Archive for the ‘Tommy G. Kendrick’ category

WHAT’S ALL THE FUSS ABOUT NEW MEDIA

March 9th, 2010

SAG Armadillo Day Poster

SAG Armadillo Day Poster


I’ll be moderating the panel at the event below on Saturday. Please join us and find out how you – Actor, Director, Producer can work with SAG in the rapidly emerging new media arena.

@ THE CROSSROADS OF NEW MEDIA

Saturday: March 13, 2010
Time: 11:00 AM – 1:00 PM
Venue: 219 West
219 West 4th Street
Austin, Texas

Join new media gurus Mike Prasad, Co-Founder and CEO of GirlGamer.com; Mark Friedlander, SAG National Director of New Media; and Will Marshall, SAG iActor online casting coordinator for a compelling look at the phenomenal growth in new media production and distribution.

FREE and open to the public.

Seating is limited: RSVP to Sheila Cooper at  sheila.cooper at sag.org or (800) 724-0767, option 7 or (972) 361-8185 by March 10.

THE OVERBROOK BROTHERS LANDS DISTRIBUTION

February 6th, 2010

THE OVERBROOK BROTHERS was one of my favorite films from this past year’s SXSW film festival. Co-written and directed by Austin filmmaker John E. Bryant, THE OVERBROOK BROTHERS is finally getting its chance to be seen by a much wider audience. Starting Februrary 17th, THE OVERBROOK BROTHERS will be available through IFC Films ON DEMAND. In the Austin area, IFC ON DEMAND is only available on Time Warner. Check it out.

JOURNEY OF THE WORKING ACTOR – SAG LIFERAFT

February 6th, 2010

Tuesday, February 9th
LifeRaft Live Stream presents

JOURNEY OF THE WORKING ACTOR

Screen Actors Guild Foundation and Screen Actors Guild are delighted to continue offering innovative “business of acting” seminars to Guild members across the nation at no charge, via live video stream on the Internet!

LifeRaft Live Stream allows you to participate online and submit questions to panelists every Tuesday, 6-8pm (PT) through April 27, 2010. To learn more about the program, view the current 2010 LifeRaft Live Stream schedule and to participate in these events online, simply visit the SAG Foundation LifeRaft Live Stream show page at www.sagfoundation.org All LifeRaft Live Stream events are available for later viewing here as well.

The next LifeRaft Live Stream event is:

Journey of the Working Actor
6-8 p.m. (PT), Tuesday, February 9

Join accomplished Los Angeles actor/author Michael Bofshever  www.michaelbofshever.com), along with his stellar panel of familiar-faced working actors, as he discusses a variety of questions pertaining to the many aspects of what it takes to succeed and live the life of a working actor. Topics to be addressed include the Foundation to Having a Career, Audition Know How, Life on Set, Agents and Managers, and the Art of Perseverance.

Michael has taken “Journey of the Working Actor” to over half the SAG branches across the nation and has garnered wonderful feedback – now, LifeRaft Live Stream is happy to share his professional insights with Guild members everywhere.

Guild members who wish to attend LifeRaft seminars in person may visit www.sagfoundation.org to register for seating at the events held at:

SAG Foundation Actors Center
5757 Wilshire Blvd., Mezzanine Level
Los Angeles, CA 90036
(parking will be validated)

Celebrating its 25th Anniversary in 2010, the SAG Foundation is proud to assist, educate and inspire SAG members in their careers, lives and communities. See you online!

Please note: If you are receiving multiple SAG Foundation notices you may have indicated a preference for more than one Foundation email region list. You may review and adjust this option at any time by logging into www.sagfoundation.org and viewing the “Email Notices” setting on your User Account page.

The Real Deal on Actor Reels from SAG

January 31st, 2010

This is an excellent video from the SAG Foundation LifeRaft series that was originally available only to SAG members. Whether you’re putting together your first actor reel or getting ready to re-edit and add your latest credits, there is information here for you. Top industry guests including casting directory Gary Zuckerbrod and highly sought after editor Wayne Rawley of Secret Handshake Entertainment tell what they’re looking for in a demo reel and offer sage advice on how to avoid the most common pitfalls.

