Posts Tagged ‘Tommy G. Kendrick’

WHAT’S ALL THE FUSS ABOUT NEW MEDIA

March 9th, 2010

SAG Armadillo Day Poster

SAG Armadillo Day Poster


I’ll be moderating the panel at the event below on Saturday. Please join us and find out how you – Actor, Director, Producer can work with SAG in the rapidly emerging new media arena.

@ THE CROSSROADS OF NEW MEDIA

Saturday: March 13, 2010
Time: 11:00 AM – 1:00 PM
Venue: 219 West
219 West 4th Street
Austin, Texas

Join new media gurus Mike Prasad, Co-Founder and CEO of GirlGamer.com; Mark Friedlander, SAG National Director of New Media; and Will Marshall, SAG iActor online casting coordinator for a compelling look at the phenomenal growth in new media production and distribution.

FREE and open to the public.

Seating is limited: RSVP to Sheila Cooper at  sheila.cooper at sag.org or (800) 724-0767, option 7 or (972) 361-8185 by March 10.

JOURNEY OF THE WORKING ACTOR – SAG LIFERAFT

February 6th, 2010

Tuesday, February 9th
LifeRaft Live Stream presents

JOURNEY OF THE WORKING ACTOR

Screen Actors Guild Foundation and Screen Actors Guild are delighted to continue offering innovative “business of acting” seminars to Guild members across the nation at no charge, via live video stream on the Internet!

LifeRaft Live Stream allows you to participate online and submit questions to panelists every Tuesday, 6-8pm (PT) through April 27, 2010. To learn more about the program, view the current 2010 LifeRaft Live Stream schedule and to participate in these events online, simply visit the SAG Foundation LifeRaft Live Stream show page at www.sagfoundation.org All LifeRaft Live Stream events are available for later viewing here as well.

The next LifeRaft Live Stream event is:

Journey of the Working Actor
6-8 p.m. (PT), Tuesday, February 9

Join accomplished Los Angeles actor/author Michael Bofshever  www.michaelbofshever.com), along with his stellar panel of familiar-faced working actors, as he discusses a variety of questions pertaining to the many aspects of what it takes to succeed and live the life of a working actor. Topics to be addressed include the Foundation to Having a Career, Audition Know How, Life on Set, Agents and Managers, and the Art of Perseverance.

Michael has taken “Journey of the Working Actor” to over half the SAG branches across the nation and has garnered wonderful feedback – now, LifeRaft Live Stream is happy to share his professional insights with Guild members everywhere.

Guild members who wish to attend LifeRaft seminars in person may visit www.sagfoundation.org to register for seating at the events held at:

SAG Foundation Actors Center
5757 Wilshire Blvd., Mezzanine Level
Los Angeles, CA 90036
(parking will be validated)

Celebrating its 25th Anniversary in 2010, the SAG Foundation is proud to assist, educate and inspire SAG members in their careers, lives and communities. See you online!

Please note: If you are receiving multiple SAG Foundation notices you may have indicated a preference for more than one Foundation email region list. You may review and adjust this option at any time by logging into www.sagfoundation.org and viewing the “Email Notices” setting on your User Account page.

Headshot Depot – My Latest Experience

January 25th, 2010

On March 13, 2008, as part of my little treatise on headshots, I related a very positive experience I’d had, ordering headshot reproductions online from Headshot Depot.

Following that post, I received a few comments…4 to be exact…that were less than flattering for the company. Fact is that every business will have missteps and slip ups along the way. Actors are like any other consumer: we want what we’ve paid for. Simple as that. Unfortunately, all transactions over the internet don’t go smoothly. When that happens, when the level of trust that is necessary to complete an online purchase is somehow diminished, we consumers get a bit worried at the least and often we get downright angry. All that is understandable.

I know from experience how expensive it is for an actor to keep supplies of headshots, demos, etc. When we spend our hard earned money on these necessities, it really gets perturbing when it seems we may have been scammed.

Now, I don’t know exactly what went wrong for the people who posted negative comments about Headshot Depot on this blog. But I do know that I paid attention. It made me rethink my positive comments and it made me reluctant to place a subsequent order.

Recently I found myself running low on a particular shot I use so I needed to get some new prints. For a number of reasons, I prefer to do this type business over the internet: it’s convenient and I can do it at 1:00am if I want to, the cost is reasonable and the quality of reproductions I’ve received has been excellent.

In deciding where to place my most recent order I looked around at some of the competitive sites that provide headshot reproductions. After an admittedly quick survey of a few sites, I found that I still preferred Headshot Depot for several reasons.

The primary thing I like about the site is their interface. I can upload a photo, adjust the framing to a certain extent, change the background from light to dark, see what it looks like with and without a border…and all in a very few minutes. There may well be other sites that make the ordering process as quick and as easy as Headshot Depot…and I’d love it if you guys would clue me in….but I didn’t hit them in my search. So, with a little reluctance, I placed a new order.

Now comes the slightly negative part of the experience.

I order a lot of things online. I have become accustomed to receiving almost instantaneous responses following placement of an order. If I order computer parts from Newegg, for instance, there is an email confirming the order – in full detail – practically as soon as I hit the ’send’ button to complete the order. Same with most other sites from which I purchase.

Not so from Headshot Depot. I placed an order rather late at night, so I didn’t get upset at the lack of an instant response. When there was still no response the next morning, I started to rethink my decision.

But, not to worry, I did get an email response and it contained my ‘proof’. I was to approve and reply and I was told I’d receive another email regarding payment for the order.

Okay…not the smoothest way to handle the transaction, but I wasn’t being ripped off. Of that I was convinced.

Then…more waiting. I waited for a day or so and when I hadn’t received the email about paying for my order, I emailed the company. I was told the order was actually ready and I should be receiving a billing email shortly.

Later the same day I did, in fact, receive an email instructing me to pay via PayPal and I was good to go.

After paying, I’m accustomed to receiving notification from the vendor that they have been paid, with shipping details included.

Not so with Headshot Depot. Of course I did receive a notice from PayPal, so I knew the transaction was complete on my end. And so I waited.

