Posts Tagged ‘Tommy G. Kendrick’

Notes from a hotel in Hollywood

June 26th, 2010

Well…not really Hollywood. Woodland Hills, to be exact.

On this this Friday night in June of 2010, I find myself back in “L.A.” for the first time since 1994.

FLASHBACK:

When my wife, Jane I arrived in Hollywood in 1979, I was a “young” actor from Dallas. And I was the prototypical fish out of water.

Like many before and after me, I arrived knowing no one. I did come prepared with a list of contacts generously provided to me by producers for whom I had worked in Dallas

That gave me a leg up and I was quickly able to parlay those contacts into first rate commercial representation and I turned my first Hollywood audition into my first Hollywood job. But, even with that solid start, I quickly realized that I was, as my first agent was quick to inform me, a ‘llittle fish in a very big pond’.

Time to get grounded:

One of the first things Jane and I did when we settled into our apartment in North Hollywood was to look for a church to attend.

I was raised a Baptist. In Texas and throughout the south there is a Baptist church on every block, seemingly. Not so in Hollywood. But we located a little Baptist church in Burbank and went to check it out.

The preacher was a tall, handsome man with a distinctively deep voice and an accent that I would learn was rooted in North Carolina. The preacher had a wonderful ‘presence’ in the pulpit and from the first sermon we heard, we knew we’d found a new church home.

What we didn’t know at the time was that we had also found a life-long friend.

Who was this man?

At first, I didn’t make ‘the connection’. To me, the name and face were familiar, but I couldn’t put two and two together. But Jane, a avid watcher of westerns….films and television shows….locked in on the preacher’s identity immediately.

Our new pastor was Gregory Walcott, an actor with a long and successful Hollywood career.

If you got to know Greg, you got to know Barbara, his beautiful wife.

While Greg had forged a successful acting career, Barbara had become a highly successful elementary school teacher. Her creativity in the classroom won her many accolades and over the years she touched the lives of thousands of school children.

Jane and I were blessed to become very close to the entire Walcott family. This is a family that reached beyond Greg and Barbara and their three children.

As we discovered, the Walcott ‘family’ was extensive…their neighbors, kids’ friends, film people, church people and eventually, even a couple of strays who wandered in from Dallas.

In 1994 following the Northridge earthquake, we decided that Texas was calling us home and we made the difficult decision to leave L.A. The most difficult part of the decision was knowing that we were leaving behind such good friends.

During our time in California we shared a lot of great times with these friends but we shared some sad, devastating times as well. Losing a child will test your faith. That I can promise you. Through all of that we were blessed with the love and support of Greg and Barbara and the entire Walcott family. God’s mercy was there for us in the form of this family.

Sadly, last week, Barbara Walcott, Greg’s wife of 55 years passed away.

Barbara was a kind and loving woman who was Greg’s first true love and his perfect mate. Bound together by their love and a strong faith in God, they raised three great kids Jina, Pam and Todd who now have great kids of their own.

So, tonight I sit in this hotel room thinking of and praying for friends who are hurting. ,

Tomorrow I will be privileged to join the Walcott’s extended family in the celebration of the life of a wonderful wife, mom and friend.

God bless you, Barbara. You enriched our lives and for that we are grateful.

TWILIGHT NATION SCRIPT TO SCREEN FOLLOWUP

June 7th, 2010

Philip Daay and Chris Engen & Cast of TWILIGHT NATION

Philip Daay and Chris Engen & Cast of TWILIGHT NATION

Thanks to screenwriters Philip Daay and Chris Engen for attending the Austin Actors Conservatory presentation of the script for their series pilot, TWILIGHT NATION: Piercing the Veil. Thanks also the all the actors including those who travelled from Dallas and also from Oklahome for rehearsals and for the performance. You all did a great job.

Check out the AAC Facebook page for a calendar of upcoming events.