Rhett Butler Box Set – Helps Brother Fight Brain Cancer

December 22nd, 2009

Saw a little story in today’s Austin American Statesman about Dallas guitarist Rhett Butler helping his brother, Ashley in the brother’s fight against brain cancer. Butler has a great box set for $45 that would make a great Christmas or other holiday gift. The money goes to help defray medical expenses for his brother who has been battling brain cancer on and off since he was 2 years old. He’s now 28, I believe. Check out the link if so inclined. I ordered this morning and I hope you do as well.

Go to Rhett Butler.org to order.

Dirty Bomb Diaries -Interview with the Creators

November 8th, 2009

Still from Web.Files interview with creators of BMB: Dirty Bomb Diaries

Still from Web.Files interview with creators of BMB: Dirty Bomb Diaries

Web Files’ host, Kristyn Burtt, interviews Sean Hinchey and Eric Tozzi, whose web series, Dirty Bomb Diaries, has gone where few series have gone before—into the millions-of-hits category. Like open books, they reveal the secrets to their success..
rai_1_TR

We’re at the beginning of a new age of ‘television’ and ‘film’ production and distribution. Some of the old models of content delivery are getting some competition and some are likely to fade altogether. For actors and all creatives this new model offers some great opportunities. No longer will it be absolutely necessary to live in one of the major markets in order to work in and hopefully, make a living in, ‘the business’. Take a look at this interview, check out some of the episodes of this and other web series on strike.tv or your favorite distribution channel.

ABC series ‘The Deep End’ films in Dallas

November 8th, 2009

Proposed ABC series ‘The Deep End’ films in Dallas | Dallas-Fort Worth Entertainment News and Events | News for Dallas, Texas | Dallas Morning News

Posted using ShareThis

Director Tim McCanlies Makes ALABAMA MOON Shine

October 27th, 2009

Alabama Moon Poster

Alabama Moon Poster

As a fan of Watt Key’s fine first novel, ALABAMA MOON, I entered the Austin Film Festival screening for the film with some of my expectations on hold. Clearly director Tim McCanlies (Secondhand Lions, Dancer TX. Pop. 81) has the experience and skill to pull off the transformation from novel to feature film.

But how many times have you gone to a film based on a book you love, only to be disappointed in the results? Too many, sad to say.

McCanlies, who directed from a script co-written by Key, had more than a few challenges with this project. Mix together a limited budget, a relatively short shooting schedule and a story that requires kid actors to carry the film and the ingredients for a less than stellar result are all at hand.

Not to worry. ALABAMA MOON the film more than lives up to the promise of the novel.

For those who aren’t familiar with ALABAMA MOON, it’s the coming of age story of an eleven year old named Moon who has been raised in the Alabama wilderness by his survivalist father, Pap. Pap, distrustful of all outside elements, particularly ‘the government’ has raised Moon in his own image – friendless, self-sufficient and able to live off the land. This is ‘home schooling’ in its rawest form. Moon can read and write, but he can also trap game, start a fire without matches and has a rudimentary knowledge of medicinal herbs. Moon has been raised to distrust anyone but Pap and to live on his own.

For years, Pap and Moon have inhabited a dense growth of Alabama forest that is owned by a paper company. When the paper company sells of a portion of the land to developers, their solitary world is threatened. Then the unexpected, and to Moon, the unbelievable happens.

Pap is injured in a fall, suffering a compound fracture to his leg. Moon does his best to doctor Pap, but he is a kid after all. With no medical treatment, the unexpected becomes the undeniable truth. Pap dies and Moon is left to fend for himself. In his final instructions to Moon, Pap tells him he has to get away from the encroaching development. Run from ‘the government’. Pap tells Moon to go west, preferably to Alaska where Moon can hook up with other people who are self-reliant and who ‘think like we do’.