About a week later the headshots arrived. They actually arrived on the day I had decided it was time to reach out again and find out the status of my order.

So…final opinion: Headshot Depot needs to upgrade their process of communication with clients and completion of orders to match the excellent impression they make with their ordering interface. The product I received this time lives up to the excellent quality of photo reproduction that I previously experienced.

Will I order from Headshot Depot again? I will. The service could definitely be better…smoother at least…but the product is excellent and the pricing is competitive with any other service I’ve utilized.

Today I received a follow up call from the owner who wanted to make sure my order had arrived and that I was satisfied. Now that’s good customer service. I relayed my ‘problems’ and suggestions to him and he seemed receptive.

If you have a good or bad experience with Headshot Depot let me know. I certainly don’t want to be in the position of recommending a service or business that is not delivering on their promises.

Bottom line: caveat emptor.

Demo Reels, Pictures and Resumes – Getting Your Act Together

January 22nd, 2010

The AUSTIN ACTORS CONSERVATORY PRESENTS

“GETTING YOUR ACT TOGETHER”
Demo Reels, Pictures, and Resumes

JANUARY 24, 2010 – Time: 4:00 – 6:00 PM
St. Edward’s University, 3001 S. Congress Ave, Austin, TX 78704
Ragsdale Center, Mabee Ballroom on 3rd Floor

Join the Austin Actors Conservatory for a candid discussion of what works and what doesn’t and learn how to market yourself in today’s climate.

COST: Members of the AAC: Attend for FREE. Please bring your SAG/AFTRA card for admittance (as a reminder all members of AAC must be paid up and in good standing with their unions). FREE for St. Edward’s students (must show student ID for admission) * Fans of the AAC: $20.00 *All others: $25.00.

Please RSVP for this EVENT:  AustinActorsConservatory at gmail.com

Moderated by Tommy G. Kendrick

Our Panelists Include:

Pictures and Resumes:

DAMON WILLIAMS – Former Casting Director for Ricki G. Maslar Casting; Ulrich/Dawson/Kritzer Casting – in Los Angeles, Damon is a recent transplant from Los Angeles, currently casting: “Twisted Proverbs”, “The Everyday Sun Tzu”. Past projects include: “The God Project”, “Going Postal”, “Manfest”,”The Year That Trembled”, “Black Hole”, “My Best Friend’s Wife”, Speechless”, “XCU: Extreme Close-up”, “Always Greener”. Damon is also a SAG actor, AAC Committee Member and 2010 Script to Screen Chair.

Demo Reels and Other Marketing Tools:

PAMELA WEAVER – Actress, Filmmaker, Film Editor. Another transplant from Los Angeles, Pamela has been performing on stage and screen since the age of 6 years old, touring with the “Weaver Sisters” at USO shows, private clubs, aboard ship, army camps. She has performed in over 100 stage plays on both the east and west coasts, 15 films and 6 television shows. In 2006 she went behind the camera learning film editing, shot her first documentary which is currently in post and creates demo reels for actors. Her first paid gig as a film editor and DP was working for ESPN in 2007. Between acting gigs and chairing the Austin Actors Conservatory, she films and edits virtual auditions and demo reels for actors, internet advertising.

JONATHAN GRUBBS – Film editor, motion graphics designer and published writer, Jonathan has spent the last 5 years editing at a boutique post production facility in Los Angeles where he worked on trailers and television spots for major studio film releases. He now freelance edits and designs motion graphics for television commercials for markets across the nation. His current plans are to expand into visual effects, feature title design and feature editorial in the near future. Past clients have included Universal Pictures, Sony Pictures, Paramount Pictures, major pharmaceutical industry firms, a rock band, documentary and a local Austin independent comedy.

What the Professionals That Hire You Are Looking For – How to Get Their Attention!

MARK LANE — Producer, Capitol Motion Pictures — In 2000, Executive Producer Mark Lane produced the independent Film, The Cure for Boredom, starring Judd Nelson, Seymour Cassel and the late Joe Vitterelli. Fusing all his talent and abilities, Mark went on to form Capitol Motion Pictures, focusing on the production of quality feature films. His feature, the comedy “Checking Out” starring Peter Falk, Laura San Giacomo, David Paymer & Judge Reinhold, was released in September, 2006. Mark’s present position in the film industry culminates years of expertise both behind and in front of the camera. Mark started out as an actor in New York, eventually producing and acting in over twenty off-Broadway plays. Following the path of numerous talented New Yorkers, Mark headed west to Hollywood where he quickly gained recognition working as an actor on such network television shows and feature films such as Hill Street Blues, McGyver, Capitol, Miss Lonely Hearts, Chud 2, Friday the 13th, Fire in the Night, Mass Appeal, Sex & Bullets. Desiring to expand his creativity, Mark began working behind the camera on numerous projects for the three major networks: ABC, CBS, and NBC; as well as for several motion picture studios, including: Paramount Pictures, Universal, Warner Brothers and Lion’s Gate, to name a few. Quickly, Mark rose to Producer, heading up three feature shorts for HBO/Showtime: When Angels Cry, Galatea’s Wish, and Hope’s Creek. He also produced and directed the nominated documentary, Our Father the Bank Robber. Mark studied acting in New York City under the tutelage of Lee Strassberg, Warren Robertson, Uta Hagen & Herbert Berghoff and Alan Rich in Los Angeles. The completion of two films this year ”Bittersweet” won highest honors this years at World fest 2009 Houston starring James Brolin & Kip Pardue and “Shadows” starring William Hurt & Cary Elwes are slated for release this year. The Tribeca Film festival has requested Shadows to have our world premiere for their festival this April 2010.

