » Tax Incentives

Texas Tax Incentives Light Fire Under Film Production Slate

txactor — Thu, 30 Jul 2009 14:33:19 +0000

Early signs that the recently improved Texas tax incentive program may be working are quite positive. Below is a list of POSSIBLE productions coming to Texas and for contrast, Louisiana. The productions listed may not all work out but all have inquired about becoming SAG signatory productions. The volume of production in Texas is up considerably with 22 projects listed. Those projects include more FRIDAY NIGH LIGHTS episodes to be shot in Austin. I did not see Garry Brown’s new series which is supposed to begin shooting in Dallas. Robert Rodriguez’ production of Machete is already underway. While the majority of the listed Texas productions are in the low budget categories, it’s very encouraging to see a number of films in the ‘theatrical’ category as well.

Texas

“Beyond the Farthest Star” – 00233502

Pathlight Entertainment, LLC – Low Budget

Location: Dallas/Ft. Worth, TX

Start Date: October 1, 2009

“Breaking the Press” - #00246726

Pumpkin Seed, LLC – Ultra Low Budget

Location: Dallas, TX

Start Date: August 3, 2009

“Cherry Bomb” – 00246793

Strike Anywhere Productions, LLC – Ultra Low Budget

Location: Austin, TX

Start Date: September 16, 2009

Casting: Garrett Hargrove; contact at cherrybombfilm.com

“Cowboy and Lucky” – 00247361

Red C Entertainment – Ultra Low Budget

Location: Waco, TX

Start Date: To be determined

Casting: info at redctelevision.com

Epic – Low Budget

Start Date: September 2009

Location: Texas, Mexico (city not specified)

Casting: epicmotionpicture at gmail.com

“Friday Night Lights” - #00246956

NBC Studios, Inc.

Start Date: 9/2/09

Location: Austin, TX

Casting: Beth Sepko info at bethsepkocasting.com

“God Save the Red, Black and Blonde” – #00246098

Ordered Productions – Ultra Low Budget

Location: Austin, TX

Start Date: To be determined

Casting: Dan Jimenez; daj5757 at gmail.com

“Imago” – #00244751

Upstart Filmworks, LLC – Ultra Low Budget

Location: Houston, TX

Start Date: August 1, 2009

“Jacob’s Edge” - #00246799

Long Distance Freestyle, LLC – Theatrical

Location: Dallas, TX; L.A. CA; Georgia

Start Date: September 15, 2009

Casting: Nick Anderson 310-422-5856

“Letter H, The” – #00233247

GCP Film, LLC – Theatrical

Location: Houston/El Paso, TX

Start Date: September 3, 2009

Casting: Rodney Acevedo racevedo at gutcheckproductions.com

“Machete” - #00246735

Machete’s Chop Shop, Inc – Theatrical

Location: Austin, TX

Start Date: July 29, 2009

Casting: Sonny Solomon distraughtsound at wmconnect.com

“Minority Western” - #220674

FAD Productions – Ultra Low Budget

Locations: AZ & Dallas, TX

Start Date: December 2009

Casting Hernandez Agency 213-440-6288

“One Moon in Luck” aka “Shoot Out of Luck” – #00244805

Liz Destro – Theatrical

Location: Austin, TX

Start Date: October 1, 2009

“Player’s School” – #00238898

Nexus Entertainment and Greg Carter – Ultra Low Budget

Location: Houston, TX

Start Date: To be determined

“Pros and Cons” – #00246100

Going Bats Entertainment – Ultra Low Budget

Start Date: September 1, 2009

Casting: Scott Ross 972-877-6757

stross at goingbats.com

“Rising Stars” – 00245871

Modern Verge, LLC – Ultra Low Budget

Location: Fort Forth, TX

Start Date: August 10, 2009

“Sodom: The Armageddon Prophecy” – #00246974

Trinity Films, LLC – Low Budget Modified

Location: Austin, TX

Start Date: To be determined

Casting: Michelle Millette; douglasthemovie at yahoo.com

“Under the Influence – #00238358

Just Make it Happen – LLC

Location: Little Rock, AK;