Thus Moon is set off into a journey of discovery. A journey that quickly has him in trouble with the outside world. But a journey that brings him into contact with people his own age for the first time in his life.

ALABAMA MOON is something of a ‘throw-back’ film. The film is refreshingly free of helicopter searches, infrared scopes and and night vision goggles. This is a film that seems more in the mold of the classic Disney pictures that mined similar territory. And that’s a good thing.

McCanlies keeps the narrative moving at a brisk pace and elicits first class performances from a uniformly strong cast.

Jimmy Bennett, as Moon, has the acting chops to go well beyond the surface of this nicely written character and he delivers a first rate performance.

Casting of Clint Howard as Moon’s nemesis, Constable Sanders, was a stroke of good luck for the production. In the after-film Q&A, Howard told how he served as sort of an on-set ‘uncle’ figure to the child actors in the film. How lucky for them! Howard also discussed a conversation he had with Don Knotts not long before that legendary comedic actor passed away.

Howard described Constable Sanders as ‘Barney Fife on steroids”. Howard, a former child actor himself (duh!) , added just the right amount of off beat humor along with his character’s threatening impatience and lack of empathy for Moon without ever going too far over the top. Don Knotts would no doubt approve.

Rounding out the recognizable names in the cast, John Goodman brought just the right tone and, pardon the pun, weight to the character of Mr. Wellington, the new owner of the land where Moon and Pap have been living. At first, Mr. Wellington appears to be at the root of Moon’s problems, but instead turns out to be something of a guardian angel.

Supporting actors add mostly solid performances and all are more than ably supported by the outstanding cinematography of Jimmy Lindsey, a surprisingly rich score by Ludek Drizhal and sure handed editing by Mark Coffey.

The biggest disappointment of this production from a Texas-centric POV is that it was shot in Louisiana. ALABAMA MOON was filmed prior to the passage of the latest Texas film incentive legislation and the Louisiana incentives won the day. McCanlies has been quoted as saying he could have shot much of the film on his ranch in Bastrop. If only.

ALABAMA MOON, the production, is in some ways a good template for filmmakers who must contend with modest budgets.

Start with a good story. Add a solid screenplay that has at least a few roles that are so engaging that they can attract name talent for a limited number of days work.

If you somehow manage the first two, add a director who can do good work while working at a fast pace. If you’re really looking at this as a template, you might want to avoid a story with child actors. You’d have to be really lucky to pull together a group of young actors who will perform as well as those in ALABAMA MOON.

For all of you who wonder where all the good family films have gone, look no further than ALABAMA MOON. Hopefully you can look no further than your local multiplex.

In a move that makes one wonder about potential distribution of this terrific family film, the producers have set up an online petition where fans of the film can use to urge American distributors to pay attention to ALABAMA MOON. Link to the petition HERE.

Hopefully, the presence of Goodman and Howard along with the strong following for Watt Key’s novel will result in the distribution this film deserves.

The Mamma Jamma Ride – My Thoughts

October 12th, 2009
Getting ready to ride

Getting ready to ride

On Saturday, October 10, 2009 I fulfilled a commitment I’d made to participate in the first annual Mamma Jamma Ride Against Breast Cancer. I joined this effort in honor and support of my wife, Jane who is a survivor of Inflammatory Breast Cancer or IBC, for short.

When I signed up for the ride, I made an initial commitment to raise the minimum $500 required to participate and to ride a 13 mile course. Once I began training for the ride, I realized I could do much more.

Through the generosity of family and friends my total raised eventually hit $1595 and on ride day I completed the 46 mile circuit.

And we're off

And we’re off

The ride wasn’t easy. It was cold. The forecast of a 70 degree high was way off and temps were in the 50s throughout the ride. But cold or not I figured I would warm up once I started peddling my hybrid bicycle, a Fuji Sunfire 1.0, over the hills and dales.