GARY CHASON, Director, virtually grew up in the theater. He and his two sisters, from the moment they could walk and talk, put on shows for family and friends. He studied classical ballet at Houston Ballet’s academy as well as vocal music, singing in the chorus of the Houston Grand Opera’s production of Tales of Hoffman. He took up directing at the University of Texas and set his sights on becoming an avant garde, experimental writer/director. He created Houston Laboratory Theatre in 1970 and directed an innovative Romeo and Juliet that received excellent notices. He produced and directed one of the most controversial stage productions in Houston during the Seventies: The Beard, an erotic one-act staged at an art gallery in the Montrose District. He also directed two of his original plays at the Equinox Theater: Charlie’s Ear and Denizens. He has had a distinguished career in motion pictures as a Casting Director and Dialogue/Dialect Coach. His casting credits include: The Last Picture Show; Paper Moon; The Getaway; Pretty Baby; and Paris, Texas. He has worked closely with directors Robert Altman, Peter Bogdanovich, Sam Peckinpah, Michael Ritchie, Louis Malle, and Wim Wenders. As a Dialogue/Dialect Coach he has tutored Jeff Bridges, Cybill Shepherd, Cloris Leachman, Brooke Shields, Tatum O’Neal, C. Thomas Howell, and Ann-Margret. His first feature film as a Writer-Director, Charlie’s Ear, won the Critics’ Prize at Mannheim and all the top awards – Best Film, Actor, Director, and Cinematography – at the IMAGFIC festival in Madrid. He produced The Trust, an award-winning feature film starring Karen Black and Sam Bottoms, and has produced, directed, and/or written numerous shorts: Mama Icy’s House; From Nowheresville; Ink on Paper; Little Beauties; A Few Letters Off; More Than Two Dollars, and My Name Is Jeffrey and I’m a Serial Killer. In the field of Corporate Training Videos his clients include Service Corporation International, Shell Oil, The American Bar Association, The Texas Young Lawyers Association, Liveris Digital Productions, Hoefler Associates, and The Escape School. His first book, Acting for the Real World: Notes on Television and Motion Picture Acting, will be published soon by FSE Publishing and his screenplays, Succubus Crystal, My Princess, and Faces of Stone, won, respectively, gold, silver, and bronze awards at WorldFest Houston. As an actor, he has appeared as a supporting player in the feature films Brewster McCloud, Zombies of Sugar Hill, Burger Wars, and My Best Friend is a Vampire. His first starring role as “Dusty” in the indie feature Dear Pillow has earned rave reviews in Variety, The Orlando Weekly, Film Threat, Indie Slate Magazine, and Playback St. Louis. He produced and directed Everything or Nothing, an HD feature starring Natasha Melnick in ’04, which was finished in ‘06. It was written by Sue Rock. God Thinks You’re a Loser, an HD feature he wrote and directed, was completed in 2008.

The Mamma Jamma Ride – My Thoughts

October 12th, 2009
Getting ready to ride

Getting ready to ride

On Saturday, October 10, 2009 I fulfilled a commitment I’d made to participate in the first annual Mamma Jamma Ride Against Breast Cancer. I joined this effort in honor and support of my wife, Jane who is a survivor of Inflammatory Breast Cancer or IBC, for short.

When I signed up for the ride, I made an initial commitment to raise the minimum $500 required to participate and to ride a 13 mile course. Once I began training for the ride, I realized I could do much more.

Through the generosity of family and friends my total raised eventually hit $1595 and on ride day I completed the 46 mile circuit.

And we're off

And we’re off

The ride wasn’t easy. It was cold. The forecast of a 70 degree high was way off and temps were in the 50s throughout the ride. But cold or not I figured I would warm up once I started peddling my hybrid bicycle, a Fuji Sunfire 1.0, over the hills and dales.

In fact, about 3 miles into the ride I was wondering if I would really make it. I was hurting like I had not hurt before so soon into a ride. Between the cold and the fact that 2-3 weeks prior I had pinched a nerve that caused pain in my left leg and numbness in my left foot, I wasn’t feeling so good to start the ride.

But by mile 10 I was feeling good enough that passing the first pit stop with a wave to the volunteers manning that station seemed like a reasonable decision. I could make it to the 20 mile pit, no problem, I told myself.

As rider after rider blew past me on their sleeker, lighter road bikes, I thought more than once that ‘next time’ I’m doing this on a road bike.

About mile 13 I glanced down at my back tire. Is it low? It looks a little low. I’m prepared for a flat but I really don’t want to stop even to air up the tire. Ahead is a turn and a couple of ride volunteers.

“Does my rear tire look low?” I ask as I slowly pass by. “No”, they say. “Looks Fine.” Whew…that picks me up a bit.

A few miles ahead, I breezed down an incline and around a curve to see a long asphalt ribbon climbing far into the distance as it reached the horizon. Yikes. “That looks steep”, I thought. Then I remembered one of my training ride lessons. DON’T look too far ahead. Focus on the ‘now’.

That was good advice I gave myself because the next leg of the trip seemed to be one climb after another. To be sure these climbs are nothing for the Lance Armstrong’s in the ride but for this over 50 year old with a pinched nerve, they were becoming somewhat daunting.

BUT, I reminded myself, “the next pit stop is coming soon”. A glance at my odometer and I see that I am nearing the 18 mile mark. Cool. I can make it another two miles and then I can rest.

A turn ahead. A sign.

“Pit Stop – 5 Miles”. WHAT?

Apparently my assumption that there would be a second pit stop 10 miles from the first was wrong. The pit stop was actually, logically, at the half-way point in the ride. At 23 miles. Time to play some positive mind games.

Happily there was some beautiful scenery along the ride route. More than a few times I wished I were out for a more leisurely ride (in a car) with my DSLR so I could stop and take some shots of the beautiful landscapes and the old barns and farm equipment I was passing. Slowly, passing.

At the 20 mile mark there was yet another hill. A biggie in my eyes. At this point I’m really feeling the problem from the pinched nerve. Even though I’m hydrating and taking electrolyte supplements, I’m on the verge of cramping. My left foot is almost completely numb.

What was I thinking by committing to a 46 mile ride? Are you crazy? Then I think about why I got involved in this ride.

Jane Kendrick.

Jane Kendrick.

Oh yeah. It’s about her. And the other survivors who will benefit. It’s not about me. Yeah, this is a little bit hard. But, it’s not CHEMO hard. If Jane can do chemo and surgeries and radiation, this is a walk in the park for me.