Start Date: August 24, 2009

“Up & Down” – 00236412

Potion Pictures – Ultra Low Budget

Start Date: 8/28/09

Location: Houston, TX

Casting: Johnette Duff johnetteduff at aol.com

“Wilderness” – #00247393
Wilderness LLC – Modified Low Budget

Location: Central Texas

Start Date: August 17, 2009

Casting: Javier Bonafont – WildernessFilm at gmail.com

Louisiana

“Battle Los Angeles” – 002458852

Battle Productions, LLC

Location: Louisiana

Start Date: September 10, 2009

Casting: Fincannon Casting

“Dead Whisper” - #00231285

Dead Whisper Productions – Theatrical

Location: New Orleans, LA; Big Bear, CA

Start Date: To be determined

“Hurting Kind, The” - #00244310

TNC Shreveport, LLC – Low Budget Modified

Location: Shreveport, LA

Start Date: To be determined

“Snatched” – 00247070

Film Flam Productions, LLC

Location: New Orleans, LA

Start Date: To be determined

“Somnambulist” – #00247071

TST Productions, LLC – Low Budget Modified

Location: New Orleans, LA

Start Date: To be determined

“Straw Dogs” – #00247196

Straw Dog Louisiana, LLC – Theatrical

Location: Shreveport, LA

Start Date: August 17, 2009

Free Seminar: Texas Incentives – How To Get A Piece Of The Pie

txactor — Tue, 30 Jun 2009 16:54:37 +0000

AUSTIN CONSERVATORY PRESENTS a free seminar featuring Texas Film Commission head, Bob Hudgins and friends. Don’t miss out on this opportunity to hear first hand what Hudgins has to say about the new law, about the positive impact on Texas film production and maybe even yet another explanation of the ‘Waco’ brouhaha.

TEXAS INCENTIVES—HOW TO GET A PIECE OF THE PIE!

Discover the ins & outs of the TX Moving Image Industry Incentive Program & building the biz in Texas.

Join this open forum for producers, directors, actors and crew. Learn about the new incentives for growing work in Film, Commercial Advertising, Corporate Film, Video Gaming, & New Media. Find out how the new incentives have impacted Texas production, who’s using the incentives, and how home grown creativity can benefit from the new program.

When: Sunday, July 12, 2009

4 p.m. – 6 p.m.

Where: Congregation Beth Israel

3901 Shoal Creek Blvd.

Austin, TX 78756

(512) 454-6806

Panel includes:

· Bob Hudgins—Director, Texas Film Commission

· Linda Dowell—Regional Branch Division Exec Director, SAG

· TJ Jones— Texas Regional Director, AFTRA

· Craig Berlin—Business Manager, Pro-Tape Systems

· Ken Rector—Business Manager, IATSE Local 484

· Tom Booker—Moderator, Austin Conservatory

Cost: FREE

Please RSVP to Sheila Cooper at: (972)361-8185 OR (800) 724-0767, option 7 or sheila.cooper at sag.org

TXMPA News – Tax Incentives Pass and What’s Next

txactor — Fri, 19 Jun 2009 00:21:15 +0000

TXMPA would like to thank everyone who participated in our Regional Caucuses, and a very special thanks to all the candidates who stepped up to run for the open positions in each Region!

Below is the list of candidates for the six (6) open At-Large positions on TXMPA’s Board. Please take some time before voting begins to review this list and become familiar with the candidates. An e-mail with pictures of the candidates, their bios, and endorsements for these candidates will be placed on the TXMPA website www.txmpa.org), and distributed to the general membership on Thursday, June 18; if you would like to have your endorsement included, please e-mail TXMPA at info at txmpa.org no later than Wednesday, June 17.

1) Craig Berlin
2) Garry Potts
3) Jeanette Scott
4) Jeff Horny
5) J. Schuh
6) Justin Muller
7) Larry Cashion
Linda Alcazar Jurado
9) Michael Druck
10) Rick Olmos
11) Robert Curlin
12) Ron Bush
13) Will Raymond

Online voting for these positions will begin at 12:01 AM on Monday, June 22 and will continue until 11:59 PM on Thursday, June 25. Just a reminder: online voting will be handled by Ballot Bin www.ballotbin.com); as a precaution, please “whitelist” Ballot Bin. This is simply done by adding their e-mail address ( notices at ballotbin.com) to your contact list, so that when voting begins, their e-mail will come directly to your inbox and not to your spam folder.

To be eligible to vote for At-Large members, you must be a paid-up member of TXMPA (at the full or supporting level) by 5:00 PM, Friday, June 19. If you are unsure of your current membership status, please contact your Regional Representative for clarification [or send an e-mail to membership at txmpa.org]. You may find more information about your Region, and contact information for your Regional Representative, at TXMPA’s website.

Results of online voting, along with the three (3) newly elected Regional Representatives and their respective Alternates, will be announced at our Statewide Annual Meeting, to be held at Texas State University in San Marcos on Saturday, June 27. For more information on the meeting, please visit our website.

As always, thank you for all you do for the moving image industry here in Texas, and we’ll see you on the 27th!

Message From Jeanette Scott TXMPA Rep for Central Texas

txactor — Fri, 19 Jun 2009 00:15:19 +0000

Hello to Central Region TXMPA members!
This is likely my last correspondence as the official representative for the Central Region of the TXMPA. I want to tell all of you that I have been honored to serve as your voice in this relatively new and important alliance of film industry professionals. During the past year, the Central Region has raised more money for our cause (largely from the Spaghetti Western) than any other region in the state! Our membership has grown astronomically as the word has gotten out. But, we must not become complacent. We must build on our successes in preparation for future legislative battles!

