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	<title>still ACTING after all these years &#187; SAG Contract</title>
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	<itunes:summary>a Texas based actor spouts off about the actor&#039;s life</itunes:summary>
	<itunes:author>still ACTING after all these years</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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	<itunes:subtitle>a Texas based actor spouts off about the actor&#039;s life</itunes:subtitle>
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		<title>still ACTING after all these years &#187; SAG Contract</title>
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		<title>Tax Incentives Pass, A New SAG Contract is Ratified &#8211; Time To Get Busy</title>
		<link>http://txactor.com/2009/06/09/tax-incentives-pass-a-new-sag-contract-is-ratified-time-to-get-busy.html</link>
		<comments>http://txactor.com/2009/06/09/tax-incentives-pass-a-new-sag-contract-is-ratified-time-to-get-busy.html#comments</comments>
		<pubDate>Wed, 10 Jun 2009 03:45:13 +0000</pubDate>
		<dc:creator>txactor</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Alan Rosenberg]]></category>
		<category><![CDATA[AMPTP]]></category>
		<category><![CDATA[Austin Actors]]></category>
		<category><![CDATA[Austin Conservatory]]></category>
		<category><![CDATA[Austin Film]]></category>
		<category><![CDATA[Big Media]]></category>
		<category><![CDATA[Bob Hudgins]]></category>
		<category><![CDATA[Don Stokes]]></category>
		<category><![CDATA[Indie Film]]></category>
		<category><![CDATA[Louisiana Film Production]]></category>
		<category><![CDATA[New Mexico Film Production]]></category>
		<category><![CDATA[Tax Incentives]]></category>
		<category><![CDATA[Texas Actors]]></category>
		<category><![CDATA[Texas film]]></category>
		<category><![CDATA[Texas Film Production Fund]]></category>
		<category><![CDATA[Tommy G. Kendrick]]></category>
		<category><![CDATA[Film Incentives]]></category>
		<category><![CDATA[SAG Contract]]></category>
		<category><![CDATA[SAG Production List]]></category>
		<category><![CDATA[Texas Film Commission]]></category>
		<category><![CDATA[Texas Film Incentives]]></category>
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		<description><![CDATA[After months of acrimonious negotiations between SAG and the AMPTP and cross guild combat between SAG and AFTRA, a new contract has been ratified. For better or worse, and I personally hope we don&#8217;t look back on passage of this contract as the beginning of the end for both SAG and AFTRA, the SAG membership [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="lightbox" href='http://txactor.com/wp-content/uploads/2008/04/sag_logo.jpg' title='Screen Actors Guild Logo'><img src='http://txactor.com/wp-content/uploads/2008/04/sag_logo.jpg' alt='Screen Actors Guild Logo' /></a><a rel="lightbox" href='http://txactor.com/wp-content/uploads/2008/05/aftra_logo.jpg' title='AFTRA LOGO'><img src='http://txactor.com/wp-content/uploads/2008/05/aftra_logo.jpg' alt='AFTRA LOGO' /></a>After months of acrimonious negotiations between SAG and the AMPTP and cross guild combat between SAG and AFTRA, a new contract has been ratified. For better or worse, and I personally hope we don&#8217;t look back on passage of this contract as the beginning of the end for both SAG and AFTRA, the SAG membership has spoken and we have a &#8216;deal&#8217;.  The fact that this deal has the potential to eviscerate actors&#8217; residual income was not enough to keep the membership from giving the agreement its overwhelming approval by a vote of 78% to 22%. </p>
<p>Here is a press release sent to the membership tonight ( 6/9/09):</p>
<blockquote><p>FOR IMMEDIATE RELEASE</p>
<p>Screen Actors Guild Members Overwhelmingly Ratify TV/Theatrical Agreements</p>
<p>Los Angeles, (June 9, 2009) – Screen Actors Guild announced today that members have voted overwhelmingly to approve its TV/Theatrical contracts by a vote of 78 percent to 22 percent.</p>
<p>The two-year successor agreement covers film and digital television programs, motion pictures and new media productions. The pact becomes effective at 12:01 a.m. June 10, 2009 and expires June 30, 2011.</p>
<p>The contracts provide more than $105 million in wages, increased pension contributions, and other gains and establishes a template for SAG coverage of new media formats.</p>
<p>Approximately 110,000 SAG members received ballots of which 35.26 percent returned them – a return that is above average compared with typical referenda on Screen Actors Guild contracts. Integrity Voting Systems of Everett, WA, provided election services and tonight certified the final vote tally upon completion of the tabulation.</p>
