We could use your support in attending our next script to screen this
Sunday. As an experiment this time around, we are using audio and visual
cues:

SAG Script to Screen Team presents Returning Champion Film Script

TV Writers Michele Gendelman and Ursula Ziegler test the film waters

The Austin Script to Screen Team presents a LIVE film script reading
event with Michele Gendelman and Ursula Ziegler’s Returning Champion.

The general public is invited to join actors, writers, producers,
directors, and film aficionados at 4 p.m. Sunday, August 30, at St.
Edwards University Jones Hall, 3001 S. Congress Avenue, Austin, Texas.

Admission is free.

Returning Champion is an off the wall comedy about a college freshman
who is booted out of school and has to move back home to his has-been
game-show host parents. The only way out of answering relentless trivia
questions and guessing which door breakfast is behind is to get his
out-of work parents back on the air.

An ever-growing independent film market has enticed these two TV writing
pros to submit Returning Champion to area investors, directors and
producers.

Michele Gendelman has written for TV shows: Newhart and
Facts of Life and is the author of What the Other Mothers Know
published by HarperCollins and contributor to What Was I Thinking? -
Bad Boyfriend Stories from St. Martin’s Press.

Ursula Ziegler has written and produced TV’s Empty Nest and also written for Head of the
Class, Sister-Sister, and Larroquette. She has developed TV pilots
for CBS, Fox and Castle Rock when not appearing as a contestant on TV
game shows.

Where: Jones Hall in the Ragsdale Center, St. Edwards University

When: Sunday, August 30 – 4 p.m.

How Much: Free

Here is a press release sent to the membership tonight ( 6/9/09):

FOR IMMEDIATE RELEASE

Screen Actors Guild Members Overwhelmingly Ratify TV/Theatrical Agreements

Los Angeles, (June 9, 2009) – Screen Actors Guild announced today that members have voted overwhelmingly to approve its TV/Theatrical contracts by a vote of 78 percent to 22 percent.

The two-year successor agreement covers film and digital television programs, motion pictures and new media productions. The pact becomes effective at 12:01 a.m. June 10, 2009 and expires June 30, 2011.

The contracts provide more than $105 million in wages, increased pension contributions, and other gains and establishes a template for SAG coverage of new media formats.

Approximately 110,000 SAG members received ballots of which 35.26 percent returned them – a return that is above average compared with typical referenda on Screen Actors Guild contracts. Integrity Voting Systems of Everett, WA, provided election services and tonight certified the final vote tally upon completion of the tabulation.

The vote count in the Hollywood Division was 70.70 percent to 29.30 percent in favor. In the New York Division, the vote count was 85.74 percent to 14.26 percent in favor. And in the Regional Branch Division, the vote count was 89.06 percent to 10.94 percent in favor.

Screen Actors Guild President Alan Rosenberg said, “The membership has spoken and has decided to work under the terms of this contract that many of us, who have been involved in these negotiations from the beginning, believe to be devastatingly unsatisfactory. Tomorrow morning I will be contacting the elected leadership of the other talent unions with the hope of beginning a series of pre-negotiation summit meetings in preparation for 2011. I call upon all SAG members to begin to ready themselves for the battle ahead,” Rosenberg added.

Screen Actors Guild Interim National Executive Director David White said, “This decisive vote gets our members back to work with immediate pay raises and puts SAG in a strong position for the future. Preparation for the next round of negotiations begins now. Our members can expect more positive changes in the coming months as we organize new work opportunities, repair and reinvigorate our relationships with our sister unions and industry partners, and continue to improve the Guild’s operations.”

Screen Actors Guild Chief Negotiator John McGuire said, “I want to thank the SAG members and staff who dedicated their time to the negotiations process. We emerged with a solid deal that the members have now voted up. The negotiating team worked tirelessly, building on the work of the first negotiating committee, to deliver these improvements to members.”