TWILIGHT NATION SCRIPT TO SCREEN READING IN AUSTIN

June 3rd, 2010

Twilight Nation Poster

Twilight Nation Poster

TWILIGHT NATION by Philip Daay and Chris Engen, is a television series script. Set in the old west, William must choose how he will live his life and after life with the guidance of others.

FREE and open to the public

Seating is limited: RSVP to the  AustinActorsConservatory at gmail.com

As a Reminder, parking signs at St. Edward’s are NOT enforced on the weekends.

SCREENWRITERS BIOs:

PHILIP DAAY
Based in Austin, Philip Daay learned his craft from the late Malvin Wald, the Oscar-nominated writer of the legendary noir classic The Naked City. Born to immigrants, his mother from Thailand and his father from Iraq, Philip’s first break came with the sale of his movie Left In Darkness to prolific television producer/writer Stephen J. Cannell. The movie enjoyed a release on Worldwide DVD and the Sci-Fi Channel (SyFy).

Ever since, Philip has continued his work in the entertainment industry. Past options include a Horror project to Haxan Films/White Ape; the creators of the cult hit The Blair Witch Project. He has also signed a past option on a Sci-Fi/Horror script with producer Robert Kandle and Oscar-nominated producer David Levy. He has recently concluded a Romance/Comedy assignment still in development for director Todd Cantelon and Trillenium Media Group up in Canada.

Philip’s upcoming projects include Black Salt, an Action/Martial Arts/Thriller starring Michael Jai White and Tom Sizemore to be directed by veteran stunt coordinator Nick Powell. He also wrote the upcoming Sci-Fi/Action graphic novel Scionic for Arcana Studios to be published in 2010.

CHRIS ENGEN A talented writer, musician and actor, Chris Engen has enjoyed an extensive career over the past decade. He played recurring roles on varied television shows such as CSI: New York and Felicity and main character roles for Saints & Sinners and As If. His movie career began in 2004 with DIRTY DANCING: HAVANA NIGHTS. His acting continued as one of the main characters on the movie LEFT IN DARKNESS written by Philip Daay. His latest projects include primary cast in EASY RIDER: THE RIDE BACK the official prequel to the classic EASY RIDER in 1969 starring Dennis Hopper. His collaborative relationship with Philip began on the set of LEFT IN DARKNESS which culminated with Twilight Nation.

More about Script to Screen:

The Script to Screen series is a LIVE read with professional actors of un-produced film or TV scripts before an industry audience. Our scripts are selected from professional writers and/or script festival winners. They are rehearsed, directed and performed by professionals before industry casting directors, producers, directors, potential investors and industry pros for one performance only.

The Script to Screen program began in Houston in 2007 and has grown to now include regular reads in the Austin and Dallas area. Production, financing and re-development of these projects has been the result. Script to Screen is committed to helping professional writers present their work to potential investors and provide a level of talent that can help facilitate casting. Our goal is to provide more work opportunities for industry professionals living and working in Texas.

Austin Actors Conservatory Script to Screen Casting

April 26th, 2010

Austin Actor Conservatory Members,

We are currently casting for our next Script to Screen production. Please review the following breakdowns for BOTH pilots.

Actors for consideration YOU MUST BE A PAID-UP SAG/AFTRA MEMBER. Please submit your headshot and resume and the role(s) you are interested in to  sheila.cooper at sag.org.

Participation requires a commitment of one performance held at on Sunday, JUNE 6, 2010 and 2 rehearsals on Saturdays, MAY 15 and MAY 22, all in Austin. This is a live performed read by professional actors BEFORE INDUSTRY PROFESSIONALS. DEADLINE FOR SUBMISSIONS IS MAY 7, 2010. AUDITIONS BY APPT ONLY ON SATURDAY MAY 8, 2010 OR BY VIRTUAL AUDITION. (ask for details when submitting)
——————————————————————————————

AUSTIN ACTORS CONSERVATORY
SCRIPT TO SCREEN TEAM CASTING FOR “JAKEVILLE, USA”

JAKEVILLE, USA by Jamie Preyer, is a television series pilot. Country Music Legend, Jake Wilson, opens up his place to the reality show “World’s Greatest Stuntman” and all that comes with it.