I shift into ‘granny’ gear. I’m trying to keep my legs moving so I don’t cramp up and do what I can to get to the top of this incline. At the top, there should be relief. A flat stretch, or maybe even some downgrade. I make it to the top and see that I should be only a mile from the pit stop. THANK GOD. I will most certainly NOT be passing this pit stop.

At a turn ahead, an enthusiastic volunteer claps and waves as I follow the right turn arrow. “Pit Stop” she shouts out as I peddle by, trying my best to look like I’m not actually about to croak. Turn the corner. Pit stop ahead. At the top of another, thankfully short, climb.

A large sign says LUNCH. Sounds good to me. But first a real pit stop.

Leaving the latrine area I see colorful signs and food tables set up on a small rise. Volunteers have some games organized and riders, all of whom seem to look much fresher than I’m feeling, are eating or throwing darts (at a board, not each other) or playing ring toss.

I take this opportunity to do some twitter and Facebook updates. Soon I get a few encouraging responses from my supporters who see my posts. Now I’m feeling better. A turkey club roll, some fruit, some water and the old legs (to say nothing of my backside) are all feeling like I can make it through the last half of the ride.

I ride out with two young ladies on road bikes. We chat briefly and all decide that it’s actually getting colder. “See you when you catch us up ahead”, they say as they pull away. I did see them ahead once or twice. From the back. And then they were long gone.

Thankfully, the second half of the ride seemed to have fewer climbs. Or maybe I was just psyched that this was the home leg of the trip.

At about 30 miles the pain in my leg starts to crank up to where its more than ‘noticeable’. Reaching into the pockets of my jersey I realize I failed to bring along any Advil. UhOh.

At that point I let my mind wander and by the time I reach mile 35 I think I’ve written an entire novel in my head. It’s amazing how fast the (seemingly) creative ideas can come when you’re avoiding something unpleasant. Like pain.

At mile 36 there’s another pit stop. This looks familiar. I’ve seen you before. You’re also the 10 mile pit stop. Not wishing to offend any of the volunteers, I decide I should stop this time and take advantage of their good work. Sure…that’s why I stopped.

Some beautiful person had made peanut butter and jelly sandwiches, cut up into small squares and several of these seemed to be calling my name. A fellow rider, apparently someone I had actually passed along the way (go figure), approached me eating a cookie. “I see you’re going for the protein. I’ve going for the sugar”. “Nah”, I say. “I’m just going for the peanut butter.” “Well, I’m heading out. See you when you pass me ahead.” “I’ll look for you”, I say. She took off down the hill. Never saw her again.

Nice how the other riders are encouraging, intimating that I’ll be passing them when I get going again. HA! Not likely. But it was a very nice gesture.

The last 10 miles were the easy part of the ride. I pass a guy in a Round Rock Express mascot suit. Yes, the whole suit. He’s peddling along in some kind of recumbent bicycle…and making really good time. I don’t think I could do that. But then again, he was probably the only guy on the ride who wasn’t cold.

At 5 miles out I pull my phone out of the jersey and call Jane. I want her to be at the finish line when I get there.

By this time I’m feeling pretty tired and still a bit cold but there’s comfort in knowing that I will definitely finish. I look at my timer and I’ve been riding about 3.5 hours. I’ve been out almost 5 hours, so I guess those two pit stops were a little longer than I’d realized.

Of course there was one last climb near the finish but by then I knew I could just throw the old bike into the easiest gear possible and eventually I’d get to the top.

The signs ahead point to the finish line. I hear people cheering ahead as other riders ahead of me move around a bend and down an asphalt drive.

I’m not too far behind and I end up coming through the ‘Finish Line’ alone.

And yes, I did raise my arm in victory.

There’s Jane. Smiling a beautiful smile. My reason for riding.

“Stop”, she says as I ride to clear the way for cyclists behind me. “You get a medal”.

Receiving my medal from David Smith

Receiving my medal from David Smith

Some Final Thoughts:

At this time Inflammatory Breast Cancer has no cure. But with the benefit of research that has produced better medicines and better courses of treatment, IBC does not have to be the death sentence it seemed to be when Jane was diagnosed six years ago. At that time the life expectancy for someone with IBC was around 18 months. She’s been cancer free now for over 5 years. If you have Inflammatory Breast Cancer, DO NOT GIVE UP.

The Mamma Jamma Ride Against Breast Cancer has raised over $500,000 that will stay in Central Texas to help those diagnosed with many different kinds of breast cancer.

Ten different area charities and resources such as the Breast Cancer Resource Center will use funds raised through this ride to assist survivors as they go through treatment and beyond by: providing rides to chemo or radiation treatments, living assistance for single parents who can no longer work, by providing meals where necessary and many other forms of assistance to survivors who need a helping hand.

It was a privilege to participate in the first Mamma Jamma Ride Against Breast Cancer. The ride organizers did a fabulous job. The course was appropriately challenging and it was perfectly laid out and organized.

To all the readers of this blog, I encourage you to find a similar event in which to participate.

DOES YOUR CASTING NOTICE SUCK?

September 23rd, 2009

RANT ON

For the professional or wanna be film actor, casting notices are easily found on the internet.

They’re in my email on a daily basis. They’re on Actors Access, they’re on Now Casting and they’re on Short Film Texas, to name but a few sources. ShortFilmTexas.com is a site I check daily because they have a LOT of casting information for Texas productions that is presented in a clear, attractive, accessible format.

What is the single most common mistake I see from the mostly low budget filmmakers who are posting casting notices online?

The mistake that potentially costs producers the better actors they want and need to cast for their projects?

The mistake that makes it harder for the producers to cull out the winners among all those who submit pictures and resumes for their projects?

Let’s use an object lesson by comparing two recent, real online casting notices:

What’s wrong with the following casting notice?

Casting Call For SAG Modified Low Budget HD Feature Film in Dallas, Texas ” XXXXXX” – PAID

Project Title: XXXX!
Project Type: Independent HD Feature
Union / Non-Union: SAG Modified Low Budget
Production Company: XXXX Entertainment, Inc.
Location: Dallas, TX and Waxahachie, TX
Start Date:XXXX
Producer(s): XXXX
Director:XXXX
Production Coordinator: XXXX
Publicist: XXXX

Casting:

* All Roles (paid)
* Extras (unpaid)

Paid / Non-Paid: Paid and Unpaid
Meals / Transportation: Meals

Contact:
CAST – please email headshots/resumes to  XXXX at gmail.com

The text above is from a real casting notice for a SAG signatory film. Names deleted to protect the guilty. Have you figured out why the above casting notice is a complete waste of time? If not, read on.