In fact, about 3 miles into the ride I was wondering if I would really make it. I was hurting like I had not hurt before so soon into a ride. Between the cold and the fact that 2-3 weeks prior I had pinched a nerve that caused pain in my left leg and numbness in my left foot, I wasn’t feeling so good to start the ride.

But by mile 10 I was feeling good enough that passing the first pit stop with a wave to the volunteers manning that station seemed like a reasonable decision. I could make it to the 20 mile pit, no problem, I told myself.

As rider after rider blew past me on their sleeker, lighter road bikes, I thought more than once that ‘next time’ I’m doing this on a road bike.

About mile 13 I glanced down at my back tire. Is it low? It looks a little low. I’m prepared for a flat but I really don’t want to stop even to air up the tire. Ahead is a turn and a couple of ride volunteers.

“Does my rear tire look low?” I ask as I slowly pass by. “No”, they say. “Looks Fine.” Whew…that picks me up a bit.

A few miles ahead, I breezed down an incline and around a curve to see a long asphalt ribbon climbing far into the distance as it reached the horizon. Yikes. “That looks steep”, I thought. Then I remembered one of my training ride lessons. DON’T look too far ahead. Focus on the ‘now’.

That was good advice I gave myself because the next leg of the trip seemed to be one climb after another. To be sure these climbs are nothing for the Lance Armstrong’s in the ride but for this over 50 year old with a pinched nerve, they were becoming somewhat daunting.

BUT, I reminded myself, “the next pit stop is coming soon”. A glance at my odometer and I see that I am nearing the 18 mile mark. Cool. I can make it another two miles and then I can rest.

A turn ahead. A sign.

“Pit Stop – 5 Miles”. WHAT?

Apparently my assumption that there would be a second pit stop 10 miles from the first was wrong. The pit stop was actually, logically, at the half-way point in the ride. At 23 miles. Time to play some positive mind games.

Happily there was some beautiful scenery along the ride route. More than a few times I wished I were out for a more leisurely ride (in a car) with my DSLR so I could stop and take some shots of the beautiful landscapes and the old barns and farm equipment I was passing. Slowly, passing.

At the 20 mile mark there was yet another hill. A biggie in my eyes. At this point I’m really feeling the problem from the pinched nerve. Even though I’m hydrating and taking electrolyte supplements, I’m on the verge of cramping. My left foot is almost completely numb.

What was I thinking by committing to a 46 mile ride? Are you crazy? Then I think about why I got involved in this ride.

Jane Kendrick.

Jane Kendrick.

Oh yeah. It’s about her. And the other survivors who will benefit. It’s not about me. Yeah, this is a little bit hard. But, it’s not CHEMO hard. If Jane can do chemo and surgeries and radiation, this is a walk in the park for me.

I shift into ‘granny’ gear. I’m trying to keep my legs moving so I don’t cramp up and do what I can to get to the top of this incline. At the top, there should be relief. A flat stretch, or maybe even some downgrade. I make it to the top and see that I should be only a mile from the pit stop. THANK GOD. I will most certainly NOT be passing this pit stop.

At a turn ahead, an enthusiastic volunteer claps and waves as I follow the right turn arrow. “Pit Stop” she shouts out as I peddle by, trying my best to look like I’m not actually about to croak. Turn the corner. Pit stop ahead. At the top of another, thankfully short, climb.

A large sign says LUNCH. Sounds good to me. But first a real pit stop.

Leaving the latrine area I see colorful signs and food tables set up on a small rise. Volunteers have some games organized and riders, all of whom seem to look much fresher than I’m feeling, are eating or throwing darts (at a board, not each other) or playing ring toss.

I take this opportunity to do some twitter and Facebook updates. Soon I get a few encouraging responses from my supporters who see my posts. Now I’m feeling better. A turkey club roll, some fruit, some water and the old legs (to say nothing of my backside) are all feeling like I can make it through the last half of the ride.

I ride out with two young ladies on road bikes. We chat briefly and all decide that it’s actually getting colder. “See you when you catch us up ahead”, they say as they pull away. I did see them ahead once or twice. From the back. And then they were long gone.