On June 27, Paul Alvarado-Dykstra & Shelley Schriber will officially take over as Central Region board representative & alternate, respectively. I look forward to their input, energy and organizational capabilities as we move forward in our mission – growing our membership, establishing firm financial footing, lobbying the legislative body of Texas to bring work home.

I have spent the last several months in Oklahoma, on a feature film set in Texas. We are filming here for one reason. Legislative incentives. The Oklahoma state legislature has just signed into law a bill granting a rebate of 38% to film productions, and believe me, the studios are lining up and salivating. Never mind that there is NO crew base, NO infrastructure, NO soundstage, NO office facilities. We are based in an abandoned department store. The toilets work intermittently. Next to my desk, the water flows down the pipe each time someone flushes the toilet. But the people are lovely, the locations are good, and the community is eager & ready to build up the crew base and infrastructure to make this a truly competitive destination.

This story is writ large across the country. Incentive legislation is the MOST IMPORTANT FACTOR in drawing film production to any state today. Witness Michigan! They are building one of the biggest sound stages in the country. New Mexico, as we all know, is now firmly ensconced as a production destination, growing from nothing to the powerhouse it is today in a few short years. The main, the only, reason they have been able to accomplish this is the incentive package offered by the state of New Mexico. The single purpose of the TXMPA is to change this imbalance. The biggest lure, the most important factor in bringing back our jobs, is legislative action. That is our goal.

The TXMPA at large elections begin next week. I hope all central region members will vote for our proposed slate:
Craig Berlin
Rick Olmos
Jeanette Scott

We want to have as big a voice as possible from the central region as we move forward on our quest.

Thanks to all of you for letting me represent you. We have made great strides. Now, we must take the next two years to build our membership, raise money, establish a permanent office, and muster forces for the next legislative session. Many people have been out of work. Frustration levels are high. I have been forced to leave home and family for work. Nothing does more to change the equation than legislative action. In 2011, the battle begins all over again. Nothing is automatically renewed. Let’s all band together and come back bigger and stronger, with one voice, to insure the future of the film industry in Texas.

I ask you for your vote, your support, and your time and effort to build TXMPA into a force to be reckoned with.

Respectfully yours,

Jeanette Scott, outgoing board rep for Central Region

Tax Incentives Pass, A New SAG Contract is Ratified – Time To Get Busy

txactor — Wed, 10 Jun 2009 03:45:13 +0000

After months of acrimonious negotiations between SAG and the AMPTP and cross guild combat between SAG and AFTRA, a new contract has been ratified. For better or worse, and I personally hope we don’t look back on passage of this contract as the beginning of the end for both SAG and AFTRA, the SAG membership has spoken and we have a ‘deal’. The fact that this deal has the potential to eviscerate actors’ residual income was not enough to keep the membership from giving the agreement its overwhelming approval by a vote of 78% to 22%.

Here is a press release sent to the membership tonight ( 6/9/09):

FOR IMMEDIATE RELEASE

Screen Actors Guild Members Overwhelmingly Ratify TV/Theatrical Agreements

Los Angeles, (June 9, 2009) – Screen Actors Guild announced today that members have voted overwhelmingly to approve its TV/Theatrical contracts by a vote of 78 percent to 22 percent.

The two-year successor agreement covers film and digital television programs, motion pictures and new media productions. The pact becomes effective at 12:01 a.m. June 10, 2009 and expires June 30, 2011.

The contracts provide more than $105 million in wages, increased pension contributions, and other gains and establishes a template for SAG coverage of new media formats.

Approximately 110,000 SAG members received ballots of which 35.26 percent returned them – a return that is above average compared with typical referenda on Screen Actors Guild contracts. Integrity Voting Systems of Everett, WA, provided election services and tonight certified the final vote tally upon completion of the tabulation.

The vote count in the Hollywood Division was 70.70 percent to 29.30 percent in favor. In the New York Division, the vote count was 85.74 percent to 14.26 percent in favor. And in the Regional Branch Division, the vote count was 89.06 percent to 10.94 percent in favor.

Screen Actors Guild President Alan Rosenberg said, “The membership has spoken and has decided to work under the terms of this contract that many of us, who have been involved in these negotiations from the beginning, believe to be devastatingly unsatisfactory. Tomorrow morning I will be contacting the elected leadership of the other talent unions with the hope of beginning a series of pre-negotiation summit meetings in preparation for 2011. I call upon all SAG members to begin to ready themselves for the battle ahead,” Rosenberg added.