Check out the next casting notice:

Production Title: Fighting Devils
Studio/Independent/Student: Independent
Production Company: Silent Run Pictures
Union/Non-Union: Non-Union
Project Type: Short Film
Project Format: HD, MiniDV
Production Location: Austin, Texas
Production Start Date: October 24, 2009
Shooting Schedule: 3-4 days over a couple weeks
Production Wrap Date: November 25, 2009

Producer: Jacob Walinski
Writer: Boyd Yates and Jacob Walinski
Director: Boyd Yates
Additional Attached Cast/Crew: Andrew Medina and Jerry Early

Synopsis:

We are going to make a short movie that we wrote a few years back. It will be about a priest and the devil playing basketball for a soul. I know its a concept that has been done before. But not the way or with the style we envision. The whole thing will be in camera effects driven. Some of the things we plan on doing include the devil changing forms behind a pole, passing to himself and even turning into an ashtray. Its going to be a fun one to make.

Character Breakdowns:

* Devil – Tall 5′8 to 6′5 male with dark hair. Has to be able to at least pretend to play basketball. The devil will be sneaky with plenty of tricks up his sleeve. Sly and cunning.
* Devil form 2 – Female has to be ok with running up and down the court with a baseball tee and towel shorts. we prefer darker hair for this person but we will consider anyone.
* Devil form 3 – Tall Tall Tall. Im talking like at least 6′3 to 7. and built. We want this man to tower over the priest.
* Priest – we need an athletic mid 20’s to mid 30’s male. He is a man of the cloth but he does not put up with the devils trickery. He plays fair but good.
* Band member – Young guy. Punk rock/ heavy metal type. They are going to be fighting fro this persons soul.

And if anyone knows a good local band that would be willing to let us in where ever they practice that would be great. We want to showcase there band a little. And maybe us a song or two.

Audition Details:
October 03, 2009
Location – Email me first. Then I will give out location of the audition and any other info that you need.

Paid/Non-Paid: Non-Paid
Other/Additional Compensation: Film Credit, DVD Copy
Meals/Lodging/Transportation Provided: Meals Snacks and Beverages

*Email Your Casting Submissions To:
Please email headshots / resume to  Jacobwalinski at gmail.com

*Film/Production Company Website: www.Silentrunpictures.com

Note that the second casting notice is for a non-union film that pays nothing.

Which notice seems the more professional? More informative? To which notice would you be more likely to respond?

What’s wrong with the first casting notice?

Answer: It doesn’t tell potentially interested actors anything about the story or the characters to be cast.

The first example is bad not only for the actors but for the producers as well. Who is going to respond to the first notice?

This is purportedly a SAG signatory production. How many SAG actors are going to respond to what amounts to a complete shot in the dark?

Why bother to be a SAG signatory production and then withhold all details about what kind of cast you’re looking for? Why set yourself up for a mailbox full of headshots and resumes from people who are absolutely WRONG for your project?

If you’re looking for 2 six year old girls, please say so. That way us 50something old farts won’t waste our time or yours by submitting to your project. You’ll hopefully have a more targeted group of submissions to wade through.

Not to pick on the first post. It is one of many that I see daily that are a complete waste of time for everyone concerned.

Come on indie producers, THINK! If you’re not organized enough to post a casting notice that lets the acting community know what kind of characters you need for your project, are you really organized enough to actually produce a movie?

A final thought:

What is the first thing casting notice 1 tells you? It tells me they don’t have an experienced casting director, if they have one at all. That’s the first thing. This is a big mistake, IMO. If you’re a low budget filmmaker and you don’t think you can afford an established CD, approach one of their assistants. If your project has attractive elements, you never know who might want to come on board. A casting person with even a little bit of experience is going to save you a lot of time. And remember…time is money.

RANT OFF

New Production List for Texas and Louisiana

September 15th, 2009

The list below is complied from the SAG list of POSSIBLE SAG signatory productions. POSSIBLE means that these productions have made contact with SAG but have not necessarily completed the signatory process. Offered for informational purposes. Use wisely. YMMV.

Texas

“Beyond the Farthest Star” – 00233502

Pathlight Entertainment, LLC – Low Budget

Location: Dallas/Ft. Worth, TX

Start Date: October 1, 2009

“Cameraman” – 00248634

Dixie Films Alpha LP – Low Budget Modified

Location: Longview, TX

Start Date: September 24, 2009

Casting: David Cole  dnc at dixiefilms.com

“Cherry Bomb” – 00246793

Strike Anywhere Productions, LLC – Ultra Low Budget

Location: Austin, TX

Start Date: September 16, 2009

Casting: Garrett Hargrove;  contact at cherrybombfilm.com

“Cowboy and Lucky” – 00247361

Red C Entertainment – Ultra Low Budget

Location: Waco, TX

Start Date: To be determined

Casting:  info at redctelevision.com

Cowgirl Chicks, The – 00248526

Rodeo Films, LLC – Low Budget Modified

Location: Ft. Worth, TX

Start Date: Late October 2009

“Friday Night Lights” – #00246956

NBC Studios, Inc.