CAST BREAKDOWN

JAKE WILSON – 50-60, Male, Famous Music Legend. Think Willie Nelson complete with pony tail and beard.

HARPER WILSON – 30’s, Female, daughter to the Jake Wilson, Business professional and stunningly beautiful.

RYAN BAINES – early 20’s, Male, Jake’s Nephew. Fun loving, all American guy

CHRIS JOHNS– 30’s, Male, Tall, handsome, Cowboy type (New York accept a plus)

BEN HAYGOOD – late 20’s, Male, thin, frailer Cowboy

LARRY PRIDE – 30s, Male, TV Producer

EUGENE – 60’s, Male, homeless man that Jack has taken under his wing

VICKY JOY – 30’s, Female, Country comedian with a body like Dolly Parton and a sense of humor like Minnie Pearl

JOSH HURLEY – 30’s Male, TV show host

HONDO – 50’s, Male, Jake’s long time friend and tour bus Driver

NARRATOR (reads all narration and set ups)

COWBOY #1 and COWBOY #2
FEMALE CREW MEMBER #1, #2 – 18-30’s, Female twins
COWGIRL CONTESTANT
CAMERA MAN – No lines but a lot of action
PRODUCER voice over

—————————————————————————————-
AUSTIN ACTORS CONSERVATORY
SCRIPT TO SCREEN TEAM CASTING FOR “TWILIGHT NATION”

TWILIGHT NATION by Philip Daay and Chris Engen, is a television series pilot. Set in the old west, William must choose how he will live his life and after life with the guidance of others.

CAST BREAKDOWN

WILLIAM MITCHELL – 50’s, Male, Gruff Cowboy
GAIL MITCHELL – 40’s, Female, William’s wife
JAKE MITCHELL – 20’s, Male, William’s Son
SHERIFF – 50’s, Male
NORMAN FLANNERY – 40’s, Male, Upscale businessman
BLACK KETTLE – late 50’s, Male, Native American
COMM. ALBERT BOONE – 40’s, Male, politician
MAJOR JOHN SEDGWICK – 40’s, Male
SHANE HARLAN 30’s, Male, Gunfighter
KANATI – 60’s, Male, Native American Elder
RAZIELLE – 20’s, Female, Red-haired beauty gunslinger
EVENGELINE – 40’s, Female, Blond bar owner in a buxom dress
DAIMON – 30’s, Male, Native American
NARRATOR – Reads all narration and set ups
TOWNSMAN #1, 30’s, Male
TOWNSWOMAN #1, 30’s, Female
TOWNSWOMAN #2, 30’s, Female
TOWNSWOMAN #3, 30’s, Female
CHEROKEE FEMALE – 20’s, Female
CHEROKEE CORPSES – 40’s , Male, Native American in a dream sequence.
MESSENGER RIDER – 20’s, Male
UNION SUPPORTS – 30’s, Male
CONFEDERATE SUPPORTER – 30’s, Male

We look forward to your submissions!

Sincerely,
Austin Actors Conservatory


Austin Actors Conservatory
c/o Screen Actors Guild
15950 Dallas Parkway, Suite 400
Dallas, TX 75248
(800) 724-0767, ext. 7 or (972) 361-8185

Austin Actors Conservatory Presents: Agents Panel

April 12th, 2010

AUSTIN ACTORS CONSERVATORY presents

Agent Panel

April 25, 2010
Time: 4:00 – 6:00 PM
St. Edward’s University
Jones Auditorium located in the Ragsdale Center
3001 South Congress Avenue
Austin, Texas

Meet top agents in Austin and find out what they’re looking for as film production picks up in Texas.