Screen Actors Guild Interim National Executive Director David White said, “This decisive vote gets our members back to work with immediate pay raises and puts SAG in a strong position for the future. Preparation for the next round of negotiations begins now. Our members can expect more positive changes in the coming months as we organize new work opportunities, repair and reinvigorate our relationships with our sister unions and industry partners, and continue to improve the Guild’s operations.”

Screen Actors Guild Chief Negotiator John McGuire said, “I want to thank the SAG members and staff who dedicated their time to the negotiations process. We emerged with a solid deal that the members have now voted up. The negotiating team worked tirelessly, building on the work of the first negotiating committee, to deliver these improvements to members.”

Screen Actors Guild began talks with the Alliance of Motion Picture and Television Producers on April 15, 2008. Guild Chief Negotiator John McGuire, Interim National Executive Director David White, and Deputy National Executive Director for Contracts Ray Rodriguez, working with a 10-person negotiating task force comprised of Screen Actors Guild board members and officers representing the three divisions, reached the tentative agreement on April 16, 2009 after 12 months of periodic negotiations with the motion picture studios and television networks.

In what should be a ‘perfect storm’ of events that could, and MUST help stimulate a substantial increase in SAG theatrical contract film production in Texas, ratification of the new SAG / AMPTP agreement was preceded by passage and more importantly, full funding of the requested $62 Million Texas film incentive legislation.

From TXMPA President, Don Stokes:

It is my extreme pleasure to report a very successful legislative session for the moving image industry. TXMPA has played an integral roll in the passage of HB 873 which created our enhanced and flexible incentive program as well as HB 2521 which creates guidelines for preferred vendor status for Texas based companies in producing media-related services for the State and SB 1929 which creates media production development zones which encourages the creation and development of production infrastructure like sound stages.

Of equal importance, our full funding request of $62 million dollars for HB 873 was passed by both the House and Senate. Congratulations to all of you who assisted in these achievements. None of this would have been possible without our industry coming together and speaking with a singular voice. Thanks again to all of you who participated in Lobby Day and spoke as witnesses in the various committee hearings. We also owe thanks to our friends at HillCo Partners who lobbied tirelessly to make sure our message was heard and that legislators understood that we only wanted what benefited both our industry and the State. And finally I want to express our gratitude to the Texas Film Commission for all of work and efforts they put forth on our behalf. Our success was truly a team effort. Take a moment to bask in our successes, but only a moment…

FILM & TELEVISION PROJECTS

* Feature Films
* Documentaries
* Episodic Television Series
* Television Episodes
* Television Movies
* Miniseries
* Reality Television
* Interstitial Television Programming
* Nationally Syndicated Talk Show

Program Overview

* Tiered incentive payments of 5-15% based on level of Texas spending.*
* Option to choose incentive calculation based on total in-state spending or wages paid to Texas residents.*
* Possible bonus of 2.5% if 25% of production completed in underutilized area.
* Texas spending can include eligible pre-production, production and post-production expenditures.
* No cap on incentive amount.

Minimum Qualifications

* $250,000 in Texas spending.
* 60% of shooting days completed in Texas.
* 70% of paid crew must be Texas residents.
* 70% of paid cast (including extras) must be Texas residents.*

* except reality television and talk shows.

Below is the latest list of possible SAG signatory productions for south region states, Louisiana and Texas. This list is assumed to be the last such list to be published before the new Texas film tax incentive program has a chance to impact production in Texas and possibly in states such as Louisiana and New Mexico.

Louisiana

“Dead Whisper” - #00231285
Dead Whisper Productions – Theatrical
Location: New Orleans, LA; Big Bear, CA
Start Date: To be determined

“Hurting Kind, The” - #00244310
TNC Shreveport, LLC – Low Budget Modified
Location: Shreveport, LA
Start Date: July 26, 2009

“Jaws of the Mississippi” - #00225090
Jaws Productions, LLC – Low Budget Modified
Location: Lafayette, LA
Start Date: July 6, 2009

“Untitled Alphi Phi Alpha Doc” - #00241154
Omnipotent One, Inc – Theatrical
Location: New Orleans, LA
Start Date: July 9, 2009

Texas

“Beyond the Whispers” – #00244882
Broken Camera Productions – Ultra Low Budget
Location: Boerne, TX
Start Date: To be determined

“Broken Promise, A South Texas Story” – #00210652
Que Tal Productions, LLC – Ultra Low Budget
Location: Brownsville/Mercedes, TX
Start Date: To be determined

“Carried Away” - #00238361
Carried Away, LLC – Ultra Low Budget
Location: Fort Worth, TX
Start Date: To be determined
Casting: James Johnston 817-915-4565

“Imago” - #00244751
Upstart Filmworks, LLC – Ultra Low Budget
Location: Houston, TX
Start Date: August 1, 2009