Screen Actors Guild began talks with the Alliance of Motion Picture and Television Producers on April 15, 2008. Guild Chief Negotiator John McGuire, Interim National Executive Director David White, and Deputy National Executive Director for Contracts Ray Rodriguez, working with a 10-person negotiating task force comprised of Screen Actors Guild board members and officers representing the three divisions, reached the tentative agreement on April 16, 2009 after 12 months of periodic negotiations with the motion picture studios and television networks.

In what should be a ‘perfect storm’ of events that could, and MUST help stimulate a substantial increase in SAG theatrical contract film production in Texas, ratification of the new SAG / AMPTP agreement was preceded by passage and more importantly, full funding of the requested $62 Million Texas film incentive legislation.

From TXMPA President, Don Stokes:

It is my extreme pleasure to report a very successful legislative session for the moving image industry. TXMPA has played an integral roll in the passage of HB 873 which created our enhanced and flexible incentive program as well as HB 2521 which creates guidelines for preferred vendor status for Texas based companies in producing media-related services for the State and SB 1929 which creates media production development zones which encourages the creation and development of production infrastructure like sound stages.

Of equal importance, our full funding request of $62 million dollars for HB 873 was passed by both the House and Senate. Congratulations to all of you who assisted in these achievements. None of this would have been possible without our industry coming together and speaking with a singular voice. Thanks again to all of you who participated in Lobby Day and spoke as witnesses in the various committee hearings. We also owe thanks to our friends at HillCo Partners who lobbied tirelessly to make sure our message was heard and that legislators understood that we only wanted what benefited both our industry and the State. And finally I want to express our gratitude to the Texas Film Commission for all of work and efforts they put forth on our behalf. Our success was truly a team effort. Take a moment to bask in our successes, but only a moment…

FILM & TELEVISION PROJECTS

* Feature Films
* Documentaries
* Episodic Television Series
* Television Episodes
* Television Movies
* Miniseries
* Reality Television
* Interstitial Television Programming
* Nationally Syndicated Talk Show

Program Overview

* Tiered incentive payments of 5-15% based on level of Texas spending.*
* Option to choose incentive calculation based on total in-state spending or wages paid to Texas residents.*
* Possible bonus of 2.5% if 25% of production completed in underutilized area.
* Texas spending can include eligible pre-production, production and post-production expenditures.
* No cap on incentive amount.

Minimum Qualifications

* $250,000 in Texas spending.
* 60% of shooting days completed in Texas.
* 70% of paid crew must be Texas residents.
* 70% of paid cast (including extras) must be Texas residents.*

* except reality television and talk shows.

Below is the latest list of possible SAG signatory productions for south region states, Louisiana and Texas. This list is assumed to be the last such list to be published before the new Texas film tax incentive program has a chance to impact production in Texas and possibly in states such as Louisiana and New Mexico.

Louisiana

“Dead Whisper” - #00231285
Dead Whisper Productions – Theatrical
Location: New Orleans, LA; Big Bear, CA
Start Date: To be determined

“Hurting Kind, The” - #00244310
TNC Shreveport, LLC – Low Budget Modified
Location: Shreveport, LA
Start Date: July 26, 2009

“Jaws of the Mississippi” - #00225090
Jaws Productions, LLC – Low Budget Modified
Location: Lafayette, LA
Start Date: July 6, 2009

“Untitled Alphi Phi Alpha Doc” - #00241154
Omnipotent One, Inc – Theatrical
Location: New Orleans, LA
Start Date: July 9, 2009

Texas

“Beyond the Whispers” – #00244882
Broken Camera Productions – Ultra Low Budget
Location: Boerne, TX
Start Date: To be determined

“Broken Promise, A South Texas Story” – #00210652
Que Tal Productions, LLC – Ultra Low Budget
Location: Brownsville/Mercedes, TX
Start Date: To be determined

“Carried Away” - #00238361
Carried Away, LLC – Ultra Low Budget
Location: Fort Worth, TX
Start Date: To be determined
Casting: James Johnston 817-915-4565

“Imago” - #00244751
Upstart Filmworks, LLC – Ultra Low Budget
Location: Houston, TX
Start Date: August 1, 2009