COST: Members of the AAC attend for FREE. Please bring your SAG/AFTRA card for admittance (as a reminder all members of AAC must be paid up and in good standing with their unions). * Fans of the AAC: $20.00 *All others: $25.00.

If you would like to download forms to become a Member or Fan, please visit: http://www.sag.org/austin-conservatory

Please RSVP for this EVENT:  AustinActorsConservatory at gmail.com

Moderated by Tommy G. Kendrick

Agent Panelists: Check back the week of April 18th for a listing of panelists that will be attending including commercial, theatrical and voiceover agents.

Who we are:

Austin Actors Conservatory provides ongoing workshops on the business of SHOW and the business of Show BUSINESS to all industry groups at various levels of experience.

The Conservatory, formed in 2008 by a dedicated group of professional actors and members of the Screen Actors Guild and AFTRA, strives to bring educational and networking opportunities to all of the moving image industry and help raise the bar of professional talent in south Texas.

Visit us on the web:  http://www.sag.org/austin-conservatory

Texas Film Production – SAG Signatory Films

March 14th, 2010

With SXSW in full swing, I’ll take this opportunity to publish a recent list of current and future film productions slated for Texas.

The following is a list of POSSIBLE SAG signatory productions that are either already shooting or are considering production in Texas. Keep in mind that some productions begin the signatory process but don’t follow through, so before agreeing to participate in any film production, verify its signatory status with SAG. Check www.sag.org for online verification or to locate the appropriate phone contact number.

The start dates as listed below are not set in stone. For instance, the ULB (Ultra Low Budget) film, NATURAL SELECTION, has pushed back their start date to at least March 22, apparently due to the availability of their lead actress. Actual start dates of other productions may likely vary from the stated dates as well.

If you see something you’re interested in pursuing, be smart. The best method is to work through your agent. If you don’t have an agent or for some other reason don’t want to work through your present agent, be very careful about contacting production sources. Always be professional and to the point in any emails. Avoid phone calls to the production office, if the number is listed. Don’t get yourself put on someone’s ‘always ignore’ list.

This list is being published as a service to the Texas actors community. Use the information below wisely.

The list:

“Benavides Born” – 00257737
SDB, LLC – Low Budget
Location: San Diego/Benavides, TX
Start Date: March 15, 2010
Casting: Toni Cobb Brock/Sally Allen

“Beyond the Farthest Star” – 00233502
Pathlight Entertainment, LLC – Low Budget Modified
Location: Dallas/Ft Worth, TX
Start Date: March 15, 2010
Casting: Karen Armstrong

“Cash’n In” – 00256261
Lisa Norcia – Low Budget
Location: Dallas/Waco, TX
Start Date: To be determined

“Cherry Bomb” – 00246793
Strike Anywhere Productions, LLC – Ultra Low Budget
Location: Austin, TX
Start Date: To be determined
Casting: Garrett Hargrove at  contact at cherrybombfilm.com

“Cowgirl Chicks, The” – 00248526
Rodeo Films, LLC – Low Budget Modified
Location: Ft. Worth, TX
Start Date: March 2010
Casting: Judy Belshe-Toernblom, Los Angeles

“Friday Night Lights” – 00246956
NBC Studios, Inc.
Start Date: September 2009
Location: Austin, TX
Casting: Beth Sepko at  info at bethsepkocasting.com

“Limited Engagement” – 00252416
Rodeo Pictures, LLC – Low Budget
Start Date: Late April, 2010
Location: Tyler/Dallas, TX

“Mortal Vampire, The” – 00256260
E. W. Bradfute – Low Budget
Start Date: To be determined
Location: San Antonio, TX

“Natural Selection” – 00228417
Windar Productions, LLC – Ultra Low Budget
Location: Smithville, TX
Start Date: March 15, 2010
Casting: Karen Halford (TX), Meg Morman/Sunny Boling (L.A.)