“Iron Horses” - #00237421
Curveball Films, LLC – Low Budget
Location: Austin, TX
Start Date: August 1, 2009

“Last Thanksgiving, The” – #00243410

TLT Productions – Ultra Low Budget
Location: Donna, TX
Start Date: To be determined
Casting: Pedro Garcia

“Letter H, The” – #00233247
GCP Film, LLC – Theatrical
Location: Houston/El Paso, TX
Start Date: September 3, 2009

“Matter of Honor, A: The Assassination of Sam Giancana”Distraught Sound and
Film Works in Association with Tommy Fadd and Good Boy Films
Location: Austin, TX
Start Date: To be determined

“Maybe, Maybe No” – #00239585
Red Raider Films, LLC – Ultra Low Budget
Start Date: 6/12/09 – Wrap Date: 7/26/09
Location: Wylie, TX
Casting: Ryan Paige 310-424-5256

“Mongolian Death Worm” – #00244759
Sweet Tater, LLC – Low Budget
Location: Dallas, TX
Start Date: June 22, 2009

“Red, White and Blue” - #00244689
RWB Films, LLC – Ultra Low Budget
Location: Austin, TX
Start Date: June 14, 2009
Casting: Karen Halford of Casting Works L.A.

“Secret Dark, A” – 00241474
30 Days, LLC – Low Budget
Location: Houston, TX
Start Date: June 15, 2009

“One Moon in Luck aka Shoot Out of Luck” – #00244805
Liz Destro – Theatrical
Location: Austin, TX
Start Date: October 1, 2009

“Untitled Ana Zims Romantic Comedy” – #00244038
Ana Zims – Ultra Low Budget
Location: Texas (unspecified), CA
Start Date: June 14, 2009

“Walk Away Joe” - #00242161
WAJ Productions, LLC – Theatrical
Location: Dallas, TX; Los Angeles, CA
Start Date: To be determined

“Where’s the Dan? The Search for Dan Schneider” – #00242803
Cosby Siringi – Ultra Low Budget
Location: Huntsville/Conroe, TX
Start Date: To be determined

Will Politics Spoil the Texas Film Incentive Legislation

txactor — Wed, 20 May 2009 14:08:51 +0000

It hasn’t taken long for the poop to hit the fan over the new entertainment tax incentive program recently passed by the Texas legislature. As you may have read or heard, a film production company named Entertainment 7 has been at the Cannes Film Festival touting their upcoming production about the Branch Davidian debacle. That production, WACO was supposedly going to headquarter in Austin and shoot here on a reported $30 million budget. That would have been the biggest film production to darken our doors in several years and would have provided a much needed boost to local film industry professionals and to those businesses who service film productions – hotels, restaurants, caterers, taxi drivers, florists, hardware and lumber businesses, etc. Woulda, coulda shoulda.

The news that the Texas Film Commission has turned down the WACO production for the incentive program has been brewing for several days and has now made its way from the American Statesman’s film blogs to the front page of the paper. The jist of the story is that Bob Hudgins, the director of the Texas Film Commission, and the party charged with the ability to say ‘yes’ or ‘no’ to a production company seeking film incentive participation, has decided that the WACO production does not comply with the ‘content provision’ in the incentive legislation. What? Exactly what is a ‘content provision’ and why is it in this legislation?

The content provision was apparently added to the legislation by Senate Finance Committee Chairman, Steve Ogden and, per the Statesman article states that ‘filmmakers taking incentives cannot show Texas or Texans in a negative fashion.” Well that’s just dandy isn’t it because we all know that everything it perfect in Texas and nothing bad ever happens here. If this sounds like the legislation has set Bob Hudgins up to be a film censor, well, unfortunatley that just may be the unintended (to be generous) consequence.

During the TXMPA legislative action this year I asked a collegue if that provision couldn’t be removed as it smacked of censorship and was sure to keep away many worthy and possibly lucrative productions. I got a quick NO. I was told that this legislation would never pass without the ‘content provision’ because Ogden was too powerful and he insisted that the provision stay in the legislation.

It hasn’t taken long for this thorn in the incentive package to prick Bob Hudgins in the backside. Now instead of doing what he needs to be doing in promiting Texas as a friendly place to come shoot movies and television shows, he’s having to spend time defending his decision not to give incentives to WACO. Hudgins has been quoted as saying this is not censorship….just compliance with the law. Well…yes and no.

Hudgins is a good guy and I’m certain he would rather not be fighting this battle, particularly in the press. He’s stuck by Senator Ogden’s apparent need to protect Texas from being seen as imperfect in some unknown manner. He insists this is not censorship because the company is free to come and shoot in Texas…just not with the incentive package they would otherwise receive. So, technically he is right. But effectively, the result is the same.