<p>The vote count in the Hollywood Division was 70.70 percent to 29.30 percent in favor. In the New York Division, the vote count was 85.74 percent to 14.26 percent in favor. And in the Regional Branch Division, the vote count was 89.06 percent to 10.94 percent in favor.</p>
<p>Screen Actors Guild President Alan Rosenberg said, &#8220;The membership has spoken and has decided to work under the terms of this contract that many of us, who have been involved in these negotiations from the beginning, believe to be devastatingly unsatisfactory. Tomorrow morning I will be contacting the elected leadership of the other talent unions with the hope of beginning a series of pre-negotiation summit meetings in preparation for 2011. I call upon all SAG members to begin to ready themselves for the battle ahead,” Rosenberg added.</p>
<p>Screen Actors Guild Interim National Executive Director David White said, “This decisive vote gets our members back to work with immediate pay raises and puts SAG in a strong position for the future. Preparation for the next round of negotiations begins now. Our members can expect more positive changes in the coming months as we organize new work opportunities, repair and reinvigorate our relationships with our sister unions and industry partners, and continue to improve the Guild’s operations.”</p>
<p>Screen Actors Guild Chief Negotiator John McGuire said, &#8220;I want to thank the SAG members and staff who dedicated their time to the negotiations process. We emerged with a solid deal that the members have now voted up. The negotiating team worked tirelessly, building on the work of the first negotiating committee, to deliver these improvements to members.”</p>
<p>Screen Actors Guild began talks with the Alliance of Motion Picture and Television Producers on April 15, 2008.  Guild Chief Negotiator John McGuire, Interim National Executive Director David White, and Deputy National Executive Director for Contracts Ray Rodriguez, working with a 10-person negotiating task force comprised of Screen Actors Guild board members and officers representing the three divisions, reached the tentative agreement on April 16, 2009 after 12 months of periodic negotiations with the motion picture studios and television networks.</p></blockquote>
<p>In what should be a &#8216;perfect storm&#8217; of events that could, and MUST help stimulate a substantial increase in SAG theatrical contract film production in Texas, ratification of the new SAG / AMPTP agreement was preceded by passage and more importantly, full funding of the requested $62 Million Texas film incentive legislation.</p>
<p><a rel="lightbox" href='http://txactor.com/wp-content/uploads/2009/04/filmincentives.jpg' title='Texas Film Incentives'><img src='http://txactor.com/wp-content/uploads/2009/04/filmincentives.jpg' alt='Texas Film Incentives' /></a>From <a href="http://www.txmpa.org">TXMPA</a> President, Don Stokes:</p>
<blockquote><p>It is my extreme pleasure to report a very successful legislative session for the moving image industry. TXMPA has played an integral roll in the passage of HB 873 which created our enhanced and flexible incentive program as well as HB 2521 which creates guidelines for preferred vendor status for Texas based companies in producing media-related services for the State and SB 1929 which creates media production development zones which encourages the creation and development of production infrastructure like sound stages.</p>
<p><strong>Of equal importance, our full funding request of $62 million dollars for HB 873 was passed by both the House and Senate.</strong> Congratulations to all of you who assisted in these achievements. None of this would have been possible without our industry coming together and speaking with a singular voice. Thanks again to all of you who participated in Lobby Day and spoke as witnesses in the various committee hearings. We also owe thanks to our friends at HillCo Partners who lobbied tirelessly to make sure our message was heard and that legislators understood that we only wanted what benefited both our industry and the State.   And finally I want to express our gratitude to the Texas Film Commission for all of work and efforts they put forth on our behalf. Our success was truly a team effort. Take a moment to bask in our successes, but only a moment&#8230; </p></blockquote>
<p>FILM &#038; TELEVISION PROJECTS</p>
<p>    * Feature Films<br />
    * Documentaries<br />
    * Episodic Television Series<br />
    * Television Episodes<br />
    * Television Movies<br />
    * Miniseries<br />
    * Reality Television<br />
    * Interstitial Television Programming<br />
    * Nationally Syndicated Talk Show</p>
<p> Program Overview</p>