Thankfully, the second half of the ride seemed to have fewer climbs. Or maybe I was just psyched that this was the home leg of the trip.

At about 30 miles the pain in my leg starts to crank up to where its more than ‘noticeable’. Reaching into the pockets of my jersey I realize I failed to bring along any Advil. UhOh.

At that point I let my mind wander and by the time I reach mile 35 I think I’ve written an entire novel in my head. It’s amazing how fast the (seemingly) creative ideas can come when you’re avoiding something unpleasant. Like pain.

At mile 36 there’s another pit stop. This looks familiar. I’ve seen you before. You’re also the 10 mile pit stop. Not wishing to offend any of the volunteers, I decide I should stop this time and take advantage of their good work. Sure…that’s why I stopped.

Some beautiful person had made peanut butter and jelly sandwiches, cut up into small squares and several of these seemed to be calling my name. A fellow rider, apparently someone I had actually passed along the way (go figure), approached me eating a cookie. “I see you’re going for the protein. I’ve going for the sugar”. “Nah”, I say. “I’m just going for the peanut butter.” “Well, I’m heading out. See you when you pass me ahead.” “I’ll look for you”, I say. She took off down the hill. Never saw her again.

Nice how the other riders are encouraging, intimating that I’ll be passing them when I get going again. HA! Not likely. But it was a very nice gesture.

The last 10 miles were the easy part of the ride. I pass a guy in a Round Rock Express mascot suit. Yes, the whole suit. He’s peddling along in some kind of recumbent bicycle…and making really good time. I don’t think I could do that. But then again, he was probably the only guy on the ride who wasn’t cold.

At 5 miles out I pull my phone out of the jersey and call Jane. I want her to be at the finish line when I get there.

By this time I’m feeling pretty tired and still a bit cold but there’s comfort in knowing that I will definitely finish. I look at my timer and I’ve been riding about 3.5 hours. I’ve been out almost 5 hours, so I guess those two pit stops were a little longer than I’d realized.

Of course there was one last climb near the finish but by then I knew I could just throw the old bike into the easiest gear possible and eventually I’d get to the top.

The signs ahead point to the finish line. I hear people cheering ahead as other riders ahead of me move around a bend and down an asphalt drive.

I’m not too far behind and I end up coming through the ‘Finish Line’ alone.

And yes, I did raise my arm in victory.

There’s Jane. Smiling a beautiful smile. My reason for riding.

“Stop”, she says as I ride to clear the way for cyclists behind me. “You get a medal”.

Receiving my medal from David Smith

Receiving my medal from David Smith

Some Final Thoughts:

At this time Inflammatory Breast Cancer has no cure. But with the benefit of research that has produced better medicines and better courses of treatment, IBC does not have to be the death sentence it seemed to be when Jane was diagnosed six years ago. At that time the life expectancy for someone with IBC was around 18 months. She’s been cancer free now for over 5 years. If you have Inflammatory Breast Cancer, DO NOT GIVE UP.

The Mamma Jamma Ride Against Breast Cancer has raised over $500,000 that will stay in Central Texas to help those diagnosed with many different kinds of breast cancer.

Ten different area charities and resources such as the Breast Cancer Resource Center will use funds raised through this ride to assist survivors as they go through treatment and beyond by: providing rides to chemo or radiation treatments, living assistance for single parents who can no longer work, by providing meals where necessary and many other forms of assistance to survivors who need a helping hand.

It was a privilege to participate in the first Mamma Jamma Ride Against Breast Cancer. The ride organizers did a fabulous job. The course was appropriately challenging and it was perfectly laid out and organized.

To all the readers of this blog, I encourage you to find a similar event in which to participate.

New Production List for Texas and Louisiana

September 15th, 2009

The list below is complied from the SAG list of POSSIBLE SAG signatory productions. POSSIBLE means that these productions have made contact with SAG but have not necessarily completed the signatory process. Offered for informational purposes. Use wisely. YMMV.