“Iron Horses” - #00237421
Curveball Films, LLC – Low Budget
Location: Austin, TX
Start Date: August 1, 2009

“Last Thanksgiving, The” – #00243410

TLT Productions – Ultra Low Budget
Location: Donna, TX
Start Date: To be determined
Casting: Pedro Garcia

“Letter H, The” – #00233247
GCP Film, LLC – Theatrical
Location: Houston/El Paso, TX
Start Date: September 3, 2009

“Matter of Honor, A: The Assassination of Sam Giancana”Distraught Sound and
Film Works in Association with Tommy Fadd and Good Boy Films
Location: Austin, TX
Start Date: To be determined

“Maybe, Maybe No” – #00239585
Red Raider Films, LLC – Ultra Low Budget
Start Date: 6/12/09 – Wrap Date: 7/26/09
Location: Wylie, TX
Casting: Ryan Paige 310-424-5256

“Mongolian Death Worm” – #00244759
Sweet Tater, LLC – Low Budget
Location: Dallas, TX
Start Date: June 22, 2009

“Red, White and Blue” - #00244689
RWB Films, LLC – Ultra Low Budget
Location: Austin, TX
Start Date: June 14, 2009
Casting: Karen Halford of Casting Works L.A.

“Secret Dark, A” – 00241474
30 Days, LLC – Low Budget
Location: Houston, TX
Start Date: June 15, 2009

“One Moon in Luck aka Shoot Out of Luck” – #00244805
Liz Destro – Theatrical
Location: Austin, TX
Start Date: October 1, 2009

“Untitled Ana Zims Romantic Comedy” – #00244038
Ana Zims – Ultra Low Budget
Location: Texas (unspecified), CA
Start Date: June 14, 2009

“Walk Away Joe” - #00242161
WAJ Productions, LLC – Theatrical
Location: Dallas, TX; Los Angeles, CA
Start Date: To be determined

“Where’s the Dan? The Search for Dan Schneider” – #00242803
Cosby Siringi – Ultra Low Budget
Location: Huntsville/Conroe, TX
Start Date: To be determined

My name is Jamie Blankenship. I am working on a community filmmaking project called the Two-week Turnaround Tour, or T3. Thousands of aspiring and professional filmmakers will come together in 14 US cities over 7 months to write, shoot, and screen a short film in the span of two weeks in each city.

We’re coming to Austin next and would love it if you could help us spread the word. All levels of experience are welcome. We believe everyone has something to offer the collaborative art of filmmaking! Austin will be our 4th city! We will be kicking off T3 Austin May 15th. For more information, you can visit our site at http://filmblazer.com/t3 and feel free to contact me anytime at  Jamie at filmblazer.com

Sincerely,

Jamie Blankenship

Here’s some info I copied from the really cool T3 site. This is just a tease…there’s lot’s more to see on the T3 site, so please check it out. Looks like fun to me.

What is the Two-week Turnaround tour?
The Two-week turnaround tour or T3 is a community filmmaking project. Filmblazer will visit 14 cites over 7 months. We will write, shoot, and screen a short film in each city in just two-weeks.

How does it all work?
Josh and Jamie get in an RV with all their Film equipment. We show up to a city and are greeted by our City Leader. We then have a kick off event, bringing together everyone who wants to help with the film. We work together to write a sweet film, shoot it, edit it, export it. We take a nap. We premiere the film, broadcasting live. We get in RV and drive to the next city. Repeat 14 time.
top

What is a City Leader?
The city leader is the local liaison for each city and will be our go-to person throughout production. The city leader needs to be a motivated, organized, film enthusiast that will help us build the city teams, scout locations, plan the premiere event, and basically be responsible for making sure Josh and Jamie get to keep their sanity. If you are interested in being a city leader please contact us!
top

What can I do to help make a short film?
This is a wide open question. Do you have access to a coffee shop? Do you have a ton of junk aka props? Can you make costumes? Are you really good with makeup? Do you like feeding people? We want everyone to bring something to the film because everyone has something to offer. Join a city and tell us what you can do. Plus we welcome people that can write, edit, act, light, you know normal film stuff

Please join us Sunday afternoon for an informative presentation including Q&A from the audience. If you can make it Sunday please introduce yourself and let me know you saw the announcement here.