This incident sends a message to all filmmakers that they must structure their screenplays, self-censoring if you will, so that the state of Texas will not take offense or they will not be eligible to receive tax incentives…the very incentives that are designed to bring film produciton BACK TO TEXAS.

We just can’t seem to keep from shoot ourselves in the foot can we? Just as soon as we get a program that is very competitive with Louisiana and New Mexico, we find that we have provided them with a big load of ammunition to use against us: “come to Louisiana where we don’t tell filmmakers what they can and cannot say”…

The whole mess has blown up into something of a publicity bonanza for the makers of WACO who, let’s face it, don’t care where they shoot their movie as long as they go where they can get the best deal for their money. Can’t blame them for that.

Maybe this mess will blow over and not be as big a deal as it seems right now. But the question is: What exactly is it that shows Texas or Texans in a bad light? Can we have no crime dramas? Movies with a bad guy who is a Texan? Historical films that one person or another could decide portrays Texas in a ‘bad light’? What exactly are the criteria for those determinations?

Let’s see…FRIDAY NIGHT LIGHTS, shot in Austin and just nenewed for 26 more episodes contains many scenes of teenage drinking, teenage sexual situations and other content that could fall outside the acceptable parameters of this law. Is Hudgins now going to deny FNL incentive money to remain in Austin? Say it ain’t so. If he gives money to FNL will Senator Ogden be calling for his job? Say it ain’t so.

And how many film companies are going to say…”screw it, let’s just shoot in New Mexico” and we won’t have to sweat this stuff in the first place?

Time will tell…In the meantime, give some love to Bob Hudgins. He’s going to need it.

New Law Can Put Texas Back in the Film Business

txactor — Fri, 24 Apr 2009 12:49:00 +0000

On Thursday at Troublemaker Studios in Austin, Gov. Rick Perry signed HB873 into law. This law, a dramatic improvement on the existing film incentive package passed in the previous legislative session, is designed to put Texas back into play as a first tier location filming destination. The package also boosts incentives for commercial production and for Texas’ video game producers. According to press reports, because the legislation passed overwhelmingly in both houses, it becomes law upon Perry’s signing. Congratulations go out to the TXMPA and lobbying firm HillCo Partners for their leadership in guiding this effort to bring film industry jobs back to Texas. Let the funding begin.

UPDATE: The House has approved the requested $60 million funding for two years while the Senate passed the bill with ony $20 million in funding, the same figure that was in the previous law. The two sides will have to come together on a funding amount and here’s hoping and praying that it will be closer to $60million than $20million.

The legislators surely understand that to pay out $60 million, there will have been SEVERAL HUNDRED MILLION in production spending before any of that money is rebated. Based on a 15% rebate, the $20 million rebated would be based on +/- $133 million in spent production dollars. Hummm… $300-$400 million in production spending vs $130 million in spending in the state…which is better for Texas?

SAG and AMPTP Settle – Texas Film Incentive Law Passes

txactor — Mon, 20 Apr 2009 13:21:59 +0000

SAG and AMPTP settle…bad contract but at least we get to vote on it now…it will pass…

Is this the contract we want and need? No. However, after a year of on and off negotiations, this is the contract we’re stuck with and, given the overall economic climate, this contract will pass. At least we got two year expiration that will give the various guilds the opportunity to work together next time and hopefully improve the pitiful compensation package that this agreement establishes for new media. Time will tell, of course, but those of us who’ve been around the block a few times have little reason for optimism that the AMPTP will give significant improvements going forward. Our best hope there is if SAG, AFTRA and WGA can work together in two years. Each day seems to bring a new announcement concerning new media company alliances that will continue to alter the current product distribution landscape. Right now, actors are set to get the short end of the stick. In two years we should have ample documentation to make a strong case for significant improvements to this just approved agreement.

And now some really good news…

TXMPA effort pays off with improved film incentive package… gov will sign into law and now it HAS TO BE FUNDED…

And more good news…

SAG and AFTRA successfully negotiated a new commercials contract so no negative excitement on that front…things are looking very positive for resurgence of Texas film business…Great way to start a new week!

Here’s the email SAG members got concerning the new theatrical contract:

Dear Screen Actors Guild member:

We are pleased to inform you that the National Board of Directors today voted to approve the tentative TV/Theatrical deal and recommend it to the members.

Please see the following announcement.

SCREEN ACTORS GUILD NATIONAL BOARD OF DIRECTORS APPROVES TENTATIVE TELEVISION AND MOTION PICTURE CONTRACTS AND RECOMMENDS RATIFICATION

Los Angeles (April 19, 2009) – The Screen Actors Guild National Board of Directors today voted 53.38 percent to 46.62 percent to approve and recommend to members, new, two-year successor agreements to the 2005 Producer-Screen Actors Guild Codified Basic Agreement and 2005 Screen Actors Guild Television Agreement.