“September Morning” – 00254521
Doki-Doki Productions, LLC – Low Budget Modified
Location: Texas and California, unspecified
Start Date: To be determined
Casting: Jacqueline Rush Rivera at  submit at chriseska.com

“Ten Days in County” – 00252746
Real Men Productions – Theatrical
Location: Houston, TX
Start Date: To be determined

“Theory” – 00258132
Aqua Foxx Productions, LLC – Internet/New Media
Location: Houston, TX
Start Date: March 23, 2010
Casting:  TheoryPilot at gmail.com

“True Grit” – 00257202
DW Studios Productions, LLC – Theatrical
Location: Austin, TX., Santa Fe, NM
Start date: March 15, 2010
Casting: Debbie DeLisi at  texascasting2010 at gmail.com

“Under the Western Sun”
Zobest Pictures
Start Date: April 13, 2010
Location: Austin/Smithville, TX

WHAT’S ALL THE FUSS ABOUT NEW MEDIA

March 9th, 2010

SAG Armadillo Day Poster

SAG Armadillo Day Poster


I’ll be moderating the panel at the event below on Saturday. Please join us and find out how you – Actor, Director, Producer can work with SAG in the rapidly emerging new media arena.

@ THE CROSSROADS OF NEW MEDIA

Saturday: March 13, 2010
Time: 11:00 AM – 1:00 PM
Venue: 219 West
219 West 4th Street
Austin, Texas

Join new media gurus Mike Prasad, Co-Founder and CEO of GirlGamer.com; Mark Friedlander, SAG National Director of New Media; and Will Marshall, SAG iActor online casting coordinator for a compelling look at the phenomenal growth in new media production and distribution.

FREE and open to the public.

Seating is limited: RSVP to Sheila Cooper at  sheila.cooper at sag.org or (800) 724-0767, option 7 or (972) 361-8185 by March 10.

JOURNEY OF THE WORKING ACTOR – SAG LIFERAFT

February 6th, 2010

Tuesday, February 9th
LifeRaft Live Stream presents

JOURNEY OF THE WORKING ACTOR

Screen Actors Guild Foundation and Screen Actors Guild are delighted to continue offering innovative “business of acting” seminars to Guild members across the nation at no charge, via live video stream on the Internet!

LifeRaft Live Stream allows you to participate online and submit questions to panelists every Tuesday, 6-8pm (PT) through April 27, 2010. To learn more about the program, view the current 2010 LifeRaft Live Stream schedule and to participate in these events online, simply visit the SAG Foundation LifeRaft Live Stream show page at www.sagfoundation.org All LifeRaft Live Stream events are available for later viewing here as well.

The next LifeRaft Live Stream event is:

Journey of the Working Actor
6-8 p.m. (PT), Tuesday, February 9

Join accomplished Los Angeles actor/author Michael Bofshever  www.michaelbofshever.com), along with his stellar panel of familiar-faced working actors, as he discusses a variety of questions pertaining to the many aspects of what it takes to succeed and live the life of a working actor. Topics to be addressed include the Foundation to Having a Career, Audition Know How, Life on Set, Agents and Managers, and the Art of Perseverance.

Michael has taken “Journey of the Working Actor” to over half the SAG branches across the nation and has garnered wonderful feedback – now, LifeRaft Live Stream is happy to share his professional insights with Guild members everywhere.

Guild members who wish to attend LifeRaft seminars in person may visit www.sagfoundation.org to register for seating at the events held at:

SAG Foundation Actors Center
5757 Wilshire Blvd., Mezzanine Level
Los Angeles, CA 90036
(parking will be validated)

Celebrating its 25th Anniversary in 2010, the SAG Foundation is proud to assist, educate and inspire SAG members in their careers, lives and communities. See you online!