Start Date: 9/2/09

Location: Austin, TX

Casting: Beth Sepko  info at bethsepkocasting.com

“God Save the Red, Black and Blonde” – #00246098

Ordered Productions – Ultra Low Budget

Location: Austin, TX

Start Date: To be determined

Casting: Dan Jimenez;  daj5757 at gmail.com

“Jacob’s Edge” – #00246799

Long Distance Freestyle, LLC – Theatrical

Location: Dallas, TX; L.A. CA; Georgia

Start Date: September 15, 2009

“Just Me and Jose” – 00249418

Just Me and Jose, LLC – Ultra Low Budget

Location: McAllen, TX

Start Date: To be determined

“Legend of Hell’s Gate, The” – 00248883

4 Go West, LLC – Low Budget

Location: Granbury, TX

Start Date: October 12, 2009

Casting: Beth Sepko

“Los Scavengels” – 00249412

Demetrius Navarro – Ultra Low Budget

Location: Dallas, TX

Start Date: October 2, 2009


“Mind of its Own, A”
– 00248745

Speaking Productions, LP – Low Budget Modified

Location: Dallas, TX

Start Date: September 28, 2009

Casting: Donise Hardy

“Minority Western” - 00220674

FAD Productions – Ultra Low Budget

Locations: AZ & Dallas, TX

Start Date: December 2009

Casting: Victoria Joyce Hernandez; (213) 440-6288

“Predators” – 00249564

Predator Planet, Inc. – Theatrical

Location: Austin, TX

Start Date: Late September

“Pros and Cons” - 00246100

Going Bats Entertainment – Ultra Low Budget

Start Date: September 25, 2009

Casting: Scott Ross,  stross at goingbats.com

“Trysts” – 00248638

Adulterers, LLC – Low Budget Modified

Location: Austin, TX

Start Date: October 13, 2009

Casting: Peter Yoder  peteryoder at bleutuna.com


Louisiana

“Battle Los Angeles” – 002458852

Battle Productions, LLC

Location: Baton Rouge, Shreveport, LA

Start Date: September 10, 2009

Casting: Fincannon Casting

“First Wedding, Then Marriage” – 00248498

First Wedding Then Marriage, LLC- Theatrical

Location: New Orleans, LA

Start Date: To be determined


“Hurting Kind, The”
– #00244310

TNC Shreveport, LLC – Low Budget Modified

Location: Shreveport, LA

Start Date: October 15, 2009

“Locked Down” aka “Cage, The” – 00248248

LA Cage Productions, LLC – Low Budget

Location: Jefferson Parish, LA

Start Date: September 11, 2009

“Monster Wolf” – 00249488

Monster Wolf, LLC – Low Budget Modified

Location: Lafayette, LA

Start Date: September 28, 2009

“Relative Strangers” – 00244457

Relative Strangers, LLC – Theatrical

Location: Louisiana (non-specific location)

Start Date: To be determined

On Acting, Cycling and Setting Goals

September 7th, 2009

Going up some of those hills about 20 miles into that first ride, the mental picture I had of myself was as Tim Conway riding a tricycle, struggling up a hill, just getting to the top and then toppling over like a stump. It was at that moment I knew one could feel like their lungs were about to explode and be laughing hysterically at the same time. At that point I’m sure I looked like nothing more than some demented old geezer with heat stroke induced delirium. Hey, even in misery I try to be entertaining.

Regular readers of this blog probably know that I’m training to ride in the Texas Mamma Jamma Ride Against Breast Cancer that is scheduled for October 10, 2009.

While I’ve been a recreational bike rider for a couple of years now, I’ve mostly limited my riding to early morning, sub-ten mile tours of the neighborhood and the occasional longer weekend ride.

The Mamma Jamma ride site told me there were rides of 10, 25, 45, 65 and even 100 miles for the event. Having never ridden more than 15 miles, and being in the over 50 age group, I decided that the 45 mile distance would be a challenge, but an achievable challenge. When I committed to participating in the Mamma Jamma ride, I knew I had to get serious about preparing for this effort.

Since I am not a trainer, not an athlete and certainly not a trained athlete, I sort of made up my own routine based on information I picked up in various bicycle publications and off the internet. I started by being more respectful to my no longer young body.   Among other things, that meant no more going to bed at 2:00 AM when I needed to be up at 6:30 to ride. If I had my druthers I’d stay up all night and sleep later in the morning but I really haven’t been able to do that for quite a while. So, too often, I’d been staying up late and getting up early and paying for it by being tired a lot of the time. That was one change.

Then I changed my riding routine, particularly on the weekends. Thirty minutes or so is usually all I can spare for riding on a weekday morning, so the brunt of the longer distance work has to be on the weekends. I’d been taking off on Saturdays for a 10 mile ride fairly routinely, but I knew that wasn’t going to cut it if I intended to complete the 45 mile Mamma Jamma course to which I was committed.

The Mamma Jamma Ride Against Breast Cancer organization has a terrific schedule of weekend group training rides and I set my sites on some of those.  Six or eight weeks ago there was a group ride scheduled for my neck of the woods and they organizers had a 12 mile beginner’s ride on the schedule.

Perfect.  I knew for sure I could do 12 miles as I’d done 10-15 miles many times. That ride went very smoothly so I showed up the next weekend for a 25 mile training ride…my first ever at that distance.

The distance wasn’t all that tough, as I found I’d gotten myself into pretty decent shape. The hills, however, were a different matter. There are no hills around my house.  There are hills out in the Georgetown area where the ride will take place and there were hills on that training ride in Liberty Hill.  Not BIG hills, at least they didn’t look big at the start.  ut hills nonetheless.

Going up some of those hills about 20 miles into that first ride, the mental picture I had of myself was as Tim Conway riding a tricycle, struggling up a hill, just getting to the top and then toppling over like a stump.

It was at that moment I knew one could feel like their lungs were about to explode and be laughing hysterically at the same time.  At that point I’m sure I looked like nothing more than some demented old geezer with heat stroke induced delirium. Hey, even in misery I try to be entertaining.

Over successive weekends I rode another 25 mile ride, then a 37 mile ride and two weekends back, I kicked it up to 50 miles.

FINALLY I’M GETTING TO THE GOAL SETTING. Sorry, I do tend to go on.

My First 50 Mile Ride:

The first 10 miles were pretty tough.  I usually takes me about 5 miles to start to feel really warmed up.  But that Saturday I felt tired.  I had eased off the daily training, saving my energy for the big weekend ride.

Ten miles in I was wondering if I had under trained.  But soon I was concentrating on the sadly decaying farm buildings I was passing, the cows looking at me like I was nuts and pretty soon I realized I was feeling better and I was looking forward to the challenge ahead.