The proposed agreement, covering actors in motion pictures and television delivers 3.5% effective annual increases comprised of a 3% wage increase and a .5% pension and health contribution increase upon ratification, and a 3.5% wage increase in year two.

The board passed the below motion shortly after 4:00 p.m. today:

It was moved and seconded that the National Board directs the Interim National Executive Director to send the tentative agreement between the Producers represented by the AMPTP and the Screen Actors Guild for successor agreements to the 2005 Producer–Screen Actors Guild Codified Basic Agreement and the 2005 Screen Actors Guild Television Agreement to the membership for ratification, with a recommendation from the Board to vote ‘Yes.’
Approved: 53.38% –46.62%

“I urge members to carefully review both the pros and cons in the referendum materials, and exercise their right to vote,” said Screen Actors Guild National President Alan Rosenberg.

Interim National Executive Director David White said: “We are pleased that Screen Actors Guild members will soon be voting on a deal for television and motion pictures. We’re eager to get our members back to work and to focus now on the challenges ahead, particularly on initiating a comprehensive effort to thoughtfully plan for the future.

Our negotiating committee, task force and professional staff have worked countless hours on this agreement over the last year. On behalf of the National Board, I thank them for their time, commitment and expertise.”

Chief Negotiator John McGuire stated: “This tentative agreement delivers increased contributions to the SAG pension plan, increased minimums, a significant gain in background actor numbers from 50 to 55 over the term of the contract, and it tracks the new media provisions achieved by other entertainment industry unions. The term of the agreement puts SAG in sync with the other unions, and does not include the extended term recently proposed by the AMPTP.”

Provisions of the proposed deal include:
• A two-year term of agreement concluding June 30, 2011.
• Effective annual increases comprised of 3.0% in wage increases and .5% in pension contributions upon ratification, and a 3.5% wage increase one year following ratification.
• A new media structure that tracks those achieved by other industry unions, resulting in gains for actors including:
o Jurisdiction on all derivative, made-for new media productions; automatic jurisdiction on all high-budget, original, made-for new media productions; plus jurisdiction on low budget original, new media productions that employee at least 1 covered performer.
o Residuals for exhibition of TV and Theatrical motion pictures on consumer pay platforms (Electronic Sell Through) at a greater percentage than those paid for DVD distribution.
o Residuals for ad-supported streaming of feature films and television programs.
o Residuals for derivative new media programs.
• Additional 5 covered background actors in feature films. From 50 to 53 covered background positions upon ratification of the contract, and from 53 to 55 covered background positions in year 2. Adds 1 covered background position in TV, from 19 to 20, upon ratification.
• Increased compensation for guest star premium from 7.5% to 10%.
• Increased trailer money break from $2,500 to $3,000, or more per week.
• Increased overtime money break for three-day performers from $2,700 to $3,000.
Ratification ballots will be mailed to eligible SAG members in early May, with an expected return date at the end of the month. Tabulation will occur immediately upon the conclusion of balloting.

Bargaining for a successor agreement to the 2005 SAG TV/Theatrical Contract began on April 15, 2008.

FRIDAY NIGHT LIGHTS WINS 2 YEAR RENEWAL, STAYS IN AUSTIN

txactor — Wed, 01 Apr 2009 13:05:38 +0000

Here’s the press release:

The critically acclaimed NBC football-centric drama “Friday Night Lights” has been renewed for two seasons, with NBC and DirecTV partnering to bring the show to its loyal, and vocal audience, according to media reports.

The renewal means the show will continue through 2011. Each of the two seasons will have 13 episodes, according to the reports. The show will continue to be filmed in Austin.

The show, which had struggled with ratings on NBC was saved through the partnership with El Segundo, Calif.-based DirecTV. New episodes will be shown on DirecTV’s channel “The 101″ before being moved to NBC.

The partnership began with the third season of the show, an adaptation of H.G. Bissinger’s book of the same title that looks at the lives of members of a high school football team in Texas.

Current SAG Signatory Film Productions for Texas and Louisiana

txactor — Fri, 27 Mar 2009 13:55:16 +0000

The productions on this list have all contacted SAG about the possibility of becoming signatory productions but some may not eventually go SAG. So caveat emptor, SAG members.

Once again the list of POSSIBLE SAG signatory productions for Louisiana and Texas show that Texas is playing in the rough, with one arm tied behind our back without a competitive film incentive program.

Happily HB 873 passed this week by a vote of 139-6. Now we await the vote on the Senate version of the bill, SB 605.