Please note: If you are receiving multiple SAG Foundation notices you may have indicated a preference for more than one Foundation email region list. You may review and adjust this option at any time by logging into www.sagfoundation.org and viewing the “Email Notices” setting on your User Account page.

Headshot Depot – My Latest Experience

January 25th, 2010

On March 13, 2008, as part of my little treatise on headshots, I related a very positive experience I’d had, ordering headshot reproductions online from Headshot Depot.

Following that post, I received a few comments…4 to be exact…that were less than flattering for the company. Fact is that every business will have missteps and slip ups along the way. Actors are like any other consumer: we want what we’ve paid for. Simple as that. Unfortunately, all transactions over the internet don’t go smoothly. When that happens, when the level of trust that is necessary to complete an online purchase is somehow diminished, we consumers get a bit worried at the least and often we get downright angry. All that is understandable.

I know from experience how expensive it is for an actor to keep supplies of headshots, demos, etc. When we spend our hard earned money on these necessities, it really gets perturbing when it seems we may have been scammed.

Now, I don’t know exactly what went wrong for the people who posted negative comments about Headshot Depot on this blog. But I do know that I paid attention. It made me rethink my positive comments and it made me reluctant to place a subsequent order.

Recently I found myself running low on a particular shot I use so I needed to get some new prints. For a number of reasons, I prefer to do this type business over the internet: it’s convenient and I can do it at 1:00am if I want to, the cost is reasonable and the quality of reproductions I’ve received has been excellent.

In deciding where to place my most recent order I looked around at some of the competitive sites that provide headshot reproductions. After an admittedly quick survey of a few sites, I found that I still preferred Headshot Depot for several reasons.

The primary thing I like about the site is their interface. I can upload a photo, adjust the framing to a certain extent, change the background from light to dark, see what it looks like with and without a border…and all in a very few minutes. There may well be other sites that make the ordering process as quick and as easy as Headshot Depot…and I’d love it if you guys would clue me in….but I didn’t hit them in my search. So, with a little reluctance, I placed a new order.

Now comes the slightly negative part of the experience.

I order a lot of things online. I have become accustomed to receiving almost instantaneous responses following placement of an order. If I order computer parts from Newegg, for instance, there is an email confirming the order – in full detail – practically as soon as I hit the ’send’ button to complete the order. Same with most other sites from which I purchase.

Not so from Headshot Depot. I placed an order rather late at night, so I didn’t get upset at the lack of an instant response. When there was still no response the next morning, I started to rethink my decision.

But, not to worry, I did get an email response and it contained my ‘proof’. I was to approve and reply and I was told I’d receive another email regarding payment for the order.

Okay…not the smoothest way to handle the transaction, but I wasn’t being ripped off. Of that I was convinced.

Then…more waiting. I waited for a day or so and when I hadn’t received the email about paying for my order, I emailed the company. I was told the order was actually ready and I should be receiving a billing email shortly.

Later the same day I did, in fact, receive an email instructing me to pay via PayPal and I was good to go.

After paying, I’m accustomed to receiving notification from the vendor that they have been paid, with shipping details included.

Not so with Headshot Depot. Of course I did receive a notice from PayPal, so I knew the transaction was complete on my end. And so I waited.

About a week later the headshots arrived. They actually arrived on the day I had decided it was time to reach out again and find out the status of my order.

So…final opinion: Headshot Depot needs to upgrade their process of communication with clients and completion of orders to match the excellent impression they make with their ordering interface. The product I received this time lives up to the excellent quality of photo reproduction that I previously experienced.

Will I order from Headshot Depot again? I will. The service could definitely be better…smoother at least…but the product is excellent and the pricing is competitive with any other service I’ve utilized.

Today I received a follow up call from the owner who wanted to make sure my order had arrived and that I was satisfied. Now that’s good customer service. I relayed my ‘problems’ and suggestions to him and he seemed receptive.

If you have a good or bad experience with Headshot Depot let me know. I certainly don’t want to be in the position of recommending a service or business that is not delivering on their promises.