Here’s the pitch:

Indie people don’t wait for the projects to come to them . . . they create!

Join industry experts for an informative session of supporting your creative vision while using professional talent. From Shorts to Ultra Low, to Full Features, to Webisodes or New Media and Gaming . . . SAG has a contract that can help improve your creation by broadening your talent pool. Bring your ideas and your questions.

Sunday, April 5, 2009

2-4 p.m.

Picture Box Studio

701 Tillery, Suite A-7

Austin, Texas 78702

512-480-9291

Panelists:

Bryan Poyser - Producer, Writer, Director has created award winning indie films of various levels from shorts to full feature productions. Co-Founder of Cinematexas Film Festival, Bryan is recognized as a fixture in the Texas film scene and now serves as the Director of Artist Services for the Austin Film Society.

Linda Dowell - SAG Regional Branch Division Executive Director oversees a Division covering 20 regional branches across the nation (every branch between LA and New York). Linda is well versed in the details of SAG’s film agreements and has assisted hundreds of filmmakers with utilizing professional talent in their low budget projects. She also serves on the Board of TXMPA, is a member of Women in Film in Houston and Dallas, and is a member of the Dallas Producers Association.

Lori Madrid - Line Producer, UPM and now Director of Operations at Spiderwood Studios has worked on numerous features and webisodes including “A Tribute to Big Red”, “Inspector Mom” and “Prison Break”. She knows the different challenges that face features, webisodes and TV production and is dedicated to helping the media community understand the importance of raising the bar and creating more production in Texas.

Tom Booker – Actor, Producer, Director, Writer knows the art of creating work. As a performer, Tom has appeared in hundreds of commercials and television shows. His live performances include “The Real Live Brady Bunch in LA and New York and his improv skills have led him to direct and teach at The Second City Training Center in LA. Tom co-wrote “Kill The Man” starring Luke Wilson that premiered at Sundance and is the founder of The Institution Theater in Austin.

This event is free. Seating is limited. RSVP to  tavery at sag.org

Space & equipment graciously donated by Reel Women & Exec. Director, Sherry Mills.

My agent, Heather Collier sent out the following email to her clients today to urge participation in the upcoming TXMPA legislative days. It’s a little long, but I think you’ll get a sense of the urgency of the situation. The email also contains instructions on how all of us who value Texas film business can get involved.

================

Hello everyone!

So I really need your help. Actually, the Texas Film Industry needs your
help. Here is your call to action!!!!!

I know, you all are tired of the emails. But let me tell you, you may not
have anything to audition for anytime soon if these incentives do not pass
with funding! I’m serious. There are very few projects on the horizon.

You would start to miss my crazy emails…no really, you would!

Please read this entire email. You do not have to email me back.

I need to you to show up at the Capitol for the Alliance Rally on 7:30am
SHARP on the TXMPA Lobby Day on Wednesday, March 4, 2009 and I need you to wear red.

If you can’t show up in the morning before work or school, you can
show up anytime during the course of the day wearing red.

We NEED to show the governor and the legislators how many people in Texas support the film industry. Things are so slow here right now…that should be a HUGE motivating factor.

There will be coming in from all over the state to descend on the Capitol. Most of you live in Austin so you don’t have to
travel far!

The Alliance told TXMPA we would have at least 1000 people at the Rally at
7:30am on the 4th. Please don’t make liars out of us : )

You don’t need to talk to any legislators…you just need to come dressed in
red!!!

So here is what you need to do…

1) Go to this website…
 http://www1.mysignup.com/lobbydayrally

Sign up for the Rally. You can add “Collier Talent” to your name too.

2) Show up for the Rally between 7:15am-7:30am. Get there early to find
parking.

3) Bring friends, family, ANYONE that you know who supports the film/media
industry here in TX. Tell them to wear red!

4) If you are not in town, please, please, please contact friends, family to
come in your place.