Even when I ride short 5-10 mile courses through the neighborhood, I find that I need to give myself goals in order to succeed.  Usually at 1-2 miles I’ll be feeling like I’m going to ‘cut it short’ today.  But at 2 miles, I’ll tell myself, “you might as well do at least one more mile”….and on and on.

Then I recall the ‘deal’ I made with myself some time ago: If you get on the bike you have to go at least 7 miles. So, if the body is feeling old and cranky, I break it down a mile or two at a time.  By the time I get to five miles, I’m warmed up and I tell myself  ” just do the 7 or 8 miles”.

On the 50 mile ride I was glad I’d been through that game with myself so many times before.  Because when I hit 30 miles, I began to wonder what in the world I was thinking when I set off from home declaring that I would complete a 45-50 mile ride.

You see, the previous weekend I had planned my route so that I arrived home at the 35 mile marker.  No so on the 45-50 mile ride. I had routed myself so that I was still almost 20 miles from my house when I hit 30 miles. Yikes!

And the HILLS.  I was riding out in the Lake Pflugerville / Manda area. The hills aren’t huge, but believe me, 30 miles into a ride, they began to look like mountains.  And that’s when I began to play mind games with myself and to ponder the concept of incremental goal setting.

Looking ahead at a long stretch of road with a rather steep looking incline, I took a deep breath and plotted my strategy.

The first thing I did was stop looking at the horizon, at the top of the hill.  I knew that’s where I needed to go, but I also knew the task looked too difficult for the way my body was feeling.  The top of the hill wasn’t going anywhere whether I looked at it or not, so I told myself to stop looking so far ahead.

Next I took stock of my ‘assets’.  I had plenty of water left and I still had several energy snacks left.  Time to rip open one of those packets and get some nourishment. My bike, even though it’s a hybrid and not a road bike, was performing just fine…no mechanical problems.  And I was tired, but not exhausted.  There was still some gas in the old tank.

So I set off to climb that next hill.  Instead of focusing on the crest of the hill, I tried to keep focused just a few feet ahead.  I’m not saying I didn’t sneak a peek once or twice, but I concentrated on staying focused on the immediate task at hand, not on the eventual goal.

Time for a cancer story:

I learned a bit about this strategy from my wife, Jane, when she was in treatment for IBC, Inflammatory Breast Cancer.  Jane had chemo every two weeks.  The week she had chemo she got really sick.

She set a goal for herself to make it back to work on Monday of the second week.  It was tough.  By the evening of her chemo treatment she was starting to show the effects of the treatment. The next several days were worse.  But by Sunday evening she was feeling a bit better and on Monday morning she pulled herself up and went to work.

Jane had a GREAT boss during her time in treatment, Mr. Royce Faulkner. Mr. Faulkner had told Jane that she would be paid her full salary no matter how many hours she could work during treatment.  Can you believe that? So, she didn’t HAVE to go to work.  But it was important to her that she continue to live her life as best she could even during a difficult treatment for cancer.  Jane never verbalized the goal at the time.  She just set about accomplishing it.  And I understood.

It was a goal she set for herself and looking back I see how valuable it was to her set and achieve that incremental goal.  The bigger goal was, of course, to beat the cancer and to get well.   But to do that, she had to get through the treatment.  For her, setting ’smaller’ goals along the way was key.

I swear I thought of all these things while I was riding. One of the things I like about riding alone is that one has a lot of time to let the mind run free and just think about things.

As I rode to the top of that hill, I started to think how I could apply this little lesson to other areas of my life, including my life as an actor.

Staying focused…’in the moment’ in acting parlance…is basic to the craft of acting.  Breaking a play, a role, a scene down into smaller parts…line by line, beat by beat…focusing on the present and not the ultimate goal…basic stuff to the actor.

Thinking of becoming an actor?  Formulate a plan.   Break it down into manageable pieces. Set goals.  Keep moving forward.  Set new goals.  Keep moving forward.

If you’re a writer, I know you’ve stared at a blank page or screen and wondered how you were going to get from there to page 120 of your new screenplay.  You might have used an outline or scene cards or some other device to break down the ultimate goal into more manageable portions. Keep moving forward.

But these basics are also concepts and ideals that can get lost in the very tough day to day BUSINESS of forging a career as an actor, writer, director or anything else.

So, I guess the lesson I learned on that ride…for the millionth time in my life, no doubt…was to set a goal.

Then to formulate a plan to to accomplish that goal.

Break the larger task down into manageable pieces.  Follow one completed goal with another.  Keep moving forward.

The benefits are several:  We ‘win’ by accomplishing the immediate goal.  With each incremental task completed we get that much closer achieving the larger goal.  And each step along the way, we grow in experience and in confidence.

It’s so much easier to attack a ‘problem’ in this fashion.   Of course we’re not necessarily going to achieve the ultimate goal.  Not every time.  But there is honor and success in the trying.  Setting incremental goals can, I believe enhance the chances for ultimate success.

Setting incremental goals helps us avoid being overwhelmed by what may seem like an insurmountable task.   Looking at a task as insurmountable is a recipe for quitting.  Actually that’s a recipe for never starting.

Austin Conservatory, SAG Script to Screen Team presents Returning Champion Film Script

August 28th, 2009

I’ll be serving as the narrator for the latest SAG AFTRA Script to Screen presentation this weekend by the Austin Conservatory. Here’s an announcement from Conservatory Chair, Pamela Weaver:

We could use your support in attending our next script to screen this
Sunday. As an experiment this time around, we are using audio and visual
cues:

SAG Script to Screen Team presents Returning Champion Film Script

TV Writers Michele Gendelman and Ursula Ziegler test the film waters

The Austin Script to Screen Team presents a LIVE film script reading
event with Michele Gendelman and Ursula Ziegler’s Returning Champion.

The general public is invited to join actors, writers, producers,
directors, and film aficionados at 4 p.m. Sunday, August 30, at St.
Edwards University Jones Hall, 3001 S. Congress Avenue, Austin, Texas.

Admission is free.

Returning Champion is an off the wall comedy about a college freshman
who is booted out of school and has to move back home to his has-been
game-show host parents. The only way out of answering relentless trivia
questions and guessing which door breakfast is behind is to get his
out-of work parents back on the air.