Texas

“Beyond the Farthest Star” – 00233502

Pathlight Entertainment, LLC – Low Budget

Location: Dallas/Ft. Worth, TX

Start Date: October 1, 2009

“Cameraman” – 00248634

Dixie Films Alpha LP – Low Budget Modified

Location: Longview, TX

Start Date: September 24, 2009

Casting: David Cole  dnc at dixiefilms.com

“Cherry Bomb” – 00246793

Strike Anywhere Productions, LLC – Ultra Low Budget

Location: Austin, TX

Start Date: September 16, 2009

Casting: Garrett Hargrove;  contact at cherrybombfilm.com

“Cowboy and Lucky” – 00247361

Red C Entertainment – Ultra Low Budget

Location: Waco, TX

Start Date: To be determined

Casting:  info at redctelevision.com

Cowgirl Chicks, The – 00248526

Rodeo Films, LLC – Low Budget Modified

Location: Ft. Worth, TX

Start Date: Late October 2009

“Friday Night Lights” – #00246956

NBC Studios, Inc.

Start Date: 9/2/09

Location: Austin, TX

Casting: Beth Sepko  info at bethsepkocasting.com

“God Save the Red, Black and Blonde” – #00246098

Ordered Productions – Ultra Low Budget

Location: Austin, TX

Start Date: To be determined

Casting: Dan Jimenez;  daj5757 at gmail.com

“Jacob’s Edge” – #00246799

Long Distance Freestyle, LLC – Theatrical

Location: Dallas, TX; L.A. CA; Georgia

Start Date: September 15, 2009

“Just Me and Jose” – 00249418

Just Me and Jose, LLC – Ultra Low Budget

Location: McAllen, TX

Start Date: To be determined

“Legend of Hell’s Gate, The” – 00248883

4 Go West, LLC – Low Budget

Location: Granbury, TX

Start Date: October 12, 2009

Casting: Beth Sepko

“Los Scavengels” – 00249412

Demetrius Navarro – Ultra Low Budget

Location: Dallas, TX

Start Date: October 2, 2009


“Mind of its Own, A”
– 00248745

Speaking Productions, LP – Low Budget Modified

Location: Dallas, TX

Start Date: September 28, 2009

Casting: Donise Hardy

“Minority Western” - 00220674

FAD Productions – Ultra Low Budget

Locations: AZ & Dallas, TX

Start Date: December 2009

Casting: Victoria Joyce Hernandez; (213) 440-6288

“Predators” – 00249564

Predator Planet, Inc. – Theatrical

Location: Austin, TX

Start Date: Late September

“Pros and Cons” - 00246100

Going Bats Entertainment – Ultra Low Budget

Start Date: September 25, 2009

Casting: Scott Ross,  stross at goingbats.com

“Trysts” – 00248638

Adulterers, LLC – Low Budget Modified

Location: Austin, TX

Start Date: October 13, 2009

Casting: Peter Yoder  peteryoder at bleutuna.com


Louisiana

“Battle Los Angeles” – 002458852

Battle Productions, LLC

Location: Baton Rouge, Shreveport, LA

Start Date: September 10, 2009

Casting: Fincannon Casting

“First Wedding, Then Marriage” – 00248498

First Wedding Then Marriage, LLC- Theatrical

Location: New Orleans, LA

Start Date: To be determined


“Hurting Kind, The”
– #00244310

TNC Shreveport, LLC – Low Budget Modified

Location: Shreveport, LA

Start Date: October 15, 2009

“Locked Down” aka “Cage, The” – 00248248

LA Cage Productions, LLC – Low Budget

Location: Jefferson Parish, LA

Start Date: September 11, 2009

“Monster Wolf” – 00249488

Monster Wolf, LLC – Low Budget Modified

Location: Lafayette, LA

Start Date: September 28, 2009

“Relative Strangers” – 00244457

Relative Strangers, LLC – Theatrical

Location: Louisiana (non-specific location)

Start Date: To be determined