5) If you can’t come in the morning, come sometime during the day. Lunchtime
would be great. TXMPA is buying lunch for all of the legislators, so it
would be great to have lots of bodies outside the Capitol wearing red
showing support for the industry as the legislators make their way to lunch.

6) Visit http://www.txmpa.org/. If you haven’t joined already, please join.
If you can’t afford to join, sign up for the newsletter so you can receive
updates on what is going on! If you want to participate in Lobby Day on
behalf of TXMPA and go in to the Capitol to talk to legislators YOU MUST
SIGN UP THROUGH THE TXMPA WEBSITE. You will also have to attend a mandatory
training the night of March 3rd before Lobby Day on March 4th.

7) Spread the word to your fellow actors and people in AND outside of the
industry!!!!! Seriously, now is the time to act!!!!

Thanks for taking the time to read this : )

Heather

Our legislative rallying cry/ kickoff mixer & information session will be Monday, January 26 from 6-9 at:

Roux Restaurant
214 E. 6th St, Austin 78701
512 479 0474
just a couple of doors down from the Alamo Ritz.

Special Guests:
Bob Hudgins, Texas Film Commissioner
Brandon Aghamalian, TXMPA lobbyist with Hillco Partners

Come early for networking Happy Hour (till 7) with great food & drink

This is a very important meeting for all of us.

WE HAVE A BILL. WE HAVE BILL SPONSORS IN HOUSE & SENATE.

We have a new speaker of the house. The legislature is in full swing, and we will know who all the power players are- committee chairs, etc. The past few months have been about raising money & membership numbers (which we do still need.) Now we turn our focus to action. At this meeting we will talk about what to do when to whom. Brandon & Bob can answer questions about our legislation, and best tactics for getting it passed & funded. We’ll talk about lobby day. Bring ideas you have for how to make our message heard. We’ll have volunteer assignments, letters to sign, etc. As most of you know, there has been a lot of bad press lately regarding incentives.

Now more than ever, WE NEED EVERYONE TO COME TOGETHER. We’ll have special guests & plenty of networking time, so we promise it will be fun as well as informative. If you are concerned about the state of the moving image industry in Texas, COME TO THIS MEETING! NOW IS OUR MOMENT! BE PART OF THE SOLUTION!

WHAT YOU CAN DO THIS WEEK & NEXT.

1. Recruit 5 new people. An antique dealer, a film buff, an aunt, your neighbor, or anyone else you can get to care. If you can get them to join, great. If not, at least get their emails, go to website, & add them to email list. 20 seconds total. We need to build outreach so when it’s time for letter avalanche we reach as many people as possible.

2. FIND OUT WHO REPRESENTS YOU. WRITE THEM.
Go to this link to find your legislators.  http://www.fyi.legis.state.tx.us Scroll down to your Texas State Senator & Representative. Then, write them.

It can literally be done in 2 minutes. You just check email, fill in your information, and then enter a brief message. Please support the Moving Image Industry Incentives. Add a brief personal comment like “Thanks for your support. I’m an actor. We need this legislation! Our jobs have left the state. We have families too.” You get the picture.

If you are concerned about the state of the moving image industry in Texas, COME TO THIS MEETING! NOW IS OUR MOMENT!
BE PART OF THE SOLUTION!

FRIDAY NIGHT LIGHTS….SEASON 3 UPDATE

I was happy to get the call last week that Dr. Campbell, the character I played in Episode 2, “Tami Knows Best” would be reappearing in episode 11, “A Hard Rain’s A-Gonna Fall” now shooting here in Austin. Filming in working hospital in the middle of the day was interesting…may not so much for the real patients…but this crew moves so well and so fast, that I think any interuption was minimal. Look for Matt to have deal with his grandmother’s deteriorating mental health.