Passage of these bills is critical, of course, but there is still the matter of funding. Keep an eye out for directives from the AMPTP on when it’s time to contact your representatives about funding for the enhanced film incentive program.

In the meantime, look at how many Theatrical contract productions are slated for Louisiana. The Theatrical SAG agreement is for the larger budgeted films. Bigger budgets mean more local jobs for actors and crew. More jobs that extend for longer periods of time. More money into the local and state economies.

We are glad to have so many low budget and ultra low budget films shooting in Texas. We want those projects. But to survive as an industry, and surely to actually make a living in the film industry, we MUST have larger budgeted productions shooting on a regular basis in Texas.

Louisiana

Caged Innocence #00226166

United Spirits LLC – Theatrical

Location: Shreveport, LA

Start Date: April 30, 2009

Champagne Society #00239437

Champagne Society, LLC – Theatrical

Location: New Orleans, Baton Rouge, LA

Start Date: May 1, 2009

Dead of Night #00234500

Long Distance Films, Inc – Theatrical

Location: New Orleans, LA

Start Date: To be determined

Dead Whisper #00231285

Dead Whisper Pictures, LLC – Theatrical

Location: New Orleans, LA; Big Bear, CA

Start Date: To be determined

Disconnect #00235354

Triumphant Pictures – Theatrical

Location: New Orleans, LA

Start Date: March 10, 2009

Expendables, The (aka Barrow) #00233317

Alta Vista Productions, LLC – Theatrical

Location: Shreveport, LA

Start Date: March 28, 2009

Jonah Hex #00240540

Warner Bros. Pictures, Inc

Location: Louisiana (non-specific location)

Start Date: April 13, 2009

Casting: Tiffany Little Canfield, CSA – (212)868-1260 x29

Leonie #00238888

Leonie Productions, LLC – Theatrical

Location: New Orleans, LA

Start Date: April 12, 2009

Little Murder #00239911

Little Murder, LLC – Theatrical

Location: Detroit, MI; New Orleans, LA

Start Date: April 20, 2009

Wrong Side of Town #00237651

WSOT Productions 1, LLC – Low Budget

Location: Baton Rouge, LA

Start Date: February 3, 2009

Texas

Apparition #00233593

Firestorm Pictures – Ultra Low Budget

Location: Houston, TX

Start Date: To be determined

Basement, The #00237744

T.L.P., LLC – Ultra Low Budget

Location: Dallas, TX

Start Date: To be determined

Casting: Shawn Griffith shgriffith at earthlink.net

Beyond The Farthest Star #00233502

Pathlight Entertainment, LLC – Modified Low Budget
Location: Dallas/Ft. Worth, TX

Start Date: October 1, 2009

Casting: Benjamin Dane

Broken Promise, A South Texas Story #00210652

Que Tal Productions, LLC – Ultra Low Budget

Location: Brownsville, Mercedes, TX

Start Date: February 15, 2009

Mario Torres – (956) 227-1933

C.A.B. #00239396

Tom Proctor – Low Budget Modified

Location: TX, AZ and Los Angeles, CA

Start Date: May 16, 2009

Carried Away #00238361

Carried Away, LLC – Ultra Low Budget

Start Date: TBD

Location: Fort Worth

Casting: James Johnston

Earthling #00239014

The Abductors, LLC – Ultra Low Budget

Start Date: April 1, 2009

Location: Dallas

Casting: Josh Ridgeway earthlingprods at yahoo.com

Iron Horses #00237421

Curveball Films, LLC – Low Budget

Location: Austin, TX

Start Date: August 1, 2009

Letter H, The #00233247

GCP Film, LLC – Theatrical

Location: Houston, El Paso, TX

Start Date: June 1, 2009

Casting: Rodney Acevedo

Love and the Texas Sky #00238741

Dust Bowl Pictures – Low Budget Modified

Location: Austin, TX

Start Date: April 1, 2009

Love Thy Neighbor #00238949

Nail Scarred Films, LLC – Ultra Low Budget

Location: Keller, TX

Start Date: April 25, 2009

Casting: Zach Smith (817) 938-9971 or zachsmithkeller at yahoo.com

Maybe, Maybe No #00239585

Red Rider Films, LLC – Ultra Low Budget

Location: Wylie, TX

Start Date: June 12, 2009

Casting: Ryan Paige

Minority Western #00220674

FAD Productions – Ultra Low Budget

Locations: AZ & Dallas, TX

Start Date: December 30, 2009

Nerveracker

Troublemaker Studios

Location: Austin, TX

Start Date: June 2009

Casting: Beth Sepko

Player’s School #00238898

Nexus Entertainment and Greg Carter

Location: Houston, TX

Start Date: To be determined

Shadow Play #00236154

Silvatar Media, LLC – Low Budget Modified

Location: Waco, TX

Start Date: April 11, 2009