Bottom line: caveat emptor.

Demo Reels, Pictures and Resumes – Getting Your Act Together

January 22nd, 2010

The AUSTIN ACTORS CONSERVATORY PRESENTS

“GETTING YOUR ACT TOGETHER”
Demo Reels, Pictures, and Resumes

JANUARY 24, 2010 – Time: 4:00 – 6:00 PM
St. Edward’s University, 3001 S. Congress Ave, Austin, TX 78704
Ragsdale Center, Mabee Ballroom on 3rd Floor

Join the Austin Actors Conservatory for a candid discussion of what works and what doesn’t and learn how to market yourself in today’s climate.

COST: Members of the AAC: Attend for FREE. Please bring your SAG/AFTRA card for admittance (as a reminder all members of AAC must be paid up and in good standing with their unions). FREE for St. Edward’s students (must show student ID for admission) * Fans of the AAC: $20.00 *All others: $25.00.

Please RSVP for this EVENT:  AustinActorsConservatory at gmail.com

Moderated by Tommy G. Kendrick

Our Panelists Include:

Pictures and Resumes:

DAMON WILLIAMS – Former Casting Director for Ricki G. Maslar Casting; Ulrich/Dawson/Kritzer Casting – in Los Angeles, Damon is a recent transplant from Los Angeles, currently casting: “Twisted Proverbs”, “The Everyday Sun Tzu”. Past projects include: “The God Project”, “Going Postal”, “Manfest”,”The Year That Trembled”, “Black Hole”, “My Best Friend’s Wife”, Speechless”, “XCU: Extreme Close-up”, “Always Greener”. Damon is also a SAG actor, AAC Committee Member and 2010 Script to Screen Chair.

Demo Reels and Other Marketing Tools:

PAMELA WEAVER – Actress, Filmmaker, Film Editor. Another transplant from Los Angeles, Pamela has been performing on stage and screen since the age of 6 years old, touring with the “Weaver Sisters” at USO shows, private clubs, aboard ship, army camps. She has performed in over 100 stage plays on both the east and west coasts, 15 films and 6 television shows. In 2006 she went behind the camera learning film editing, shot her first documentary which is currently in post and creates demo reels for actors. Her first paid gig as a film editor and DP was working for ESPN in 2007. Between acting gigs and chairing the Austin Actors Conservatory, she films and edits virtual auditions and demo reels for actors, internet advertising.

JONATHAN GRUBBS – Film editor, motion graphics designer and published writer, Jonathan has spent the last 5 years editing at a boutique post production facility in Los Angeles where he worked on trailers and television spots for major studio film releases. He now freelance edits and designs motion graphics for television commercials for markets across the nation. His current plans are to expand into visual effects, feature title design and feature editorial in the near future. Past clients have included Universal Pictures, Sony Pictures, Paramount Pictures, major pharmaceutical industry firms, a rock band, documentary and a local Austin independent comedy.

What the Professionals That Hire You Are Looking For – How to Get Their Attention!