Last night was the second big meeting by The Alliance Austin, a cooperative of Central Texas casting directors, talent agents and acting coaches. Speakers at this meeting were:

Representative Dawnna Dukes, Texas State Representative, District 46
 http://www.house.state.tx.us/members/dis…

Nan Bernstein, Producer ­ Friday Night Lights
 http://www.imdb.com/name/nm0076987/

Bob Hudgins, Texas Film Commissioner
 http://www.governor.state.tx.us/film/

The bottom line message was that we in Texas have a big fight on our hands to increase our film incentive in the coming legislative session. If you haven’t done so, please join the TXMPA

One of the most sobering statements made last night came from Texas Film Commission head, Bob Hudgins. Although the current Texas film incentive authorized by the state was capped at $20million over two years, Hudgins says its not likely that even that paltry amount will be expended. Why? Out current 5% incentive is so low that we are not even attracting enough production to deplete the $20Million that is available. We MUST have an increase in our INCENTIVE PERCENTAGE in order to compete with our primary competition in Louisiana and New Mexico.

SPEAKERS: A Panel of Speakers from THE ALLIANCE
* Donise Hardy, President, Talent Works-USA
* Veronica Kelly-Albiez, Vice President, DVA Talent
* Liz Atherton, TAG Talent
* Heather Collier, Collier Talent
* Gabe Folse, State Theater

Our September 24 Mixer will feature the panel of Speakers listed above from
THE ALLIANCE, a cooperative of Casting Directors, Talent Agents and Acting
Coaches that provides insights into the needs and concerns of the acting
community. SEE: http://www.theallianceaustin.com/index.h….

This is a very important Mixer and all actors, and those in the film community in general,
are encouraged to attend.

Please pass on information about our Mixers to your friends and associates
in the film/media industries, and if you have a website associated with
those fields, please post our website - www.networkaustinmixer.com

Check out this video from the site:

Thanks. I needed that.

Check out their blog at : Midlife Gals

AFTRA, the DGA and the WGA already have agreements in place. SAG finds itself at the end of the line. Literally.

While I fully support the goals expressed by SAG going into the negotiations, it is clear that a serious compromise for something much less will be necessary. Or what?

Or SAG asks the membership for a strike authorization vote. A vote that is none to sure to garner the necessary 75% support of the membership. You can feel the lack of support for a strike like the summer heat in Texas. It’s real and it’s not going away any time soon.

Blame it on the economy, blame it on Bush, blame it on whomever or whatever you wish, but the perception, even among members I’m hearing from, is that a strike would be a huge blunder and a bigger disaster than signing yet another inadequate deal with producers.

The public at large doesn’t understand or probably care that most actors are not well served by the current contract, particularly in the area of cable and DVD residuals.

They see that the actors on THE SIMPSONS just signed a deal giving them $400,000 an episode for 20 episodes of a cartoon show and can’t understand what all the fuss is about. STRIKE? They want to WHAT? What a bunch of greedy, self-centerd SOBs. Sure, all actors make that kind of bread, right?

Well not exactly. Most actors don’t make enough to keep their health benefits current for more than a year or two at a time. That takes about $15,000 in SAG contract covered earnings just for the lower tier health benefits.

So…my feeling is that SAG will extend this thing out to the contract deadline, posturing and posing to present as much of a threat to industry stability as it can in an effort to one-up any gains contained in the AFTRA deal. AMPTP will resist and say take it or leave it and then they will come together and announce that SAG has settled with the same basic deal that AFTRA has but with this and that area that SAG can tout to the membership as being better than the AFTRA deal.

Why will it play out like this? Because the reality is that a strike will cost thousands of actors their savings (actors have savings???), their homes and, in many cases their careers. The money lost on a strike will take years to recover, if it ever is. A strike will give support to the disgruntled in the guilds that think going Fi-Core, resigning from the union while retaining the ability to work union jobs, is a reasonable, even honorable course of action because they ‘have no choice’.

At a time when Hollywood is losing billions of dollars in film production to other states like New Mexico and Louisiana and even Texas, states that are right to work, states that are fundamentally anti-union, the SAG’s Hollywood leadership simply can’t afford to gamble on a strategy that includes a strike. Or even a strike authorization vote.

Get it done, get it over with and let’s move on.

Agree or disagree? Let me know.