Posts Tagged ‘New Media’

WHAT’S ALL THE FUSS ABOUT NEW MEDIA

March 9th, 2010

SAG Armadillo Day Poster

SAG Armadillo Day Poster


I’ll be moderating the panel at the event below on Saturday. Please join us and find out how you – Actor, Director, Producer can work with SAG in the rapidly emerging new media arena.

@ THE CROSSROADS OF NEW MEDIA

Saturday: March 13, 2010
Time: 11:00 AM – 1:00 PM
Venue: 219 West
219 West 4th Street
Austin, Texas

Join new media gurus Mike Prasad, Co-Founder and CEO of GirlGamer.com; Mark Friedlander, SAG National Director of New Media; and Will Marshall, SAG iActor online casting coordinator for a compelling look at the phenomenal growth in new media production and distribution.

FREE and open to the public.

Seating is limited: RSVP to Sheila Cooper at  sheila.cooper at sag.org or (800) 724-0767, option 7 or (972) 361-8185 by March 10.

Attend SAG’s ARMADILLO DAY at 501 Studios – Austin!

March 14th, 2009

Just a reminder of today’s SAG event at 501 Studios:

Don’t Become Media Roadkill

This SRO event returns to Austin to speak of all things Screen Actors Guild.

Keep your career in the fast lane and off the shoulder.

Get all the info you need for your next film, webisode, video game, commercial, industrial or music video.

Join SAG Experts:
Darrien Michele Gipson, National Director of SAGIndie
Bob Jensen, Manager of National New Media Department
Steve Graham, National Director of Digital Marketing (iActor)
Todd Amorde, National Director of Organizing

Indie filmmakers, game developers, animators, directors, cds, agents and performers get together to get questions answered and discuss building the biz.

When: Saturday, March 14, 2009
2 – 4 p.m.
(Members only reception begins at 1 p.m.)

Where: 501 Studios
501 North IH-35
Austin, TX 78702
Free parking

Cost? Zip. Zilch. Nada. Nothing.

Nikki Finke’s Deadline Hollywood Daily Take on SAG AMPTP Negotiations

February 19th, 2009

Why The Smoke & Mirrors, SAG & AMPTP?

I don’t see why the SAG National Majority and their pals, the Big Media labor lawyers, are needing to waste more than an hour in talks since all they’re doing is Xeroxing AFTRA’s TV/Theatrical Contract. These past two days have consisted of nothing more than playing at negotiations. Sure, feature players will be thrown a few bones regarding French hours and force majeure and other stuff the AMPTP was going to back off anyway. Heck, the plan by the AMPTP all along was to make a big show of only giving in to the so-called “moderates” once they came into power in order to make them look all that much better compared to the “militants”? Nice to know that the SAG National Majority is following the AMPTP’s script to perfection. So color me unimpressed when this deal is reached lickety split. And the heavy-lifting residuals issues really necessary to the continued financial security of SAG and its members will be left off the table.

Read all the DHD Coverage here

UPDATE ON SAG AMPTP NEGOTIATIONS

February 19th, 2009

After the ouster of the Rosenberg-Allen negotiating team the process of HOPEFULLY settling the contract stalemate has begun. Below are links to some of the coverage of the current negotiations:

SAGWatch BLOG

From Digital Media Law:

SAG and the AMPTP ended their second day of talks at about 10:00 p.m. this evening (Weds.), but will resume tomorrow at 1:00 p.m. for a third, previously unannounced day of talks, said a source close to the negotiations. No other info was available on the progress of negotiations, but this is obviously a hopeful sign in a situation that’s been largely devoid of them until the last 30 days.

Negotiations had resumed Tuesday, accompanied by dueling protests, one from an organization of below-the-liners calling itself Back to Work, organized largely by camera operators Jon Philion and Andrew Rowlands and cinematographers Ed Gutentag and Bruce McCleery, and the other from Membership First. BtW was urging a deal, while MF was protesting the likelihood that the talks would result in what they consider an unacceptable deal. There were about 100 protesters in all, reports Variety.

A Working Class Actor Looks At The Deal That AFTRA Signed

February 11th, 2009

Self-described ‘working class actor’ John Cygan offers his take on the deal that AFTRA signed and why SAG should not agree to that same deal. What do you think?

SAG President Alan Rosenberg Discusses Possible Strike

November 24th, 2008

SAG ELECTION RESULTS – HERE’S ONE TAKE

September 19th, 2008

SAG Election GraphicDeadline Hollywood Daily has quite a bit of information and opinion on the results of the SAG election, how these results impact the ongoing stalemate with the AMPTP, etc.

Here’s the beginning of the DHD coverage. Hit the link above for the full story.

The results of the SAG vote elected an equal number of Membership First candidates and Unite For Strength candidates — 5 to 5 — onto the 33-strong National Board from the Hollywood division. For MF, JoBeth Williams, Scott Bakula, Lainie Kazan, Keith Carradine and Joely Fisher won three-year terms. For U4S, Amy Brenneman, Adam Arkin, Ken Howard, Pamela Reed and Kate Walsh also won three-year terms. The 11th elected National Board member was Morgan Fairchild who ran as an Independent and also won a three-year term. It’s expected that she will vote with U4S which endorsed her candidacy.

SAG Members Vote Want Better Contract From AMPTP

September 18th, 2008

Los Angeles, September 17, 2008 – The Screen Actors Guild National Negotiating Committee met today and was given the results of the SAG mail-in poll by National Executive Director and Chief Negotiator, Doug Allen.

87.27% of the10,298 SAG members who responded to the poll said the union should continue bargaining in an effort to achieve a fair contract. 12.73% of those who responded said they would accept the terms presented in the AMPTP’s June 30th offer to SAG.