MARK LANE — Producer, Capitol Motion Pictures — In 2000, Executive Producer Mark Lane produced the independent Film, The Cure for Boredom, starring Judd Nelson, Seymour Cassel and the late Joe Vitterelli. Fusing all his talent and abilities, Mark went on to form Capitol Motion Pictures, focusing on the production of quality feature films. His feature, the comedy “Checking Out” starring Peter Falk, Laura San Giacomo, David Paymer & Judge Reinhold, was released in September, 2006. Mark’s present position in the film industry culminates years of expertise both behind and in front of the camera. Mark started out as an actor in New York, eventually producing and acting in over twenty off-Broadway plays. Following the path of numerous talented New Yorkers, Mark headed west to Hollywood where he quickly gained recognition working as an actor on such network television shows and feature films such as Hill Street Blues, McGyver, Capitol, Miss Lonely Hearts, Chud 2, Friday the 13th, Fire in the Night, Mass Appeal, Sex & Bullets. Desiring to expand his creativity, Mark began working behind the camera on numerous projects for the three major networks: ABC, CBS, and NBC; as well as for several motion picture studios, including: Paramount Pictures, Universal, Warner Brothers and Lion’s Gate, to name a few. Quickly, Mark rose to Producer, heading up three feature shorts for HBO/Showtime: When Angels Cry, Galatea’s Wish, and Hope’s Creek. He also produced and directed the nominated documentary, Our Father the Bank Robber. Mark studied acting in New York City under the tutelage of Lee Strassberg, Warren Robertson, Uta Hagen & Herbert Berghoff and Alan Rich in Los Angeles. The completion of two films this year ”Bittersweet” won highest honors this years at World fest 2009 Houston starring James Brolin & Kip Pardue and “Shadows” starring William Hurt & Cary Elwes are slated for release this year. The Tribeca Film festival has requested Shadows to have our world premiere for their festival this April 2010.

GARY CHASON, Director, virtually grew up in the theater. He and his two sisters, from the moment they could walk and talk, put on shows for family and friends. He studied classical ballet at Houston Ballet’s academy as well as vocal music, singing in the chorus of the Houston Grand Opera’s production of Tales of Hoffman. He took up directing at the University of Texas and set his sights on becoming an avant garde, experimental writer/director. He created Houston Laboratory Theatre in 1970 and directed an innovative Romeo and Juliet that received excellent notices. He produced and directed one of the most controversial stage productions in Houston during the Seventies: The Beard, an erotic one-act staged at an art gallery in the Montrose District. He also directed two of his original plays at the Equinox Theater: Charlie’s Ear and Denizens. He has had a distinguished career in motion pictures as a Casting Director and Dialogue/Dialect Coach. His casting credits include: The Last Picture Show; Paper Moon; The Getaway; Pretty Baby; and Paris, Texas. He has worked closely with directors Robert Altman, Peter Bogdanovich, Sam Peckinpah, Michael Ritchie, Louis Malle, and Wim Wenders. As a Dialogue/Dialect Coach he has tutored Jeff Bridges, Cybill Shepherd, Cloris Leachman, Brooke Shields, Tatum O’Neal, C. Thomas Howell, and Ann-Margret. His first feature film as a Writer-Director, Charlie’s Ear, won the Critics’ Prize at Mannheim and all the top awards – Best Film, Actor, Director, and Cinematography – at the IMAGFIC festival in Madrid. He produced The Trust, an award-winning feature film starring Karen Black and Sam Bottoms, and has produced, directed, and/or written numerous shorts: Mama Icy’s House; From Nowheresville; Ink on Paper; Little Beauties; A Few Letters Off; More Than Two Dollars, and My Name Is Jeffrey and I’m a Serial Killer. In the field of Corporate Training Videos his clients include Service Corporation International, Shell Oil, The American Bar Association, The Texas Young Lawyers Association, Liveris Digital Productions, Hoefler Associates, and The Escape School. His first book, Acting for the Real World: Notes on Television and Motion Picture Acting, will be published soon by FSE Publishing and his screenplays, Succubus Crystal, My Princess, and Faces of Stone, won, respectively, gold, silver, and bronze awards at WorldFest Houston. As an actor, he has appeared as a supporting player in the feature films Brewster McCloud, Zombies of Sugar Hill, Burger Wars, and My Best Friend is a Vampire. His first starring role as “Dusty” in the indie feature Dear Pillow has earned rave reviews in Variety, The Orlando Weekly, Film Threat, Indie Slate Magazine, and Playback St. Louis. He produced and directed Everything or Nothing, an HD feature starring Natasha Melnick in ’04, which was finished in ‘06. It was written by Sue Rock. God Thinks You’re a Loser, an HD feature he wrote and directed, was completed in 2008.