An ever-growing independent film market has enticed these two TV writing
pros to submit Returning Champion to area investors, directors and
producers.

Michele Gendelman has written for TV shows: Newhart and
Facts of Life and is the author of What the Other Mothers Know
published by HarperCollins and contributor to What Was I Thinking? -
Bad Boyfriend Stories from St. Martin’s Press.

Ursula Ziegler has written and produced TV’s Empty Nest and also written for Head of the
Class, Sister-Sister, and Larroquette. She has developed TV pilots
for CBS, Fox and Castle Rock when not appearing as a contestant on TV
game shows.

Where: Jones Hall in the Ragsdale Center, St. Edwards University

When: Sunday, August 30 – 4 p.m.

How Much: Free

Texas Tax Incentives Light Fire Under Film Production Slate

July 30th, 2009

Early signs that the recently improved Texas tax incentive program may be working are quite positive. Below is a list of POSSIBLE productions coming to Texas and for contrast, Louisiana. The productions listed may not all work out but all have inquired about becoming SAG signatory productions. The volume of production in Texas is up considerably with 22 projects listed. Those projects include more FRIDAY NIGH LIGHTS episodes to be shot in Austin. I did not see Garry Brown’s new series which is supposed to begin shooting in Dallas. Robert Rodriguez’ production of Machete is already underway. While the majority of the listed Texas productions are in the low budget categories, it’s very encouraging to see a number of films in the ‘theatrical’ category as well.

Texas


“Beyond the Farthest Star”
– 00233502

Pathlight Entertainment, LLC – Low Budget

Location: Dallas/Ft. Worth, TX

Start Date: October 1, 2009

“Breaking the Press” - #00246726

Pumpkin Seed, LLC – Ultra Low Budget

Location: Dallas, TX

Start Date: August 3, 2009

“Cherry Bomb” – 00246793

Strike Anywhere Productions, LLC – Ultra Low Budget

Location: Austin, TX

Start Date: September 16, 2009

Casting: Garrett Hargrove;  contact at cherrybombfilm.com

“Cowboy and Lucky” – 00247361

Red C Entertainment – Ultra Low Budget

Location: Waco, TX

Start Date: To be determined

Casting:  info at redctelevision.com

Epic – Low Budget

Start Date: September 2009

Location: Texas, Mexico (city not specified)

Casting:  epicmotionpicture at gmail.com

“Friday Night Lights” - #00246956

NBC Studios, Inc.

Start Date: 9/2/09

Location: Austin, TX

Casting: Beth Sepko  info at bethsepkocasting.com


“God Save the Red, Black and Blonde”
– #00246098

Ordered Productions – Ultra Low Budget

Location: Austin, TX

Start Date: To be determined

Casting: Dan Jimenez;  daj5757 at gmail.com

“Imago” – #00244751

Upstart Filmworks, LLC – Ultra Low Budget

Location: Houston, TX

Start Date: August 1, 2009


“Jacob’s Edge”
- #00246799

Long Distance Freestyle, LLC – Theatrical

Location: Dallas, TX; L.A. CA; Georgia

Start Date: September 15, 2009

Casting: Nick Anderson 310-422-5856


“Letter H, The”
– #00233247

GCP Film, LLC – Theatrical

Location: Houston/El Paso, TX

Start Date: September 3, 2009

Casting: Rodney Acevedo  racevedo at gutcheckproductions.com

“Machete” - #00246735

Machete’s Chop Shop, Inc – Theatrical

Location: Austin, TX

Start Date: July 29, 2009

Casting: Sonny Solomon  distraughtsound at wmconnect.com

“Minority Western” - #220674

FAD Productions – Ultra Low Budget

Locations: AZ & Dallas, TX

Start Date: December 2009

Casting Hernandez Agency 213-440-6288

“One Moon in Luck” aka “Shoot Out of Luck” – #00244805

Liz Destro – Theatrical

Location: Austin, TX

Start Date: October 1, 2009

“Player’s School” – #00238898

Nexus Entertainment and Greg Carter – Ultra Low Budget

Location: Houston, TX

Start Date: To be determined

“Pros and Cons” – #00246100

Going Bats Entertainment – Ultra Low Budget

Start Date: September 1, 2009

Casting: Scott Ross 972-877-6757

 stross at goingbats.com

“Rising Stars” – 00245871

Modern Verge, LLC – Ultra Low Budget

Location: Fort Forth, TX

Start Date: August 10, 2009

“Sodom: The Armageddon Prophecy” – #00246974

Trinity Films, LLC – Low Budget Modified

Location: Austin, TX

Start Date: To be determined

Casting: Michelle Millette;  douglasthemovie at yahoo.com

“Under the Influence – #00238358

Just Make it Happen – LLC

Location: Little Rock, AK;

Start Date: August 24, 2009


“Up & Down”
– 00236412

Potion Pictures – Ultra Low Budget

Start Date: 8/28/09

Location: Houston, TX

Casting: Johnette Duff  johnetteduff at aol.com

“Wilderness” – #00247393
Wilderness LLC – Modified Low Budget

Location: Central Texas

Start Date: August 17, 2009

Casting: Javier Bonafont –  WildernessFilm at gmail.com

Louisiana

“Battle Los Angeles” – 002458852

Battle Productions, LLC

Location: Louisiana

Start Date: September 10, 2009

Casting: Fincannon Casting

“Dead Whisper” - #00231285

Dead Whisper Productions – Theatrical

Location: New Orleans, LA; Big Bear, CA

Start Date: To be determined


“Hurting Kind, The”
- #00244310

TNC Shreveport, LLC – Low Budget Modified

Location: Shreveport, LA

Start Date: To be determined


“Snatched”
– 00247070

Film Flam Productions, LLC

Location: New Orleans, LA

Start Date: To be determined

“Somnambulist” – #00247071

TST Productions, LLC – Low Budget Modified

Location: New Orleans, LA

Start Date: To be determined

“Straw Dogs” – #00247196

Straw Dog Louisiana, LLC – Theatrical

Location: Shreveport, LA

Start Date: August 17, 2009