<p>    * Tiered incentive payments of 5-15% based on level of Texas spending.*<br />
    * Option to choose incentive calculation based on total in-state spending or wages paid to Texas residents.*<br />
    * Possible bonus of 2.5% if 25% of production completed in underutilized area.<br />
    * Texas spending can include eligible pre-production, production and post-production expenditures.<br />
    * No cap on incentive amount.</p>
<p>Minimum Qualifications</p>
<p>    * $250,000 in Texas spending.<br />
    * 60% of shooting days completed in Texas.<br />
    * 70% of paid crew must be Texas residents.<br />
    * 70% of paid cast (including extras) must be Texas residents.*</p>
<p>* except reality television and talk shows.</p>
<p>Below is the latest list of possible SAG signatory productions for south region states, Louisiana and Texas.  This list is assumed to be the last such list to be published before the new Texas film tax incentive program has a chance to impact production in Texas and possibly in states such as Louisiana and New Mexico.  </p>
<p><strong>Louisiana</strong></p>
<p><strong>“Dead Whisper” </strong>- #00231285<br />
Dead Whisper Productions – Theatrical<br />
Location: New Orleans, LA; Big Bear, CA<br />
Start Date: To be determined</p>
<p><strong>“Hurting Kind, The” </strong>- #00244310<br />
TNC Shreveport, LLC – Low Budget Modified<br />
Location: Shreveport, LA<br />
Start Date: July 26, 2009</p>
<p><strong>“Jaws of the Mississippi” </strong>- #00225090<br />
Jaws Productions, LLC – Low Budget Modified<br />
Location: Lafayette, LA<br />
Start Date: July 6, 2009</p>
<p><strong>“Untitled Alphi Phi Alpha Doc” </strong>- #00241154<br />
Omnipotent One, Inc – Theatrical<br />
Location: New Orleans, LA<br />
Start Date: July 9, 2009</p>
<p><strong>Texas</strong></p>
<p><strong>“Beyond the Whispers”</strong> &#8211; #00244882<br />
Broken Camera Productions – Ultra Low Budget<br />
Location: Boerne, TX<br />
Start Date: To be determined</p>
<p><strong>“Broken Promise, A South Texas Story”</strong> &#8211; #00210652<br />
Que Tal Productions, LLC – Ultra Low Budget<br />
Location: Brownsville/Mercedes, TX<br />
Start Date: To be determined</p>
<p><strong>“Carried Away” </strong>- #00238361<br />
Carried Away, LLC – Ultra Low Budget<br />
Location: Fort Worth, TX<br />
Start Date: To be determined<br />
Casting: James Johnston 817-915-4565</p>
<p><strong>“Imago” </strong>- #00244751<br />
Upstart Filmworks, LLC – Ultra Low Budget<br />
Location: Houston, TX<br />
Start Date: August 1, 2009</p>
<p><strong>“Iron Horses” </strong>- #00237421<br />
Curveball Films, LLC – Low Budget<br />
Location: Austin, TX<br />
Start Date: August 1, 2009</p>
<p><strong>“Last Thanksgiving, The”</strong> &#8211; #00243410</p>
<p>TLT Productions – Ultra Low Budget<br />
Location: Donna, TX<br />
Start Date: To be determined<br />
Casting: Pedro Garcia</p>
<p><strong>“Letter H, The”</strong> – #00233247<br />
GCP Film, LLC – Theatrical<br />
Location: Houston/El Paso, TX<br />
Start Date: September 3, 2009</p>
<p><strong>“Matter of Honor, A: The Assassination of Sam Giancana”</strong>Distraught Sound and<br />
Film Works in Association with Tommy Fadd and Good Boy Films<br />
Location: Austin, TX<br />
Start Date: To be determined</p>
<p><strong>“Maybe, Maybe No” </strong>– #00239585<br />
Red Raider Films, LLC &#8211; Ultra Low Budget<br />
Start Date: 6/12/09 – Wrap Date: 7/26/09<br />
Location: Wylie, TX<br />
Casting: Ryan Paige 310-424-5256</p>
<p><strong>“Mongolian Death Worm”</strong> – #00244759<br />
Sweet Tater, LLC – Low Budget<br />
Location: Dallas, TX<br />
Start Date: June 22, 2009</p>
<p><strong>“Red, White and Blue” </strong>- #00244689<br />
RWB Films, LLC – Ultra Low Budget<br />
Location: Austin, TX<br />
Start Date: June 14, 2009<br />
Casting: Karen Halford of Casting Works L.A.</p>
<p><strong>“Secret Dark, A” </strong>– 00241474<br />
30 Days, LLC – Low Budget<br />
Location: Houston, TX<br />
Start Date: June 15, 2009</p>
<p><strong>“One Moon in Luck aka Shoot Out of Luck”</strong> &#8211; #00244805<br />
Liz Destro – Theatrical<br />
Location: Austin, TX<br />
Start Date: October 1, 2009</p>
<p><strong>“Untitled Ana Zims Romantic Comedy”</strong> &#8211; #00244038<br />
Ana Zims – Ultra Low Budget<br />
Location: Texas (unspecified), CA<br />
Start Date: June 14, 2009</p>
<p><strong>“Walk Away Joe” </strong>- #00242161<br />
WAJ Productions, LLC – Theatrical<br />
Location: Dallas, TX; Los Angeles, CA<br />
Start Date: To be determined</p>
<p><strong>“Where&#8217;s the Dan? The Search for Dan Schneider”</strong> &#8211; #00242803<br />
Cosby Siringi – Ultra Low Budget<br />
Location: Huntsville/Conroe, TX<br />
Start Date: To be determined</p>
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