Postcards were mailed to 103,630 paid-up SAG members on August 28 with a return deadline of September 15, with a 9.94% return. Postcard return statistics matched almost exactly the geographic distribution of SAG members, with 56.07% of the responses from Hollywood, 20.83% from NY, and 23.10% from regional branch members.

The results of the poll indicate that members agree with the actions passed by SAG’s national board in July and August:

July 26, 2008: “It is a core principle of Screen Actors Guild— That no non-union work shall be authorized to be done under any SAG agreement and; That all work done under a Screen Actors Guild contract, regardless of budget level, shall receive fair compensation when reused.“

August 21, 2008 “To support the negotiating team to get the very best contract possible for our membership.”

Screen Actors Guild President Alan Rosenberg stated, “I am encouraged to see that members-at-large agree with the strategy of the national board and their national negotiating committee. This membership poll provides clear insight and direction concerning how actors feel about their futures. Clearly they expect Screen Actors Guild to protect them from exploitation in new media, and to preserve longstanding principles and contract provisions.”

National Executive Director and Chief Negotiator Doug Allen commented, “Our objective was to take the pulse of our members and I am pleased that the response reflects the resolve we have seen from SAG members around the country throughout this negotiating process. The AMPTP suggested we send their June 30 offer to our members to ratify. These poll results indicate that was wishful thinking on their part. We will now urge the AMPTP to roll up their sleeves and to put in the hard work required to bargain a fair, equitable agreement as soon as possible.”

The AMPTP issued this statement in reaction:

September 17, 2008 — The mass postcard mailing by SAG negotiators was a farce. The questions were devised to give SAG negotiators only the answer they wanted to hear. The materials accompanying the postcard were hopelessly one-sided. SAG member votes were recorded by name, exposing those who opposed SAG negotiators to possible retribution. And some SAG members reportedly received multiple ballots. In short, this mass postcard mailing was another exercise in futility by SAG’s negotiators, and the results are meaningless. We have made a fair offer, with significant gains in salary and new media. That offer remains on the table, for the time being, despite steadily deteriorating economic conditions. In the meantime, we and all of the other industry guilds have gone back to work, and SAG members continue to miss out on the benefits of a new contract.

AMPTP STANCE on NEW MEDIA UNITES SAG BOARD

July 30th, 2008

It looks like warring factions inside SAG have found some common ground vs the AMPTP. Finally, all the SAG board agrees that allowing SAG sanctioned, non-Union production and no residuals for certain so called new media production is a bad idea for actors.

Daily Variety reporter and AMPTP fanboy, Dave McNary lays it all out in his article in Daily Variety dated July 29, 2008:

“SAG’s national board — which often finds itself amid pitched internal battles — has received backing from the fledgling Unite for Strength faction over its stance that the majors’ final offer to the guild is unacceptable.

SAG’s board voted unanimously over the weekend that it could not endorse the new-media provisions in the AMPTP’s offer — singling out provisions allowing non-union work in low-budget productions along with a lack of a guarantee of residuals for new-media programs replayed on digital platforms.

Unite for Strength announced last week a slate of 31 Hollywood division candidates with the aim of wresting control of SAG’s board from the ruling Membership First faction. Despite its assertions that SAG’s leaders have mishandled the negotiations, Unite for Strength said it’s in step on the policy stance.

“United for Strength fully supports the recent SAG board motion reasserting SAG’s commitment to the core principle that it does not authorize our employers to make nonunion product under our contracts, regardless of the medium or budget level,” the group said Tuesday. “We believe SAG needs new leadership, but we also agree with SAG’s negotiators that actors need real gains from a new contract.”

Unite for Strength also said in the statement that it agrees that the original goals of SAG’s negotiating committee — including pay and mileage increases, increased pension and health contributions, residuals on new media, protection from product integration abuses, increased DVD residuals and preservation of force majeure protections.

“Unite for Strength believes actors should have all those protections and more,” the group said. “We support our families with SAG earnings, so getting the strongest deal for actors is our top priority. And we know our current negotiating team feels the same way.”

Read McNary’s whole article in Daily Variety.

SAG BOARD UNITED ON NEW MEDIA

July 27th, 2008

Los Angeles, July 26, 2008 — The National Board of Directors of Screen Actors Guild passed the following resolution at its meeting today:

It is a core principle of Screen Actors Guild –That no non-union work shall be authorized to be done under any Screen Actors Guild agreement and;

That all work under a Screen Actors Guild contract, regardless of budget level, shall receive fair compensation when reused.

Passed unanimously 68-0.This resolution represents guidance from the National Board of Directors to the National Negotiating Committee. It reaffirmed the importance of these issues in these negotiations.“For some time, we have been telling the industry how important it is for all new media productions under our contract to be done union and how important residuals for made-for new media programming are when programs are re-run on new media,” said SAG National Executive Director and Chief Negotiator Doug Allen.

“I am very pleased that our National Board today unanimously confirmed these essential principles in support of our National Negotiating Committee,” Allen added.

AMPTP RESPONSE:

“The continued refusal of SAG’s negotiators to accept AMPTP’s final offer means that actors will continue to work indefinitely under the expired contract – an old contract that contains none of the $250 million in additional compensation provided by AMPTP’s final offer, and an old contract that provides none of the new media rights and residuals that other Hollywood Guild members have now been enjoying for months. SAG has permitted non-union Internet production under its contract since 2001. AMPTP has offered to extend SAG jurisdiction to original new media production, including low-budget programs that employ a single “covered actor.” The AMPTP’s final offer also guarantees residuals when original new media productions are reused and terms to increase pay and residuals if the program is eventually exhibited in traditional media. None of these rights and residuals exists under the contract that expired on June 30th.”